The Disappeared

In Buenos Aires a group of acclaimed dancers create the first Contemporary National Company of Dance under their collective leadership. This is the story of four talented dancers, Ernesto, Bettina, Victoria and Pablo, along six years of their journey. We follow their lives, we attend their rehearsals and performances in the emblematic building of the National Library, along with their premiere and backstage in the historical National Theatre of Cervantes. They expose their dreams as dancers, individuals and members of our society, as we observe the fulfilment of their biggest dream: the demand of a National Dance Law. Amazing choreographies, beautiful folklore songs and original Latin-American contemporary music reveal the beauty of dance becoming life.

Cartoneras is a documentary that grapples with Latin America’s urban realities, and the cardboard publishing movement that has emerged from these in the 21st century. Reflecting on the different contexts that propelled this form of community publishing, like Argentina’s 2001 economic crisis, the independent art scene, and the movements which formed around waste-pickers, the film’s narrative is developed through conversations with important actors from the cartonera world.

La Arquitectura Del Crimen

In this documentary film a team of researchers examine the social contexts that influenced the emergence and permanence of heavy metal music in Chile, Argentina, Mexico and Peru. Colonialism, dictatorships, terrorism and neoliberal exploitation serve as points of reference for how heavy metal in the region has been directly linked to each country's social and political context.

Through the second half of the 1960's the Beat movement and the first National Rock were the flagship of the youth, leaders as never before of a society in transformation. The formation of the first bands, the venues for concerts, the difficulties to sing rock in Spanish and interact with other artists create new ways to communicate previously unavailable. This documentary presents the story of these first pioneers of the Argentinean rock music.

ATUEL is the story of a community and its river; of a river and its community. Everyone in the province of Mendoza, Argentina, lives in one of three oases. The southern oasis, home to the cities of San Rafael and General Alvear, depends primarily on The Atuel River. Yet incredulously, the river remains under threat. People cannot care for what they don’t know and so we decided to ask the river what story it would like to tell about itself. To do so, we travelled its entire length from its source in the heart of The Andes to where it dries out prematurely in the sands of The Cuyo Desert. We’re told we are the first to do so since 1884 and the first ever to do so by boat. 43 days. 480 kilometres. 38 people interviewed about their relationship with the river.

In 1976, a young punk lands in Natashquan. It’s the beginning of an unlikely love story between a small fishing community and this new arrival. Yet the relationship meets a brutal end when, three years later, the punk disappears without a trace. Forty years have now gone by, and the village of Natashquan is experiencing a slow, irreversible devitalization—one by one, villagers have been going missing. Those who tell the tale of the punk today see it as the story of a small community’s symbolic survival.

Documentary of music Chango Farias Gomez

Without a trace portrays the life and work of filmmaker Quirino Cristiani, 1896 to 1984. An animator, cartoonist and italoargentino cartoonist, creator of the first feature animation world; The Apostle 1917.

Documentary about the enigmatic and experimental music group "Reynols", his lead singer and leader who was down syndrome and the peculiarity of having a discography published in the most dissimilar corners of the planet.

Trabantem až na konec světa

Documentary about freestyle competition and hip-hop culture in Argentina.

The construction of the Obelisco in Buenos Aires, Argentina.

In this spectacular real-life adventure, a small team of Argentinean mariners sets sail for Antarctica in a custom-built sailboat. But to get there they and their vessel will have to brave the treacherous Drake Passage, one of the most dangerous bodies of water on Earth.

A documentary about Finnish twin sisters, one of whom disappeared in Argentina in 1977.

The Spanish author Enrique Jardiel Poncela (1901-1952) was one of the best comedy writers of all time, a novelist and newspaper columnist, misunderstood, even censored, both by the Second Republic government and Francoism, an outsider ahead of his time; also a filmmaker and screenwriter in Hollywood, architect of a revolutionary theatrical building and scenographer, cartoonist and illustrator. An implausible genius.

The title Good Light, Good Air is oddly paradoxical. Keenly working at the point where his artistic identity and persistent attention on modern Korean history meet, director Im in this film focused on where the history of oppression and struggle intersect between Gwangju and Buenos Aires. In both cities, a great number of people who fought against the dictatorship were slaughtered and disappeared. The people of both societies still live with that trauma. When the testimonies of the victims of the two cities cross over, the film gives us chills as the eerie history of the two is very similar. Through Good Light, Good Air, director Im asks us how we will remember the past from where we stand right now.

A brief history of the emergence and artistic innovations of tango in 19th-century Argentina and Europe. The film offers a mosaic of tango melodies, art works, dance performances, historical footage, photographs of Buenos Aires at the turn of the 20th century, and texts by Celedonio Flores and Enrique Santos Discépolo.

For more than forty years, Argentinean sportsman Guillermo Vilas, a tennis legend, has tirelessly demanded that the official rankings (1973-78) be revised in order to finally be recognized as the best player in the world. Eduardo Puppo, a sports journalist, making Vilas' demand his own, fought for more than ten years against a powerful sports corporation to prove that Vilas was indeed unfairly displaced from the top of world tennis.

Draped in an electric blue fabric, the artist acts as a conduit between the tangile and the spiritual, blurring the boundaries between human form and natural elements.