The Friday the 13th Chronicles

Three groups of adolescent girl friends from Quebec are going through tough changes. The process of inventing their own bodies and identity are being recorded on the move by their smartphones and shared with their peers from other parts of the networked world. Due to their strong need of external confirmation, they alter their lives into a series of retouched pictures and videos. The film camera, however, captures their feelings of void, loneliness and deep inner insecurities that are not so attractive for Periscope, TikTok or Instagram. An intimate portrait of adolescence is made with full comprehension of experiencing and self-presentation in a generation growing up on the brink of the real and virtual worlds.

A desperate rescue attempt leads to the continuation of the lives of two young girls. Their families will do everything they can to keep their own daughter alive... Their lives may have just begun but they the god of death seems to have come upon them. Two families meet at this fateful juncture, faced by the cruel reality and the urgency of time that have become heavy shackles binding their desperate parents.

After killing a young girl in a hit-and-run accident, a couple is haunted by more than just the memory of their deadly choice.

A headstrong young teacher in a private school in 1930s Edinburgh ignores the curriculum and influences her impressionable 12-year-old charges with her over-romanticized worldview.

film about the situation of that Girls who face evil eyes daily on way. “Not every battle is fought with weapons; some are fought with eyes… and silence.” This film is a raw, unflinching portrayal of the everyday battles women face in a society where their existence is constantly scanned, judged, and violated by predatory stares. From streets to buses, offices to parks — no place feels truly safe. It’s a story of unseen wounds, silent fears, and a world where public spaces still belong to the audacity of shameless eyes. But in the darkness of this cruelty… rise a few hands. Hands that shield, voices that speak, and gazes that stand as a wall of dignity. This isn’t just a film — it’s a voice for those countless unspoken stories buried in the hearts of women. A message that must be seen, heard, and felt.

An idyllic summer turns into a nightmare of unspeakable terror for yet another group of naïve friends. Ignoring Camp Crystal Lake's bloody legacy, one by one they fall victim to the maniacal Jason, who stalks them at every turn...

A group of YouTubers, Victor Burroughs, Sean Miller, Whitney Cunningham, and James A. Cunningham, explore Camp Crystal Lake, after it has been quiet and abandoned for a decade, to try to uncover the truth of what happened to Jason Voorhees.

Eight college friends head to a "Haunted Rental" in a remote town for Halloween weekend. There, they play the game rumored to have caused the deaths of seven teenagers decades earlier, Truth or Dare. What starts out as vodka induced fun, quickly turns serious when the dares become sickeningly dangerous and the truths threaten to tear the group apart. When players attempt to refuse the increasingly challenging tasks, they're met with deadly consequences, quickly discovering: you must do the dare, or the dare does you. As the death toll mounts, the remaining players must race against the clock to outrun, outsmart and outlast the simple game of Truth or Dare.

Students discover a predator online.

In a highly secured vault deep within the walls of Vatican City, the Catholic Church holds thousands of old films and video footage documenting exorcisms/supposed exorcisms and other unexplained religious phenomena they feel the world is not ready to see. This is the first tape - Case 83-G - stolen from these archives and exposed to the public by an anonymous source.

Three separate stories depicting the tense everyday life during occupation, as seen through the eyes of children. In “On the Road,” the two main protagonists are lost in the September’s strife: a young boy, and a soldier transporting the valueless documents of his broken unit. In “Letter from the Concentration Camp” the story’s protagonists are young boys who help their mother during the hardships of the occupation. Their treasure is an officer uniform belonging their father who is being held in a prisoner of war camp. In “Blood Drop,” the Germans find a set of typical Aryan characteristics in this story’s protagonist – a Jewish girl, hiding in an orphanage.

Rave Culture is one of Britain’s great cultural exports, but after its first wave in the late eighties and early nineties, it was soon forced into the underground by stringent new laws and superclubs. But forward 25 years into in the midst of a nationwide purge on the nation’s nightlife, where nearly half of all British clubs have shut down in the last decade, and a new kind of scene has emerged. Clive Martin investigates this 21st century version of Rave, where young people break into disused spaces with the help of bolt-cutters and complicated squatting laws, to suck on balloons and go hard into the early morning. But with the police using increasingly extreme tactics to clamp down on these parties, and more than one fatality causing nationwide media panic, can the scene survive?

Leo Hurwitz’s film, Here At The Water’s Edge, features the 1960 New York City’s waterfront. Made with photographer Charles Pratt, the film is a cinematic poem to the people who work on the water. Pratt, who largely financed the film, made it possible for Leo to use his vision as an artist and filmmaker while the blacklist still over-shadowed his life and ability to work in other areas. Here At The Water’s Edge, a film without narration, draws our attention to the often-neglected life in, on and around water – as well as bringing into view what workers on the water give us. Leo, in his own work, was always concerned with seeing what is happening in spaces in the world where others fail to look.

A “Cinéma, de notre temps” series episode directed by french filmmaker Jean-Pierre Limosin, originally aired 26 January 1996.

A “Cinéma, de notre temps” series episode directed by french filmmaker Karim Dridi, originally aired 2 July 1997.

A “Cinéma, de notre temps” series episode directed by french film filmmaker Jean-Pierre Limosin, originally aired sometime around 2006.

Remarkable life story of Henri Diamant-Berger, a director and screenwriter whose devotion to cinema led him to collaborate with some of the greatest actors and filmmakers of his time.

The majestic Neil Diamond live! Prepare to melt.

A German documentary on Hong Kong cinema.

Archeologists discover a pit filled with terracotta warriors buried to protect the grave of the First Emperor of China.