Because We Must

The film follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal context. The group bring together a community to construct the Repellent Fence, a two-mile long ephemeral monument “stitching” together the US and Mexico.

Encouraging visitors to engage and connect with on site artist's, Artpark provides a unique environment for those craving culture away from the whirring city. Located in Lewiston, New York the outdoor venue opens itself to artists, musicians and performers seeking a spot to reflect and create. During the summer seasons Artpark serves as an immersive experience, inviting the public to observe the artists as they work. Artpark People observes the vibrant scene and captures candid interactions between artist and onlookers. With a heavy emphasis on outdoor space and environmental influence, Artpark asserts itself as a cultural and communal haven for creatives.

High school student Aoi Aioi lives with her elder sister, Akane, after a tragic accident took their parents away 13 years ago. Because Akane has since been taking care of her single-handedly, Aoi wants to move to Tokyo after her graduation to relieve her sister's burden and pursue a musical career, inspired by Akane's ex-boyfriend Shinnosuke "Shinno" Kanamuro. Shinno was part of a band until he left for Tokyo to become a professional guitarist after the sisters' parents passed away, and he was never to be seen again.

"Elizabeth Murray: 4 Decades" tracks the artist's career and shows her moving forward fearlessly toward new shapes and concepts for her unique style of painting. Inspired by artists of the Abstract Expressionism movement such as Willem de Kooning and Philip Guston, Murray was privy to their technique and motive. Though she may share ideals with her artistic predecessors, Murray has created miraculously original work which she discusses with curator Robert Storr as they explore her MoMA retrospective.

Bas Jan Ader rides his bike into a canal in Amsterdam.

This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.

In this unique, compelling film, those who knew him speak freely, some for the first time, to reveal the many mysteries of Francis Bacon.

In-young, a high school student who is alone due to her parents' sudden death, is forced out because of her overdue rent and stays hidden in the Korean Dance Art Troupe where she belongs. In-young, who is still living bravely and brightly despite the sad situation, is caught by the director of the art troupe who is known for being rough, and the director who could not put In-young in the art troupe eventually begins to live with her.

After his mother's death, a young man edits the family's home videos to bring back her image. As he delves into the occult he begins to reveal the paradoxical magic of memories and cinema.

Between two Thanksgivings, Hannah's husband falls in love with her sister Lee, while her hypochondriac ex-husband rekindles his relationship with her sister Holly.

A contemplation of art and adventure in the southern wilds of New Zealand by both a landscape photographer and an adventure filmmaker. This film is the unexpected result of their two unique perspectives.

To put their demons to rest once and for all, Josh Lambert and a college-aged Dalton Lambert must go deeper into The Further than ever before, facing their family's dark past and a host of new and more horrifying terrors that lurk behind the red door.

In 1969, Christo and Jeanne-Claude wrapped 2.5 kilometers of coast and cliffs up to 26 metres along the coast of Little Bay, in Southeast Sydney, Australia.

Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.

The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.

Kren's second film and the first he cut according to a strictly serial, sequence technique: in various frame sizes, the 48 portraits from the Szondi Test for "experimental diagnosis of human impulses" are shown in pre-specified lengths (between one and eight frames).

Filmed in the same Torrance Public Library parking lot, Introduction to Crack Sealing 2 reworks the material of the first film into a sharper, more fractured arrangement. Where the original moved fluidly along the wavering asphalt lines, this version interrupts and jolts—images are thrown at the viewer in abrupt succession rather than unfolding in smooth sequence. At irregular moments the progression halts, pausing briefly to give the eye a fleeting chance to study a composition before the next cut arrives. Silent and stripped down, the film turns the repaired surface into a volatile field of inscription, where repair becomes staccato mark-making and perception itself is fractured into sudden bursts of line and form.

Seemayer Studios presents a new documentary about the American Hotel in downtown Los Angeles and the Arts District that surrounds it. Since 1979, the American Hotel has been the beating heart of a rich community of artists who began moving into the deserted factory buildings between Alameda and the Los Angeles River.

Three tales of love, ambition, and neurosis unfold in the city that never sleeps. In "Life Lessons" (Martin Scorsese), a tormented painter channels heartbreak into his art. In "Life Without Zoë" (Francis Ford Coppola), a precocious 12-year-old navigates privilege and loneliness in a Manhattan hotel. And in "Oedipus Wrecks" (Woody Allen), a man’s domineering mother literally becomes a looming presence over New York.

Moving Together is a celebratory love letter to music and dance that brims with kinetic life and energy. This documentary explores the intricate collaboration between dancers and musicians, moving seamlessly between Flamenco, Modern, and New Orleans Second Line.