Witness country come alive as Mark Cora, proud Minjungbal man and cultural educator unveils the rich contexts that shape his evocative artwork, The Wind Dancer.
Everyday life in the Waks household is a logistical challenge of monumental proportions. There are two minibuses to move the family around and the kitchen in its suburban Melbourne home has five ovens for kosher cooking. The family follows an orthodox form of Judaism. School, work, synagogue and socialising all take place within a tight-knit Jewish community.
Charting the recovery of wildlife in the aftermath of Australia's catastrophic bushfires through stories of hope and resilience.
Val Plumwood, environmental philosopher returns to Kakadu, where she was the victim of a crocodile attack. Against the backdrop of the steamy, intensely beautiful Kakadu National Park, she shares her thoughts on wilderness and wildlife.
Originally broadcast on ABC's True Stories in 1993, Feed Them to the Cannibals tells the story of Sydney's Gay and Lesbian Mardi Gras. It was the first time cameras were allowed at Sleaze Ball and the Mardi Gras Party.
A heartwarming exploration of a community art project by photographer Tawfik Elgazzar providing free portraits for locals and passers-by in Sydney, Australia's Inner West. The film explores the nature of individuality, cultural diversity and the positive joy for the photographer of seeing his subjects smile.
Through one woman's experience as an adopted person and also as a mother who relinquished her child in 1971, this documentary highlights the many complex issues associated with adoption.
In a time of hardship, Hobart resident Peter Walsh turns to the secretive platypus for solace, only to discover it is the platypus that need his help to survive in a habitat under threat.
In the pinnacle of their Stack Is The New Black national tour, Short Stack play the Sydney Opera House in a sold out mega-show.
Girt By Sea is a cinematic love letter to the coastline of Australia - a poetic celebration of our connection to the sea as documented through archival footage over the past 100 years.
In 1832 the government of Van Diemen’s Land sent the last Aboriginal resistance fighters into exile at Wybalenna on Flinders Island, bringing an end to the Black War and opening a new chapter in the struggle for justice and survival by Tasmanian Aboriginal people. Black Man’s Houses tells a dramatic story of the quest by Aboriginal people to reclaim the graves of their ancestors against a background of racism and denial. Documenting a moving memorial re-enactment of the funeral of the great chief Manalargenna, the film also charts the cultural strength and resilience of his descendants as they are forced to fight for recognition in a society that is not ready to remember the terrible events of the past.
Could Australia's past help secure its future? 65,000 years in the making, Burnt Country is about fighting fire, with fire. Exploring the profound knowledge and wisdom of First Nations, this film is an invitation to connect to country and community.
A year in the life of troubled Australian graffiti artist Justin Hughes.
A 19-year-old high school graduate travels through Australia as a backpacker and accompanies his adventure with a camera.
Some 240,000 women over 55 are at risk of homelessness In Australia – a figure both surprising (owing to this demographic being less likely to speak up about their difficulties) and shocking, given this country’s wealth. Under Cover introduces us to 10 of these people, including a survivor of domestic violence, a former advertising executive, a self-confessed loner and a displaced immigrant, for whom security and shelter are constant unknowns and who, until now, have suffered in silence.
Down Under, just a few nights after the November full moon - when water temperature and tides are just right - one of nature's most extraordinary events explodes into life. Thousands of coral join in an elaborate mating ritual, a synchronized dance of naturally occurring phenomena that help increase the coral's odds of survival. Journey through more than 1,200 miles of Australia's treasured Great Barrier Reef to discover the secrets of the unique marine life that inhabit this dazzling spectacle, considered to be the world's biggest single structure made by living organisms and declared a World Heritage Site by UNESCO.
Three ethnic school kids from Sydney's western suburbs form a punk band in the 80s. The Hard-Ons fight racism, the music industry and the rise of grunge with their pop punk noise, irreverent humour and absolute commitment to just being themselves.
Sacred Ground tells the true story of Aboriginal people fighting to save the last remnants of their ancient heritage and culture.
Made from reimagined/recycled images and sounds from the filmmaker’s archive and other found materials, Undercurrents is a poetic essay documentary about the undercurrents of history playing out in the present. It is also (at its heart) about the power of resistance.
A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.