Había una vez un marido

Roberto makes a pact with the devil to please his multiple lovers sexually, Satan accepts the deal but promises to snatch his soul when he finds true love. Meanwhile, two cops are on the lookout for those responsible of a murderous drug on the streets.

Music School

Rodrigo and Gabriela have been dating for years, sometimes their relationship seems like best friends, but deep down, they love each other. Their daily lives are disrupted when their best friends, Luz and Jorge, ask them who would be allowed.

Gina, a modern business woman in her late forties, has a lover named Adrian, a journalist, who she sees once in a while just to have sex. They are both attracted to the historic figure of Pancho Villa: he admires his power while she admires his virility. As Gina helps Adrian to write a book about Villa, she discovers the similarity between Villa's relation to women to that of Adrian and hers, and that Villa's revolution never included her, nor the rest of the female half of the human species. Can the love of a woman and a man survive machismo?

This is the story of three brothers - a priest, a soldier, and an outlaw - that are raised separately by their godfathers once their mother dies. They cross their paths again when the soldier and the priest move into two towns near the town the outlaw lives in. The drama will unfold once the three brothers meet each other.

The life of the musician Juventino Rosas, who despite his talent lived an existence of misfortune and poverty.

Pepe el Toro is married to Celia la Chorreada and they have two children.

Rosario, the niece of the rancher, returns to the ranch after ten years of absence. She takes in Margarito, a worker at the ranch, who is immediately smitten by her. Rosario is rescued from a runaway horse by the Seven Men, an outlaw a la Robin Hood that steals from the rich and gives to the poor. He also happens to be the twin brother of Margarito, unbeknownst to him. The confusion between Margarito and the Seven Men generates great comical situations in the film.

Romantic triangle during the Mexican Revolution.

Two brothers known in town for their womanizing, drinking and rowdiness meet their matches when two girls who like them decide to tame the two machos.

The encounter with an old lover puts a revolutionary general in great danger of death.

Cantinflas and three friends return a stolen necklace to an actress who invites them to be extras at Clasa studios. While on the set, he falls asleep and dreams that he is d'Artagnan, fighting on behalf of Queen Anne.

Lola and Cuau, a progressive middle-class pair, and Iñigo and Majo, a young conservative, well-heeled duo, turn to artificial insemination as a last resort to have children. In a madcap twist based on actual events, a mix-up at the clinic results in each mom-to-be carrying the other one's baby.

Canceled in Hollywood, star Lana Cruz heads to her hometown for a comeback. Enter Polly, her fan-turned-frenemy. Can Lana dodge drama and reclaim her fame?

Verona's peace is disturbed by the rivalry between noble families: the Montesco and the Capuleto, irreconcilable enemies. The two families have continued fighting to make life unbearable in the Italian town. The Prince of Verona informs the chiefs that the two families respond with their lives if there are new struggles. At a ball in honor of Juliet, the daughter of Capuleto, incidentally meets Romeo, son of Montesco. Both fall in love immediately, not knowing that their love is impossible.

Cantinflas enjoys the bullfight show, and wants to crash in every of these spectacles. Also, there's a professional bullfighter, Manolete, who is identical to Cantinflas. Manolete has to give a bullfight show in a village, but Cantinflas arrives first as a stowaway in a train, and he'll be mistake by the real bullfighter. Cantinflas will give us a demonstration of courage.

The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As Braulio stumbles around looking for his glasses, he causes a famous film star, Alfonso de Madrazo (Rafael Alcaide) to crash his car. Braulio offers him to eat at his house as an apology. Braulio's sister and mother, big film fans, immediately recognise Alfonso and attempt to get him to bring the girl, Luisa Peláez (Irma Dolores) to Mexico City to become a film star. Alfonso agrees and tells them to come to the capital.

Agent Jesus Juarez (aka Chucho) has always played the Devil in his town's Nativity Play. This Christmas, when the new pastor of the church recasts the role, the two men engage in a battle between good and evil.

After learning an irreversible truth, Camila, Teté and Margo must abandon their busy lives to come up with a plan to end their mother's life.

During the Mexican Revolution, a hardened and rich lady landowner is overtaken by the violence of the times. Losing her land and house, she falls in love with a revolutionary leader that is killed by a sadistic and corrupt federal officer. She takes the revolutionary flag and leads a rampage of violence and destruction.