The Monkey Talks

At the end of the middle ages, Ursula is accused of having poisoned her own husband. She claims she is innocent, but to prove it, she must submit to a ritual: trial by fire, walking on fire along a path leading directly to a crucifix. A film that has been much commended for the visual creativity shown by the director in successive blending in of images involving Ursula, her husband, the Virgin Mary, and Jesus Christ. Much applauded, also: the performance of Jenny Hasselqvist, thus described by French director René Clair: “We shall never forget her flaming eyes, the severity of her spirit, her abrupt and alarmed expressions, like an animal under threat.”

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

On the proletarian solidarity of the French navy with the revolutionary people of Russia. The action takes place in the early years of Soviet power in the coastal city of Russia. The French cruiser Mirabeau threatens the city from the sea.

Marianna advertises for work as a reader and is employed by the reclusive millionaire Dymov. Appreciative of her sensitive, artistic nature, and of her youthful innocence and purity, Dymov is protective of Marianna and shields her from the attentions of his philandering playboy son. Marianna confesses to her fiancé Sergei that, at times, she feels deeply conflicted, drawn by the seductive lure of wealth and luxury. When her protector Dymov dies, his son begins to pursue her. Can Marianna resist her attraction to the opulent lifestyle that Dymov's son offers?

Alice Guy's version of Edgar Allan Poe's The Pit and the Pendulum. This film is partially lost.

A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior. On trial for claiming she'd spoken to God, Jeanne d'Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment, a famously brutal execution, earns her perpetual martyrdom.

The picture tells the story of Maria, a devoted wife of a bank employee. The couple has a cozy life; they have a baby but he is cared for by their maid so Maria can spend her time doing terrific things like going shopping. During one of these consumer afternoons, Maria meets by chance an old friend, Lidia, who will introduce her to exclusive idle class social circles. Soon Maria's beauty attracts the interest of Lebedev, a rich old libertine. From that point on Maria suffers continual sexual harassment (worthy of inclusion in any silent film encyclopedia article on beleaguered heroines) which she resists for a time. In the end, however, she falls into his bourgeois claws.

In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

When Florette, a popular actress, and her friend Edith become rivals for the love of Walter Stanley, a leading man, Florette sacrifices her feelings for the other girl. Three years later, Phillip Rowland, a young aristocrat, falls in love with Florette. When Edith intrudes in her affairs, Florette--although she fears unhappiness will result because of their differing social positions--decides to marry Rowland regardless of the consequences. Rowland stands by his wife, although she is snubbed by his family, but when Edith conspires with Walter Stanley to place Florette in a compromising position, Judge Rowland accepts circumstantial evidence as truth and plans for a divorce. Florette, however, cleverly puts her brother-in-law on the defensive; making amends, he has her reinstated in the family's good graces. A lost film.

Based on the novel Marthandavarma, the film recounts the adventures of the crown Prince, Marthandavarma on how he eliminates his arch-rivals one by one, to ascend to the throne of the Kingdom of Travancore.

The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.

Audrey Munson (a real-life 'perfect' model for numerous Beaux-Arts sculptors) first appeared artistically nude as a sculptor's model, recreating classic artistic (nude) paintings in George Foster Platt's controversial film from the Mutual Film Corporation. In fact, the film told the story of her own life. This film has generally been regarded as the first non-pornographic American film to feature nudity. This was the first known film in which a leading actress stripped down to be naked, making her the first nude film star. (filmsite.org)

Purity, a simple country girl, comes to the city and is hired as an artist's model. A young poet becomes obsessed with her, and is distraught when he learns she has been posing nude. But his distress is diminished when he finds that she intends to use her income from modelling to publish his poetry.

In this lost film, Theda Bara took the role of spoiled, deceiving nymphomaniac "vixen" Elsie Drummond. She wooed Wall Street businessman Martin Stevens (A. H. Van Buren) away from his interest in her sweet sister Helen (Mary G. Martin). She continued to seek after rich men, eventually marrying young statesman Knowles Murray (Herbert Heyes) (again stolen from Helen) - but still willing to be unfaithful with Stevens who had since regained his fortune. (filmsite.org)

Jimmy and May, young lovers, run away from their dreary farm lives to live in the city, though they don't marry. Soon Jimmy finds things aren't working out and has little ambition to work or affection for May left. In desperation he sells May into the hands of a pimp and a madam in a brothel. They don't meet again until, wounded while running from the police, he runs into a hospital ward where she's being treated for the ravages of social diseases she's accrued in the course of her degradation.