Three groups of adolescent girl friends from Quebec are going through tough changes. The process of inventing their own bodies and identity are being recorded on the move by their smartphones and shared with their peers from other parts of the networked world. Due to their strong need of external confirmation, they alter their lives into a series of retouched pictures and videos. The film camera, however, captures their feelings of void, loneliness and deep inner insecurities that are not so attractive for Periscope, TikTok or Instagram. An intimate portrait of adolescence is made with full comprehension of experiencing and self-presentation in a generation growing up on the brink of the real and virtual worlds.
Eight college friends head to a "Haunted Rental" in a remote town for Halloween weekend. There, they play the game rumored to have caused the deaths of seven teenagers decades earlier, Truth or Dare. What starts out as vodka induced fun, quickly turns serious when the dares become sickeningly dangerous and the truths threaten to tear the group apart. When players attempt to refuse the increasingly challenging tasks, they're met with deadly consequences, quickly discovering: you must do the dare, or the dare does you. As the death toll mounts, the remaining players must race against the clock to outrun, outsmart and outlast the simple game of Truth or Dare.
A headstrong young teacher in a private school in 1930s Edinburgh ignores the curriculum and influences her impressionable 12-year-old charges with her over-romanticized worldview.
In a highly secured vault deep within the walls of Vatican City, the Catholic Church holds thousands of old films and video footage documenting exorcisms/supposed exorcisms and other unexplained religious phenomena they feel the world is not ready to see. This is the first tape - Case 83-G - stolen from these archives and exposed to the public by an anonymous source.
film about the situation of that Girls who face evil eyes daily on way. “Not every battle is fought with weapons; some are fought with eyes… and silence.” This film is a raw, unflinching portrayal of the everyday battles women face in a society where their existence is constantly scanned, judged, and violated by predatory stares. From streets to buses, offices to parks — no place feels truly safe. It’s a story of unseen wounds, silent fears, and a world where public spaces still belong to the audacity of shameless eyes. But in the darkness of this cruelty… rise a few hands. Hands that shield, voices that speak, and gazes that stand as a wall of dignity. This isn’t just a film — it’s a voice for those countless unspoken stories buried in the hearts of women. A message that must be seen, heard, and felt.
Three separate stories depicting the tense everyday life during occupation, as seen through the eyes of children. In “On the Road,” the two main protagonists are lost in the September’s strife: a young boy, and a soldier transporting the valueless documents of his broken unit. In “Letter from the Concentration Camp” the story’s protagonists are young boys who help their mother during the hardships of the occupation. Their treasure is an officer uniform belonging their father who is being held in a prisoner of war camp. In “Blood Drop,” the Germans find a set of typical Aryan characteristics in this story’s protagonist – a Jewish girl, hiding in an orphanage.
An idyllic summer turns into a nightmare of unspeakable terror for yet another group of naïve friends. Ignoring Camp Crystal Lake's bloody legacy, one by one they fall victim to the maniacal Jason, who stalks them at every turn...
Students discover a predator online.
After killing a young girl in a hit-and-run accident, a couple is haunted by more than just the memory of their deadly choice.
A desperate rescue attempt leads to the continuation of the lives of two young girls. Their families will do everything they can to keep their own daughter alive... Their lives may have just begun but they the god of death seems to have come upon them. Two families meet at this fateful juncture, faced by the cruel reality and the urgency of time that have become heavy shackles binding their desperate parents.
A group of YouTubers, Victor Burroughs, Sean Miller, Whitney Cunningham, and James A. Cunningham, explore Camp Crystal Lake, after it has been quiet and abandoned for a decade, to try to uncover the truth of what happened to Jason Voorhees.
Lady Diana Spencer was one half of the highest-profile courtship the British royal family had seen in decades. The wonder of Diana, and her style, stemmed partially from how noticeable she was from the very beginning.
The making of the samba school parades, with the construction of the great cars, the decorations being spread all over the city and the hand-crafted tailoring of the costumes by apt hands that stitch together colourful and glowing materials.
Bigfoot and Yeti go toe-to-toe in the ultimate showdown. Who will come out on top? Two beasts enter, only one will survive!
Is today's Revival Of Evil setting the stage for the antichrist? Join David Hunt in this fascinating journey into the world of the occult. See candid shots inside Anton LaVey's First Church of Satan, hypnotic regression to "prior lives", and psychic "revelations" from UFOs. Occultism also masquerades as the latest in science, education, parlor games & movies. Through candid interviews learn the truth about witchcraft in famous rock groups, psychic powers and seances among teenagers, demonic possession through yoga, and the true power behind Ouija boards as told by those who are still involved and others who have been triumphantly delivered through Jesus Christ.
Is it possible to replicate the human brain on a computer? To connect it to machines? Research aimed at understanding the functioning of our biological brain is being matched by spectacular progress in the development of artificial intelligence.
An existential odyssey through the unconscious.
Describes the music of the Virginia Colony and its capital, Williamsburg, in 1768, with examples to show the scope and variety of the music. Filmed against the restoration of 18th century Williamsburg, showing a day in the life of its inhabitants.
Segregation, abandonment, and the meaning of home are discussed by the people that lived in, worked at, and crusaded for one of the largest and oldest Intellectual and Developmental Disability Institutions in the United States. The facility, in its closing, challenged society's perception of those with intellectual disabilities and ultimately fought for better rights.
In early summer 1989, Helke Misselwitz portrays young musicians in a band who produce their music on other people’s waste items. The four boys call themselves "Bulk Rubbish" and they drum out their resentment, having grown up on the new housing estates of East Berlin. A straight-up picture of the GDR youth is presented here, which in no way conforms to the official image. The film crew concentrates on the observation of the boy Enrico and his mother Erika: when the mother marries in the West, her son decides to stay in East Berlin, bidding her farewell at the border-crossing. Only shortly after, the tables are turned again: as the events in Berlin leading up to the fall of the Wall are practically captured live from the film crew, Enrico insists on maintaining his cultural identity, even after the fall of the Wall. The "Bulk Rubbish" musicians want to remain citizens of their own state and perceive the looming reunification with scepticism.