I Likes Babies and Infinks

Two babies are in dire need of pacification.

Collection of short gore film shorts! Super Rare. Amazing! Bag Face who? Jogging Holocaust!? Violent boner offender attacks!! Offensive Splatter!!

Mrs Hardy is annoyed that her husband Oliver seems to spend more time with his friend Stanley than with her. After a furious argument, Mrs Hardy says that she is through if Ollie goes out with Stan again. Stan suggests that Ollie adopts a baby, which he does. Unfortunately, his wife has left their apartment on returning, and a process server delivers a paper informing Ollie that she is suing him for divorce, naming Stan as correspondent. The boys are now left to look after the infant on their own.

When Popeye takes the baby for a walk in the stroller, the little one won't be quiet unless he's sleeping. Of course there's no end of noisiness.

A woman is forced to go on the run after her husband betrays his partners, sending her and her baby on a dangerous journey.

The cries of a baby drive a man going through a breakup into drug-fueled madness.

Susan needs to come up with a commercial jingle for a new pillow before the weekend, but there are distractions: her infant’s incessant crying, her husband’s strange behavior, her baby monitor’s ability to pick up juicy neighboring arguments. And yet, these intrusions seem small compared to the arrival of a mysterious courier, whose presence threatens more than Susan’s productivity.

A lonely janitor most make a choice when a vampire attack leaves him the sole caretaker of an orphaned, and possibly monstrous, infant.

Poetic tribute to Mrs Turner's vegetable growing prowess, plus the delights of "wartime steaks".

Jamaa Fanaka’s first project plays off the Blaxploitation’s genre conventions, an adaption of Goethe’s “Faust” presented with a non-synchronous soundtrack and superimposed over a remake of Super Fly (1972). Often out of focus with an overactive camera, the film immediately exudes nervous energy, but unlike Priest’s elegant cocaine consumption in Super Fly, Willie’s arm gushes blood as he injects heroin. A morality tale in two reels. —Jan-Christopher Horak

Tommy loses his job as a make-up artist at Bayerischer Rundfunk after fogging an announcer with hairspray and then insulting her; Mike is dumped by his girlfriend because, on the one hand, he only cares about his music and, on the other hand, he is financially stranded. So they both need money and decide to become detectives. On behalf of a rich industrialist, they are to shadow his wife and take photos of her cheating. So Mike and Tommy travel to Bad Spänzer, where the lady is staying. But she is as faithful as gold, so Mike, disguised as a Prussian, makes advances to her so that Tommy can take the required photos. But Tommy soon has to slip into a costume, too: Since Tommy looks deceptively similar to an Arab sheik, he is hired by the sheik's secret service to double him. What Tommy doesn't know: assassins want to kill the sheikh at all costs.

When high-powered executive Samantha LeBon hatches a scheme to spend a romantic Christmas with her new employee – the unsuspecting, blithesome James – his wife, their kids and their two dogs, Rocks and Daphne, must rescue him before he makes a terrible mistake.

Alex is a passionate musician. He travels from one gig to the next with his tango band. He can't make a living from his music, but he doesn't really care. This changes when he and his bandmates steal a rocker band's tour bus and there is an accident. Alex's friend Tommy dies and the tango band is finished. Suddenly Alex finds himself without an apartment, a pile of debts and with the grim rockers breathing down his neck. There's only one thing to do: go into hiding.

Three years have passed since Elling moved to town together with Kjell Bjarne, his roommate from the institution at Brøynes. Elling now lives on his own in the apartment. Kjell Bjarne has moved up one floor, to Reidun and her little daughter Mojo. Elling feels like an outsider, and he isolates himself more and more. He observes humankind with astonishment, and wonders at how everyone else seems to be adjusting so well. Finally, Kjell Bjarne takes care of the situation. Elling protests, but he is still pretty happy as he is transformed into a new man, clean, fully rested and well dressed. Deep inside, he also knows what's lacking, and one evening he finally finds the woman he knows is able to fill the void in his life. He's willing to do anything to win her trust and conquer her love. But when he is invited home to his new girlfriend for dinner, a few objections appear to Elling, and the story doesn't end quite the way he had thought it would.

In post-WWII Communist Czechoslovakia, several characters considered bourgeois are sentenced to work in a junkyard for rehabilitation. Among them is a young man who pines for a female convict.

Over the course of three days Ross, a college dropout addicted to crystal-meth, encounters a variety of oddball folks - including a stripper named Nikki and her boyfriend, the local meth producer, The Cook - but all he really wants to do is hook up with his old girlfriend, Amy.

Three female employees of the Federal Reserve plot to steal money that is about to be destroyed.

Long-haul driver Hannes picks up a young hitchhiker, Herb, who had a falling-out with his parents after dropping out of college and now travels around doing odd jobs. After a series of adventures, they are joined by Johanna and her child, who missed their bus and need a ride to Berlin. Johanna has left her husband so that he can reflect on their broken relationship and both men gradually begin to fall in love with her.

When police funding is cut, the Governor announces he must close one of the academies. To make it fair, the two police academies must compete against each other to stay in operation. Mauser persuades two officers in Lassard's academy to better his odds, but things don't quite turn out as expected...