Young lovers Hero and Claudio, soon to wed, conspire to get verbal sparring partners and confirmed singles Benedick and Beatrice to wed as well.
Rosencrantz and Guildensterm, minor characters from the play 'Hamlet', find themselves on the road to Elsinore Castle at the behest of the King of Denmark. The duo encounter a band of players before arriving to find that they are needed to try to discern what troubles the prince Hamlet. Meanwhile, they ponder the meaning of their existence.
Shipwrecked on the coast of Illyria, Viola adopts a male disguise and enters the service of Duke Orsino, only to find herself part of a triangle of unrequited love. Meanwhile, in the household of the Countess Olivia, Sir Toby Belch and his unruly companions trick Olivia's strict and disapproving steward, Malvolio, into believing that she loves him.
A young Prince is visited by the Ghost of his father and compelled to vengeance - but can he stop thinking for long enough to do it?
For the first time in company history, the Met presents the original five-act French version of Verdi’s epic opera of doomed love among royalty, set against the backdrop of the Spanish Inquisition. Patrick Furrer leads a world-beating cast of opera’s leading lights in this March 26 performance, including tenor Matthew Polenzani in the title role, soprano Sonya Yoncheva as Élisabeth de Valois, and mezzo-soprano Elīna Garanča as Eboli. Bass Günther Groissböck and bass-baritone John Relyea are Philippe II and the Grand Inquisitor, and baritone Étienne Dupuis rounds out the all-star principal cast as Rodrigue. Verdi’s masterpiece receives a monumental new staging by David McVicar that marks his 11th Met production, placing him among the most prolific and popular directors in recent Met memory. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.
In 1415, in the midst of the Hundred Years' War, the young King Henry V of England embarks on the conquest of France.
The Scottish tragedy 'Macbeth' set in the contemporary underworld of India's commercial capital; two corrupt, fortune telling policemen take the roles of the weird sisters, and "Duncan" is Abbaji, the head of a crime family.
A successful actress accepts the role of Lady Macbeth at a small New England theater, where she begins a flirtation with her charmingly awkward young director, and finds herself haunted by the ghost of William Shakespeare - who's keen to do some rewrites.
Macbeth, loyal to his crime boss, Duncan, is told by witches that he will one day take over. Driven by their prophecy, he and his wife plot to kill Duncan, and takes the leadership of the gang for himself. Maintaining his power will require more murder and violence, finally driving his surviving enemies to unite and destroy him. A sexy, high octane retelling of this classic story.
A stage play by John Murrell, adapted by Eric-Emmanuel Schmitt, performed to perfection by Fanny Ardant and Robert Hirsch about the last days of Sarah Bernhardt. The play concentrates on an uneasy relationship between Sarah and her servant to whom she dictates her memoir, as well as a fragile relationship between her memories, actual history and reality.
The Tony Award-winning play, based on the story of a Broadway acting troupe arrested for indecency for performing Sholem Asch's "God of Vengeance" and their fight against censorship.
Three witches predict that Macbeth will ascend to the throne of Scotland. To fulfill this prophecy, Lady Macbeth convinces her husband to murder King Duncan, who has come to spend the night at their home. This crime plunges the new ruler into a macabre spiral that will lead him to sink into guilt and madness.
Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.
Stranded in the heat of a barren African desert, eleven bus-passengers shelter in the remnants of an abandoned town. As rescue grows more remote by the day and anxiety deepens, an idea emerges: why not stage a play. However the choice of King Lear only manages to plunge this disparate group of travelers into turmoil as they struggle to overcome both nature's wrath and their own morality.
New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves.
The film starts with the veteran thespian Harish Mishra, he is gravely ill. The punishments of a film shoot have left the old man in a coma. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.
The evil Iago pretends to be friend of Othello in order to manipulate him to serve his own end in the film version of this Shakespeare classic.
Half-caste bandit Omkara Shukla abducts his lady love, Dolly Mishra, from her family. Thanks to his cleverness, he gets away with the kidnapping. A conspiracy, however, forms against him when he denies his right-hand man, Langda Tyagi, a promotion. Ultimately, this plot threatens not only his relationship with Dolly, but their lives and those of their associates as well.
Was Ihr wollt
Henry IV usurps the English throne, sets in motion the factious War of the Roses and now faces a rebellion led by Northumberland scion Hotspur. Henry's heir, Prince Hal, is a ne'er-do-well carouser who drinks and causes mischief with his low-class friends, especially his rotund father figure, John Falstaff. To redeem his title, Hal may have to choose between allegiance to his real father and loyalty to his friend.