Many of its members are spending a leisurely day at the the El Caballero Golf Club, the most beautiful in California. Also visiting for the day is non-member, Billy Divott, a golf enthusiast who is a little too enthusiastic. He seems to cause havoc everywhere he goes, especially as he plays a round of golf and tries to teach who he considers some of the less experienced members the finer points of the game. That havoc is compounded whenever he deals with sand traps, water traps or especially flying insects with stingers.
A silent 3-reel comedy short that uses the 1933 film King Kong as a backdrop to the story. It was produced by Shochiku Studios (who released the original 1933 film in Japan on behalf of RKO). It is now considered to be a lost film.
Puffy and his girlfriend want to get married by a judge at the courthouse. However they go to a wrong door and he's mistaken for a defendant in a murder trial.
A lonesome man at the threshold of death finds himself trapped in a place called the Endless.
Carter DeHaven announces that he will perform a series of "impressions." For each we see him applying makeup and changing the combing of his hair or putting on a wig. When he tilts his head down during each supposed makeover, up pops the actual celebrity (Keaton, Lloyd, Arbuckle, Valentino, Fairbanks, Coogan) he appears to have been making himself up as.
This might be termed a comedy of errors, for the overzealousness of a lot of good-hearted simple folks places them in a rather embarrassing position. Lillie Green, who keeps a boarding house, receives a letter from her old school chum, Polly Brown, whom sin hasn't seen in years, to the effect that as Lillie has never seen her little darling daughter, she will send her for a few days' visit, asking that someone meet the child at the 3:40 train. Lillie's boarders are a bunch of kind-hearted bachelors, who at once prepare to give the "Little Darling" the time of her life, buying a load of toys, etc., for her amusement, also procuring a baby carriage with which to meet her at the train. You may imagine their embarrassment when they find that Tootsie, instead of being a baby, proves to be a handsome young lady of seventeen, whose tastes run rather to garden gates, shady lanes and quiet nooks, than toys. (Moving Picture World)
The first appearance of Felix the Cat (as Master Tom). Tom falls in love with a lady cat, and while they're out courting at night, the mice ransack the kitchen.
In Old Vienna in the days prior to The Great War, a beautiful woman, Hannerl, has her choice of two men; the first is a dashing young army officer who can provide blazing romance and little long-time security. The other is an older man, influential in the affairs of Austria, who could provide wealth...and tender devotion. Hannerl thinks about it.
A man walks down the exterior staircase of building of flats; he's dressed to go out, taking care to wrap a scarf around his neck. He pauses as he passes a small window that's about eye high. He ventures to look in, and there a young woman stands at a washbasin, drying her hair,
The kids in the tenements have no place to play except in streets where traffic is a hazard. Mickey gets the idea of building barricades to give our gang space to play at an intersection, but a beat cop, the nasty "Hard-Boiled" McManus, puts a quick end to that. A sympathetic constable and a detective who has kids of his own give our gang a chance to help law enforcement. The little rascals wear uniforms and keep an eye on things: Joe, for instance, eyes the bananas at Tony's fruit stand. When the now-fired McManus returns and seeks revenge, the junior police force and their adult colleagues are put to the test.
Farina, Joe and Mickey are all struck by the love bug. After several problems, they go to the beauty salon, where Pineapple works and proceed to make shambles of it. The police arrive and arrest them, but Grandma comes to their rescue.
The circus is in town and for one day only. By pretending to be sick some of the gang members were able to play hooky from school so as to attend the festivities.
The gang has a taxi, consisting of an old Model T with no engine, pushed by a horse. When the owner takes his horse back, they must rely on motorists to tow them to the top of the hill so they can coast down. Little Farina borrows the car and it runs out of control all over town, causing mayhem everywhere it goes.
A mild-mannered man's problems with his domineering wife and mother-in-law lead to complications with the law.
Because Ernst feels oppressed by his wife and her mother, he fakes his suicide and hires in his own household disguised as a servant.
Ishihara Toru is an everyday guy with an on-and-off girlfriend and a position working for a train buff. Things become complicated when a ghostly vehicle dubbed the X Train begins to ride the rails, destroying everything in its path. Somehow, it seems that Toru is connected with the X Train by a strange power, which draws the attention of some very dangerous and power hungry people who would wield it for their own...
Mabel has just gotten engaged during a housewarming party of which her mother is the hostess. When an annoying party guest persuades Mabel to dance with him, Mabel hurries through the dance and then goes to look for her fiancé, only to discover him caressing another woman. Her fiancé finds not only Mabel, but also her mother, very displeased, and not inclined to believe his explanation.
The protagonist, a lazy pen-pusher, gets the sack for his bureaucratic idleness, and learns that the way back into the job market depends on getting a letter of recommendation from a "grandmother"
Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only forty-some seconds have survived. The whole of the second shot is only available as film stills. The film features an elderly man at an art gallery who takes a great interest in a nude statue to the irritation of his wife. The film has cinematographic significance as the first example of film continuity. It was, according to Michael Brooke of BFI Screenonline, "one of the first films to feature more than one shot." In the first shot, an elderly couple is outside an art exhibition having lunch and then follow other people inside through the door. The second shot shows what they do inside.
A satire on the way that audiences unaccustomed to the cinema didn't know how to react to the moving images on a screen - in this film, an unsophisticated (and stereotypical) country yokel is alternately baffled and terrified, in the latter case by the apparent approach of a steam train.