The Adolescent

The retelling of France’s iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and ultimately the fall of Versailles.

Starting his new job as an instructor at a New England school for the deaf, James Leeds meets Sarah Norman, a young deaf woman who works at the school as a member of the custodial staff. In spite of Sarah's withdrawn emotional state, a romance slowly develops between the pair.

Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.

Fiona and Grant have been married for nearly 50 years. They have to face the fact that Fiona’s absent-mindedness is a symptom of Alzheimer’s disease. She must go to a specialized nursing home, where she slowly forgets Grant and turns her affection to Aubrey, another patient in the home.

Filmmakers from all over the world provide short films – each of which is eleven minutes, nine seconds, and one frame of film in length – that offer differing perspectives on the 9/11 terrorist attacks.

Louise, who has just written a novel, comes to Paris to meet with a potential publisher. While in the city, she stays with her older sister, Martine, who in many ways is the exact opposite of Louise: she lives in a fashionable neighborhood, is cold to others, and has snobby friends, while Louise lives in a small town and is thoroughly unpretentious. Louise's apparent happiness -- and similarities to their mother -- gradually gets on Martine's nerves.

Two sisters and their male counterparts struggle with the negative influences of their youths over a 50-year period.

Although sisters Alex and Juli are twins, they couldn't be more different. While Alex failed her A-levels, Juli not only passed with flying colors, but also has clear plans for the future. But after graduation, they have a cool summer ahead of them at the skate park. Together with the daredevil Ewa and the complete skate newbie Nia, the four girls found the skate crew GetUp and want to win a contest together. The prize is a joint Interrail trip and new boards for all of them! They win the pre-selection, but now the problems really start: the first great love, the common past of the twins, quarrels in the crew and last but not least Nia gets cold feet shortly before the skate contest...

Rita

17 year old Jasper lives in a very grey, small town. In his family, he cannot be himself. Jasper's dad is a singer, named Lukkie Luk. All the attention in the family goes to his career. Jasper searches a way to handle this and is faced with the typical questions in the life of an adolescent. Questions that will not be answered when he stays in his own routine.

When Nicki finds two horses stranded deep in the Rocky Mountain snow, she makes it her mission to find a way to get them to safety. With no other options, she picks up a shovel and starts to dig out the mile-long path, inspiring her father, Matt, and the rest of the community to join together and save the horses in the spirit of Christmas.

23-year old Tiel travels to Austin with hopes of reconnecting with her longtime lover, only to end up disillusioned. A turning of events leads her to find her own self-worth in a strange and chaotic world.

No-one wants to play football with Gaby now that she has breasts. Like every other year, the 13-year-old is spending the summer with her dad on a small island off the Canadian coast – and she is not about to pretend that she’s suddenly a different person.

To Madeleine, the muddy road to the nearby town in front of her family’s farm seems like a threshold to another world. A mystical coming-of-age story in which the teenager experiences glimpses of the unknown as feelings of longing and loyalty collide.

Kees wants to roam far away from home, but her mother doesn't seem ready for the cut-off as of yet. In light of the complexity and ambivalence of their close relationship, a joint road trip develops into an emotional tour de force.

It's the last bus ride of the school year. Walker, recovering from a recent traumatic event, meets a deeply troubled kid named Noah. The two form a unlikely friendship that eventually leads to something dangerous.

After a tragedy, a lost boy navigates a mystical forest where he comes face to face with is own fears and trauma.

Set in a small English village in 1967, liberated Marion is exploring the new social freedoms enjoyed by women in the late 1960s while conscientious and self-conscious Cecily runs the local girls school and is Willa’s main carer. Their differences reach a boiling point over their relationship with Willa, which leads to each sister making their own decision on what it means to have a life worth living.

Heaven-Bound Travelers (circa 1935) was discovered among the rolls of film in the Gist collection at the Library of Congress by S. Torriano Berry during the recent restoration of Hell-Bound Train. Eloyce Gist takes a central role onscreen as a wife and mother who is wrongfully accused of adultery by her husband and is left to fend for herself and their daughter in the world. As she struggles to sustain them, the husband becomes riddled with guilt and struggles with his decision, and the social realism of the drama shifts to an allegorical struggle between the devil, appearing to tempt humanity to sin, and the angels. The film does not exist in complete form but the fragments show a project of ambitious scope. Presented with a score composed and performed by Dr. Samuel Waymon.

Part religious allegory and part church pageant, it presents the heavenly trial of a woman who has died giving childbirth out of wedlock. The jailer wears a mask death's head mask and a nun's habit with a skull and crossbones on the front and God sits on an altar, flanked by angels, while the devil attempts to convict the woman for her sins. Shot with a handheld camera that doesn't always remain steady or keep the scene in frame, it is full of religious imagery and evocative folkloric elements, with flashbacks to the woman's life that provide a realism in sharp contrast to the allegorical pageantry. It shows its amateur origins, the texture, the pageantry, and the allegorical and ritualistic elements also looks forward to the American Underground cinema of Kenneth Anger, Curtis Harrington, and others in the 1950s and 1960s.