Teresa

Jin-Yeong gets Kimchi by courier from her mother. Her older sister Jin-sook who lives with her mother gives Jin-Yeong a complexion with kimchi. Jin-Yeong is not comfortable with this relationship. Then one day, Jin-yeong goes to visit her mother's house in the country with her husband after hearing about her mother's car accident. Jin-Sook secretly scratches Jin-Yeong and eventually explodes.

Lin, a migrant female worker from Cambodia, and Yeon-hee, a Korean, are friends who work together at a factory at night. One day, the two will go to the sea together for the weekend. However, the factory manager only forces Lin to work overtime on the weekend, while Lin finds out that Yeon-hee is leaving Korea for Australia soon.

A Japanese tourist, Tokio, meets a 15-year-old Hong Kong girl and her grandmother left behind in Hong Kong while their family emigrates to Canada.

Josie Alibrandi is 17 and doesn't know where she belongs. This year, however, everything is going to change. Josie will face her fears, uncover secrets and even discover the true identity of her father.

Where do we come from and where do we go ? The eternal question of humanity which religions have tried to answer over the centuries - lt's the end of the year 2012. The Universe is about to undergo an imposing planetary alignment and a Total Eclipse will soon be upon Planet Earth. Great vibrational changes are imminent and set to disturb us. The eight members of the Galactic Council, led by Lord Ogmha (William Shatner), meet to discuss the effects of the imminent alignment. They are 8 creators (aliens) and each one of them governs a Planet. They are each responsible for the security and well-being of a 'LENS'. Together they balance the conflict and allegiance of the Universe. Treason puts Earth in danger and the LENS, the hard disc (crystal core) containing the recording of the entire history, DNA, memories and nucleus of mankind is hidden somewhere in Italy. Everyone is searching for it. If the Lens is opened and in the wrong hands it could reveal to the human beings the shocking

After marrying an American lieutenant with whom he was assigned to work in post-war Germany, a French captain attempts to find a way to accompany her back to the States under the terms of the War Bride Act.

World War II Italy...1943. After parachuting behind enemy lines on an espionage mission, an American soldier is imprisoned by the enemy. He escapes with four Italian prisoners, enlisting their aid in exploding a bridge.

Having moved to Paris for university, Leevi returns to his native Finland for the summer to help his estranged father renovate the family lake house so it can be sold. Tareq, a recent asylum seeker from Syria, has been hired to help with the work, and when Leevi's father has to return to town on business, the two young men establish a connection and embark on a romance set against the idyllic Finnish summer. However, looming over this chance encounter, is the father's imminent return to the lake house, the continuation of Leevi's studies abroad as well as Tareq's complex relationship with his family in Syria.

Sister Tse is brought to New York by a Snakehead, a human smuggler. Although she is indebted to the crime family responsible for her transport, her survival instincts help her gain favor with the matriarch, and she rises quickly in the ranks. Soon Tse must reconcile her success with her real reason for coming to America—to find the child that was taken from her. In the end, Sister Tse must draw on the strength she found in transforming her victimhood into power.

The film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply. In the context of this film, "Allegro non Troppo" means Not So Fast!, an interjection meaning "slow down" or "think before you act" and refers to the film's pessimistic view of Western progress (as opposed to the optimism of Disney's original).

While scouting out apartments in London for her Venetian boyfriend, Carla rents an apartment overlooking the Thames. There, she meets a real estate agent by the name of Moira.

Roberto, a shy law student in Rome, meets Bruno, a forty-year-old exuberant, capricious man, who takes him for a drive through the Roman and Tuscany countries in the summer. When their journey starts to blend into their daily lives though, the pair’s newfound friendship is tested.

In 1987, Ricardo is 17 years old. This summer, Ricardo has a busy schedule: loose his virginity, find a way to get into bars, have a car, spend time with his friends. In order to rapidly make money, Ricardo decides to use his italian inheritance and take a shortcut in the medium of crime. But things will go wrong...

Ira translates as “Anger,” but the titular emotion isn’t often conveyed by the unnamed man and woman at the center of this subdued Italian drama set on the grim fringes of society. Instead, they spend their nights working—he in the market, she on the streets—or wandering restlessly and relentlessly around their dark, decaying city. Writer/director Mauro Russo Rouge follows his characters as they drive down roads lit by the yellow glow of streetlights, push through the crowds at a pink-hued nightclub, pick up supplies in a glaringly bright supermarket, and meander down sidewalks with drinks in hand. They rarely emerge into the sunlight; most of the action takes place in claustrophobic indoor spaces or in the cold, gray light of dusk or dawn. So, too, do their expressions remain withdrawn—even when their nascent relationship triggers a decisive act of violence.

In late 19th century France, the Countess Louise, wife of a wealthy general, sells the earrings her husband gave her on their wedding day to pay off her secret debts, then claims to have lost them. Her husband quickly learns of the deceit, which is the beginning of many tragic misunderstandings, all involving the earrings, the general, the countess, and her new lover, the Italian Baron Donati.

Von Ryan's Express stars Frank Sinatra as a POW colonel who leads a daring escape from WWII Italy by taking over a freight train, but he has to win over the British soldiers he finds himself commanding.

Recovering from a heart attack, a workaholic editor recalls the simple days of his youth. Robertson adds an emotional center to this messy, flashback-filled 'heavy' dramatic piece. Plenty of co-star talent.

The film is about the difficult situation in which the Pakistanis in particular and the Muslims in general are caught up since 9/11. There is a war going on between the Fundamentalists and the Liberal Muslims. This situation is creating a drift not only between the Western world and the Muslims, but also within the Muslims. The educated and modern Muslims are in a difficult situation because of their approach towards life and their western attire. They are criticized and harassed by the fundamentalists and on the other hand the Western world sees them as potential suspects of terrorism just because of their Muslim names.

Karlskov is a self made, successful owner of a large electronics factory, has a wife and five children. They live the good, privileged upper-class life on Strandvejen north of Copenhagen when the Nazis occupy Denmark in April 1940. Karl struggles to continue production at the factory, but to protect his family and employees he reluctantly begins to produce for the German market. It brings him into a controversial collaboration with the occupying power and causes painful breaks in the family.

"Despite the multitude of characters and situations, the plot is simple: the eternal flow of life. It is based on Les contes fantastiques d’Hoffmann, a play by Jules Barbier and Michel Carré, who were inspired by some of the stories of the German E.T.A. Hoffmann. On a drunken night in the city, Hoffmann tells how he courted and lost three girls, his impossible loves: Olympia, a mechanical doll that only he believes to be truly human; Giulietta, the courtesan who steals his reflection in a mirror; and Antonia, a young woman who sings until she literally dies." Venue & Opera Company: Teatro Regio di Parma Recorded: 1988 Singers: Alredo Kraus, Ruth Welting, Jonathan Omilian, Barbara Hendricks, Elena Zilio, Nicola Gjiuselev, Bruno Buulgarelli, Francis Egerton, Aldo Bottion Orchestra: Orchestra Sinfonica dell'Emilia-Romagna "Arturo Toscanini" Chorus: Coro del Teatro Regio di Parma Chorus Master: Adolfo Tanhzi Stage Director: Beppe de Tomasi