Kickin' the Conga Round

Everybody's favorite stiff is back! Working fools Larry Wilson and Richard Parker have uncovered a dirty, little secret: Their former boss, Bernie Lomax, embezzled $2 million and placed it in a safe deposit box in the Caribbean. Now, the boys are ready to go after the loot, but they can't do it alone -- they need poor Bernie's help. Can the buddies give their ex-boss new life?

A group of academics have spent years shut up in a house working on the definitive encyclopedia. When one of them discovers that his entry on slang is hopelessly outdated, he ventures into the wide world to learn about the evolving language. Here he meets Sugarpuss O’Shea, a nightclub singer, who’s on top of all the slang—and, it just so happens, needs a place to stay.

Two sailors Sindbad and Popeye decide to test themselves in order to prove their supremacy. Popeye is then presented with a series of daunting tasks by Sindbad.

Olive Oyl's screenplay for an Aladdin movie comes to life and Popeye battles for control of a genie in this, the last of the three Popeye color films.

Popeye and Bluto fight for the love of Olive Oyl in their debut short, featuring Betty Boop.

Popeye skates over to Olive's house to give her a Christmas present: ice skates of her own. While he's teaching her, Bluto skates up and gets fresh; of course, Popeye fights him. When Olive rejects Bluto again, he sends her careening on an ice floe towards a waterfall.

Bluto dirties all of an office building's windows himself, to drum up business for his window cleaning service. When he gets to Olive's stenographer office, about ten floors up, she says no: Popeye's going to wash her windows. And the battle with Popeye is on.

William Tell shoots an arrow, barely missing Popeye, then tells Popeye that he has just lost his son in an unfortunate arrow incident. Tell then defies the High Governor and is ordered to shoot an apple off his son's head; Popeye stands in for his son.

Popeye's 99-year-old father won't admit he's too old to help Popeye build a ship. Popeye tells him to build one side while he builds the other; Pappy's side is a mess. He falls asleep helping hoist the mast. While Pappy sleeps, Popeye rebuilds his side and finishes the above-decks, with a little help from spinach, of course.

A hypnotist, frustrated by not having anyone to practice on, cold-calls Olive and hypnotizes her over the phone into coming to his office. Popeye rushes after her.

Poopdeck Pappy has a hangover. He asks Popeye to help him by keeping the noise down. Among the disturbances he deals with: a crying baby across the way, a horse-drawn milk truck, a factory whistle, a radio, a traffic accident, a construction site, and a blasting site.

Popeye's nephews have been practicing their music and are getting good, but it's bedtime. After Popeye puts them to bed, they discover that many of the things in their bedroom can also be used to make music. And they are also blessed with an uncanny ability to appear to sleep every time Popeye comes to check on them.

Olive invites Popeye over for a hamburger dinner. His roommate Wimpy hears this and disguises himself as Popeye in order to be who enjoys the feast.

Popeye and Bluto agree that women are too much trouble, so they agree to swear off them, which lasts about five seconds, until Olive comes on board ship for a tour. The boys vie for her attention.

Popeye and Olive compete as partners in a dance contest. Naturally, Bluto butts in.

Popeye has a new car; Olive wants a driving lesson. Things don't go well.

Olive rushes over to show Popeye the headline: Vaudeville is coming back. They agree to rehearse their old act. After a brief song-and-dance intro, the act begins: Popeye demonstrating his strength while Olive displays her flexibility and balance; impersonations of Jimmy Durante, Stan Laurel and Groucho Marx; and the last act, more feats of strength and agility.

Popeye takes Olive to the zoo, where she's spotted by zookeeper Bluto, who tries various stunts to impress her and/or get rid of Popeye.

Popeye runs a pizza restaurant. Wimpy wants to pay him Tuesday for some hamburger pizzas, but Popeye says "No money, no pizzas! Cash on the line!" Wimpy would pay Brutus Tuesday if he gave him money for pizzas, but Popeye yells "No money, no pizzas!" Brutus tells Popeye to fix Wimpy some pizzas. Popeye makes a pizza making machine, and asks Brutus what kind of pizzas he wants. Brutus wants a tamale pizza, but Popeye says he never serves tamale pizzas. Brutus then rolls Popeye into some pizza dough, but Popeye eats some spinach pizza and turns Brutus into a pizza-bread man, then kicks him out. Popeye sees Wimpy eating pizza, and has him pay for it.

Mystery Pictures is looking for a stunt man. Swee'pea tags along with Popeye, but he sends the tot home. Popeye shows clips of his stunts to the director, who is impressed; when he goes to put on the last reel, Swee'pea, who snuck back in, hands him Lost and Foundry (1937), which features Swee'pea saving the day. The director signs Swee'pea.