Margo Lily

Charlie is a lonely criminal defense lawyer who doesn't care if you're guilty, until he falls for Ella, a victim of violent crime.

Reunion is the story of that person you carry with you. It's the story of a first love, a time and place and lives not led.

Luisa and her sister Estela will play hide and seek during a particular night. They both have suffered an important loss in their family, the mourning and grief will be present inside their house all night long.

Marcos, an adult who as a child lost his beloved pet, a black German shepherd dog, with whom he had a special bond. This bond leads him to search for it over time until he believes he has found it in a park with another owner.

Water, earth, air, fire – and two children at the height of summer.

The music video for English recording artist M.I.A.'s "Born Free" was directed by Romain Gavras. The video, which depicts a genocide against red haired people, was filmed in California and directed by Romain Gavras as a nine-minute short film without the prior knowledge of M.I.A.'s record labels.

The successful short film compilation series continues with six outstanding films focused on school and college-age youth. 6 Shorts: Benny's gym (2007); Flatmates [Kompisar] (2007); Kali Ma (2007); Mr_Right_22 (2007); Secrets (2007); Yeah No Definitely (2007).

A man is lost in the memory of his wife and the last good day they spent together.

Lisa, an aspiring songwriter, whose farming family has suffered foreclosure is forced to work at a new, 'urban farm' where she meets Dalia. Her casual racism leads her to be fired but the women end up drawn into a passionate affair.

In a city ravaged by war and famine where there is nothing but wreckage and corpses, a bird struggles to find food for its hungry chickens. But nothing is easy as it seems to be.

In this melodrama about love in wartime, Angela (Ida-Lotta Backman) is a Finnish nurse in Lapland who begins a torrid affair with Thomas Schmidt (Mathieu Carriere), a wounded German army captain. Their love for each other is verboten in Finland, where the Germans occupy northern Lapland until the end of the war. Finland had formed a brief alliance with Germany to fight an invading Russia in the winter of 1939, but when the Russians won that battle and took more than 16,000 square miles of land away from Finland, it was too late to successfully rout the Germans from Finnish soil. So for the entire war, the Finns were fighting Germany on their own national territory -- which makes the love affair between a Finnish nurse and German soldier a very complex issue. While Angela receives different reactions from her friends, acquaintances, and relatives, she continues on with her love for the German, against odds which are greater as time goes by.

Having gone through many personal struggles, Eli (Lil Terselius) returns to her native village and begins to work on the farm of Ingeborg Eriksdotter (Anita Bjork), eventually tending a plot that once belonged to her family. But Eli has been gone a long time, and the opaque villagers see her as an outsider—she is suspicious from the start. The year is 1625, and stories of witches conjuring up evil are a part of the daily culture. Eli unwittingly makes matters worse for herself when she is able to cure the sick with herbs, and when she begins an affair with Aslak (Bjoern Skagestad) a farmhand—clearly she must have cast a spell on him. This all adds up to a witch hunt with a ready-made "witch." Eli, in the end, is officially accused of witchcraft by a devious bailiff, while Ingeborg makes every attempt to save her, and Aslak himself does not survive the stress—hardly a good omen for the outcome of the trial.

Writer and filmmaker Assia Djebar explores Algerian history, the psychological impact of war, and post-colonial female identity in this 1979 classic of film literature. Named for (and taking its structure from) a traditional song with five distinct movements, the film combines documentary-style observation with loose narrative form to tell the story of Lila, an Algerian expatriate returning to her country 15 years after independence has been won. In comparing her life with the lives and experiences of rural Algeriennes, Lila is able to put her childhood demons to rest and discover a new history -- one written in the ongoing strength of generations of women. Like much of Djebar's writing, the film has a strong subtext dealing with resistance to patriarchy and women's desire to appropriate the means of power and expression -- one of which, of course, is the filmmaker's camera.

Insecure thirteen year-old Esther Weary is on the brink of puberty and must come to terms with the realities of becoming a woman with her well-meaning grandpa and his pet pug.

A reclusive family therapist craving the solitude of an exclusive downtown loft doesn't realize that he's not the only person living in the same space.

A man and a woman quarrel in the street. Others take sides, and a brawl begins. The police finally intervene and justice is carried out in a manner befitting this stylised, slap-stick satire. - MIFF

Deval shot “Héraclite l’obscur” in Tunisia in 1967, with his then-girlfriend and editor Jackie Raynal, in 35 mm and in color. He was the first Zanzibar member to shoot a film not only outside of Paris but also in an exotic location. “Héraclite l’obscur” is described by its author as a “philosophical peplum”. – spectacle theater

A writer dying of AIDS searches for a cure and human interaction in the hospitals and sex clubs of Buenos Aires.

In "Skadeskutt" we follow the couple Einar and Else Wang in a painful drama about love, happiness, sorrow and eternal damnation. About a couple's struggle trying to get pregnant and the despair of not succeeding. About psychological disorders and the society's insane judging of people with such problems. A nationwide press was impressed with "Skadeskutt". The director Edith Carlmar, one of the first female directors in Norway, was compared with Hitchcock for her work. For actor Carsten Winger, his portrayal of the character in the movie was considered a victory and a big achievement. "A sure success", "Impressive" and "A victory for Norwegian Films" are some lines from the critics. "Skadeskutt" is one of the breakthroughs within Norwegian film making.

A boy and his father are emotionally and physically separated on the day earth intermittently loses gravity.