A documentary about the laying of the first transatlantic telephone line.
World War II was not just the most destructive conflict in humanity, it was also the greatest theft in history: lives, families, communities, property, culture and heritage were all stolen. The story of Nazi Germany's plundering of Europe's great works of art during World War II and Allied efforts to minimize the damage.
Produced in 1943 under the guidance of Army Air Force Lieutenant Clark Gable, this film follows a single 8th Air Force B-17 crew from training through a series of missions over Europe.
The history of the Warsaw Ghetto (1940-43) as seen from both sides of the wall, its legacy and its memory: new light on a tragic era of division, destruction and mass murder thanks to the testimony of survivors and the discovery of a ten-minute film shot by Polish amateur filmmaker Alfons Ziółkowski in 1941.
Moskau 1941 - Stimmen am Abgrund
MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.
In 1961, history was on trial... in a trial that made history. Just 15 years after the end of WWII, the Holocaust had been largely forgotten. That changed with the capture of Adolf Eichmann, a former Nazi officer hiding in Argentina. Through rarely-seen archival footage, The Eichmann Trial documents one of the most shocking trials ever recorded, and the birth of Holocaust awareness and education.
Beiderseits der Rollbahn
This short documentary produced by the University of Oregon Multimedia Journalism graduate program explores memories of Portland's Japantown – Nihonmachi – and the thriving Japanese American community in Oregon prior to World War II. The film features Chisao Hata, an artist, teacher and activist, and Jean Matsumoto, who was incarcerated at the Portland Assembly Center and in the Minidoka concentration camp as a child.
La zuppa del demonio
The story of Italian cinema under Fascism, a sophisticated film industry built around the founding of the Cinecittà studios and the successful birth of a domestic star system, populated by very peculiar artists among whom stood out several beautiful, magnetic, special actresses; a dark story of war, drugs, sex, censorship and tragedy.
The SS chief Heinrich Himmler wanted to exchange Jews against so-called German Reich abroad, against arms sales or for cash - with the express approval of Hitler.
Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.
A documentary propaganda film produced by the U.S. Army Signal Corps about the Aleutian Islands Campaign during World War II. The film opens with a map showing the strategic importance of the island, and the thrust of the 1942 Japanese offensive into Midway and Dutch Harbor. Nominated for the Academy Award for Best Documentary Feature.
An epic family saga told by the women around the famous architect Ludwig Mies van der Rohe.
The riveting biography of 102-year-old CIA spymaster Peter Sichel, who unpacks the obscured roots of conflicts that plague today’s world and the toll espionage took on his personal life.
This World War II documentary rests on an unusual thesis: it argues that, in the wake of Pearl Harbor, the actions precipitated by the U.S.A.F. that truly helped turn the tide were perpetrated not by the widely-ballyhooed U.S.N. aviators or aircraft carriers, but by the American submarines - silent warriors beneath the deceptively placid ocean surface. The subs, after all, were responsible for gravely wounding Japan's industry, all but destroying the Japanese merchant fleet, and therefore preventing reinforcement of Japanese military garrisons. In relaying this story, the program draws on a series of interviews with military veterans, and endless archival footage of naval battles that chronologically tells the gripping story of the Pacific Front of the war.
Nos très chers animaux
Between June 1940 and August 1944, Otto Abetz, German ambassador in Paris, and Fernand de Brinon, ambassador of the Vichy regime in Paris, met almost daily and developed official collaboration between the governments of Vichy and Nazi Germany.
Le Temps des assassins