The Fatal Mallet

A washed up golf pro working at a driving range tries to qualify for the US Open in order to win the heart of his succesful rival's girlfriend.

Wanting his son to get away from his many girlfriends and buckle down to work, the New York industrialist father of a playboy sends him to an obscure village in Spain to find samples of a rare mineral. When the son gets to Spain, he promptly falls for a beautiful señorita, and runs afoul of the local police chief.

It's the end of the school year. The long-awaited moment of the holidays is arrive. The little Nicolas, her parents and Grandma take the road towards the sea, and settle in for some time at the Hotel Beau-Rivage.

Thelma and Patsy find themselves in a spooky house inhabited by a nut who is a mechanical genius and has made a robot who does everything. The inventor manipulates the robot's control board from a hidden room. The girls are soon in a panic. Patsy gets into an argument with the robot and loses the match of wits. Blackie Burke, an escaped convict, is using the house as a hideout, and this adds to the problems the girls already have.

Le homard

Antoine has always been fascinated by a hairdresser's delicate touch, the beguiling perfume, and the enticing figure of a woman with an opulent bosom. After all, he had always known he would marry one, completing his idealized love fantasy.

Afif is fired from his job and his home at the movie theater. He looks for a place to sleep but little does he know that he will walk the steps of glory.

After hearing that her boyfriend lacks the courage to break up with her, plucky Elena decides she’d be less humiliated if Arturo was ensnared by a man rather than a woman.

When Pat and Patachon arrive in the small fishing village at the North Sea they are completely unaware of the adventure that lies ahead. The two eccentric travelers quickly become good friends with old Maren and her son Tom, who will soon need their help in more than one respect. (stumfilm.dk)

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

9-year-old Alex Pruitt is home alone with the chicken pox. Turns out, due to a mix-up among nefarious spies, Alex was given a toy car concealing a top-secret microchip. Now Alex must fend off the spies as they try to break into his house to get it back.

Accio and Manrico are siblings from a working-class family in 1960s Italy: older Manrico is handsome, charismatic, and loved by all, while younger Accio is sulky, hot-headed, and treats life as a battleground — much to his parents' chagrin. After the former is drawn into left-wing politics, Accio joins the fascists out of spite, but his flimsy beliefs are put to test when he falls for Manrico's like-minded girlfriend.

Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them.

The opening shows a colored nursemaid in the park with baby carriage, and seated on a bench receives the attention of several smart colored men who admire her greatly and endeavor to make her acquaintance. But the dusky belle is coy and declines to make the acquaintance of any of them, until one more fortunate than the rest is invited to a seat on the bench with her, and a most pronounced flirtation takes place between the lady and her beau. (Selig catalog)

Informed by her husband Ed that they will not be honeymooning at Niagara Falls as promised, but rather at the County Fair, newlywed Peggy decides it is time to assert her independence and steals away to the falls alone, leaving her bewildered husband to follow. After the honeymoon, Ed takes his bride to the home that had been his mother's, and Peggy redecorates the entire house in her husband's absence. Gradually, Ed learns to submit to his wife's modern attitudes until he discovers that her continual visits to the city have not been to the dentist's, as she had said, but to the studio of portrait painter Perry Pipp. Ed angrily confronts Peggy with her deception, forcing her to return home to her parent's house. Later, when Ed learns that Peggy has been posing for a portrait as a birthday surprise, he begs his wife's forgiveness, which she bestows, along with the information that a baby is on it's way.

Farmer Toby Watkinsm whose fanciful poetry does not impress his exasperated uncle, leaves the farm to become a subscription solicitor for the "Sawbert Weekly Clarion." In Sawbert, Toby meets Mayor Lot Morris' daughter Jean, and the shy young people fall in love. Crooked stock promoter Kendall Reeves arrives in town and unveils his plan to open a string-bean cannery.

When a calendar notification pops up, a frantic character tries to find the perfect date outfit.

Ivana is walking through the park without realizing that she has dropped a bill. Carlos, sitting on a bench, notices this.

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

With script and direction by Pablo Villaça and starring the comedian Geraldo Magela, Morte Cega has as main character a failed filmmaker named Francis (Maurício Canguçu, producer and one of the main actors of the theatrical success "Believe, a Spirit Downloaded Me"). One night, Francis has a frightening dream about Magela, known throughout the country for playing the character O Ceguinho. Determined to make a short film based on this dream, Francis uses his producer friend, Martinho (Carlos Magno Ribeiro, who acted in Villaça's first short, A_ética), to get to the comedian. From then on, the meeting brings unexpected results for everyone involved.