Carlos do Carmo, Bernardo Sassetti:

Two incredible musicians generating an intense, moving and very special musical relationship. Raül Refree one of the most innovative european producers of the last decade, was blown away by Lina's voice, when he saw her sing at Clube de Fado in Lisbon. Lina, a Fado singer with classical training, 2 records on Sony Music and an expert on Amália Rodrigues, selected some of the Diva's Fado Classics and they immediately started to work in studio, a joint project. Raül framed Lina's voice in analog clouds, with brilliant arrangements and a never-before-tried approach, giving Fado a unique electronic view underlining its universal condition. Lina profoundly moving, each song she owns is a monument in the history of Fado, whose voice haunts us all. Sometimes you need to break the rules, that is how you end up making history.

A portrait of Amália by herself. Her personality, experiences, daring, songs, joys and sorrows and a journey that took her all over the world, are told here through moments when Amália crossed with the history of radio and television and public.

You already know the legendary singer. For the first time, you'll get to know the woman behind the myth.

Sara Correia – Eu sou de Chelas

Ana Maria loves a modest guitar player, Júlio; when she herself in a 'retiro' (typical fado tavern), public and critics rend major applause. Fame brings about new friends, namely bohemian young who play and sing the fado with her, and not so young men but who rich and powerful enough to patronize her, promote her, and wish to become intimate with her. Júlio the guitarist feel betrayed, and he sets his mind to depart to the African colonies, to leave her forever. Knowing that he's going to embark, Ana Maria's heart between her first love, and the appeal of the rich and famous.

The great fadista, Amelia Rodrigues, made her screen debut in Capas Negras, which took its name from the black capes worn by the students in the university city of Coimbra, where the film is set. The action begins in a tavern where a group of former students are reminiscing about their time at the university. One of the students, Jose Duarte then breaks into song, performing an impromptu fado in the local Coimbra style. The tavern owner's niece, the aptly named Maria Lisboa promptly retaliates with a fado of the Lisbon variety. The melodramatic plot then centers on the frustrated romance between these two characters, and the soundtrack is essentially a musical duel between these two different styles of Portugal's national song.

A love letter from an American soul to the city of Lisbon.

Sarah Vaughan features the "Divine One" in her prime, wrapping her sultry voice around jazz standards such as "Lover Man", "Misty" and "I Got Rhythm and soaring on popular showtunes such as "Over The Rainbow" and "Maria". One of the greatest voices of the 20th Century, her renditions of songs by Harold Arlen, Leonard Bernstein, Johnny Burke, the Gershwins and Stephen Sondheim are pure diva magic. These three performances demonstrate why Sarah Vaughan is invariably mentioned in the same breath as Ella Fitzgerald and Billie Holiday.

The employees of a failing radio station must put on a huge ratings winner to have any chance of continued operation.

1.Fast as a Shark 2.Restless and Wild 3.Love Child 4.Turn Me On 5.Princess of the Dawn 6.Guitar Solo 7.Son of a Bitch 8.London Leatherboys 9.Balls to the Wall

Doe Maar was a Dutch ska band with punk and reggae influences. Their career ran from 1978 to 1984 and they were one of the most successful pop bands in Dutch history. Doe Maar translates as Go Ahead or Just do it, a phrase mostly used in a deprecatory, sulky manner. Doe Maar De Popmusical, is a Dutch musical produced by V&V Entertainment. It premièred on 28-01-2007 in Tilburg. The show on 11-18-2007 (Theater Castellum) was recorded and aired on 01-01-2008.

Stephen Marley - Live at California Roots 2022

Stephen Marley - Live at Lowlands Festival 2011

Julian Marley & The Uprising - Live at Rototom Sunsplash 2018

The Nation’s Favourite Beatles Number One tells the stories behind some of the greatest Beatles songs ever. With interviews from Beatles’ insiders including musicians, friends, fellow performers and celebrity fans, we’ll hear about the stories behind the Fab Four’s best-loved hits

Passion is a musical with music and lyrics by Stephen Sondheim and a book by James Lapine. The story was adapted from Ettore Scola's film Passione d'Amore. Central themes include love, sex, obsession, illness, passion, beauty, power and manipulation. Set in 19th century Italy, the plot concerns a young soldier and the changes in him brought about by the obsessive love of Fosca, his Colonel's homely, ailing cousin.

A diva who effuses sweetness as naturally as she breathes!" - The New York Times. Live from Royal Festival Hall in London, Bernadette Peters combines raw talent with alluring sophistication as she sings many Broadway standards, including "Broadway Baby" (Follies), "Time Heals Everything" (Mack & Mabel), and "Some People" (Gypsy). She also performs a selection of songs from her Grammy-nominated, bestselling album, "I'll Be Your Baby Tonight," as well as several numbers from Stephen Sondheim that were featured in her performance at Carnegie Hall, New York.

Julie and Carol at Carnegie Hall is an American musical comedy television showcase starring Julie Andrews and Carol Burnett, broadcast on CBS on June 11, 1962. The special was produced by Bob Banner and directed by Joe Hamilton. Banner came up with the idea in the Fall of 1961. Burnett was then a regular on The Garry Moore Show and Andrews had appeared as a guest twice, performing the song "Big D" from the musical The Most Happy Fella in the first appearance; and in the show's 1961 Christmas special, she did a number with Burnett and fellow guest Gwen Verdon plus an early performance of "My Favorite Things" (three years before she performed it as Maria while filming The Sound of Music). Mike Nichols wrote the script and co-wrote the song "You're So London" with Ken Welch. Writing began in February 1962 and the stars rehearsed for two weeks before the March 5 taping

Julie and Carol at Lincoln Center is a 1971 concert featuring Julie Andrews and Carol Burnett, their second out of three specials after Julie and Carol at Carnegie Hall and before Julie & Carol: Together Again. Staged in the Philharmonic Hall, the special was produced by Joe Hamilton, and written by Bob Ellison, Marty Farrell, and Mitzi Welch, who reused the template from the first show. The special was broadcast on CBS on December 7, 1971.

Rhodanthe* New Year Concert 2016 FIRST*MODE