Man of Marble

While working on a documentary about the city of Bruges, an artistically frustrated filmmaker must deal with the increasing difficulties in his marriage.

Set in 1979, following a young Communist man's relationship with a gay Catholic writer, exploring tolerance, inclusion, homophobia and challenging its Cuban audience with great humour. Based on the short story by Cuban writer Senel Paz.

Based on the true story of a Russian serial killer who, over many years, claimed victim to over 50 people. His victims were mostly under the age of 17. In what was then a communists state, the police investigations were hampered by bureaucracy, incompetence and those in power. The story is told from the viewpoint of the detective in charge of the case.

Set in late 19th century Canton, this martial arts film depicts the stance taken by the legendary martial arts hero Wong Fei-Hung against foreign forces' plundering of China.

A taxi driver decides to take part in a robbery to earn money for the treatment of his sick wife.

While attending a retrospect of his work, a filmmaker recalls his life and his loves: the inspirations for his films.

A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

The true WWII story of Audie Murphy, the most decorated soldier in U.S. history. Based on the autobiography of Audie Murphy who stars as himself in the film.

The most important family in Hickoryville is (not surprisingly) the Hickorys, with sheriff Jim and his tough manly sons Leo and Olin. The timid youngest son, Harold, doesn't have the muscles to match up to them, so he has to use his wits to win the respect of his strong father and also the love of beautiful Mary.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

Three stories of immigrants trying to start new lives in Poland: an Afghan traumatised by the war, a Ukrainian lost in her own body, and a Belarusian running away from painful love. The Afghan, Azzam, works as a translator for the Polish army. In his homeland he is treated like a traitor. Having been evacuated to Poland, he is unable to shake off the war experiences. The Ukrainian, Wiera, escapes to Poland to undergo sex reassignment surgery in secret from her family. An unexpected visit from her father and little son will make her face the question of her own identity once more. Żanna, the Belarusian, leaves her husband, a dissident, and lives together with her daughter at her sister’s in Warsaw. She wants to move out as soon as possible and make a normal home. Things get complicated when her husband gets arrested again.

When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.

Visually astonishing, erotically charged and emotionally jarring. '100 Days Before the Command' is Hussein Erkenov's courageous and stinging indictment of communism. Five young Red Army recruits struggle for survival against the merciless violence that surrounds them on a daily basis. Their only means of saving their dignity is by preserving the humanity and compassion they share for each other.

A filmmaker holds a series of boundary-pushing auditions for his latest project: a thriller on the subject of female pleasure.

Mihajlo, an introvert piano teacher starts romance with a pretty careerist who teaches modeling at the university in Belgrade where they both work. His feelings are awakened after a long period, but this relationship makes him see the flashbacks, as well as yet unseen images that remind him of his troubled childhood - as if he experienced this already. When their university wins a contest to hold public TV performance, Mihailo fails to play the piano on the decisive night and she dumps him. The boiling point is about to come.

Belgrade in 1963. In a yard surrounded by buildings, a group of young people of different backgrounds and social status, but of similar views about love and self-affirmation, spend their time together. Their friendship is dyed with various events typical for socialism, such as working actions or Youth Day's parade. All what happens within this yard may become an allegory of one generation's destiny.

Karolina (Katarzyna Zawadzka) works in a bank, she is energetic, self-confident, go-getting. When the latest currency product comes into her hands - a loan in Swiss francs, the woman gets a great chance to prove herself. Having the full consent of his boss - Adam (Tomasz Karolak), he unscrupulously starts persuading clients to take the most risky and unfavorable investments. Jan (Jan Frycz) is the gray eminence of the Polish financiers. In his phone, he has contacts to the presidents of the largest banks in Poland. His cynical ideas and decisions affect the economy and the fate of hundreds of thousands of people overnight. Such as Artur (Rafał Zawierucha) - an ambitious head of an IT company who decides to use currency options to develop his business. His partner is Mateusz (Antoni Królikowski), who dreams of independence, his own place and the longed-for move away from his in-laws.

Jan and Maria meet at a party and are immediately drawn to each other. Their difficult financial situation and the scorn of society inflicted on them push them to a breaking point, culminating in a string of murders.

A slightly sinister but charming young man falls in with a young mother and daughter and her boyfriend on a camping holiday and leads them astray.