The Poor Little Draculin

Scooby and the gang have their first musical mystery in “Scooby Doo: Music of the Vampire.” It begins when they take a sing-a-long road trip into bayou country to attend the “Vampire-Palooza Festival” – an outdoor fair dedicated to all things Draculian. At first it looks as if they’re in for some fun and lots of Southern snacks, but events soon turn scary when a real live vampire comes to life, bursts from his coffin and threatens all the townsfolk. On top of that, this baritone blood sucker seems intent on taking Daphne as his vampire bride! Could the vampire be a descendant of a famous vampire hunter who is trying to sell his book? Or perhaps he’s the local politician, who has been trying to make his name in the press by attacking the vampires as downright unwholesome. The answers are to be found in a final song-filled showdown in the swamp in which our heroes unmask one of their most macabre monsters yet.

A deranged 15th Century prison colony chaplain exploits his power to get money for his church including murder and grave robbing committed by his vampire mistress and one-eyed hunchback assistant.

A managing editor sends a socialite reporter to spy on her boyfriend, mixed up in murder.

On their wedding night, a newlywed couple find themselves menaced by a bloodthirsty vampire.

Sumathi, a village girl, falls in love with a tailor. But problems start brewing in their lives when her father does not approve of their relationship.

A tour of Ciro's Nightclub packed with caricatures of many top stars.

A visit to a Hollywood nightclub, featuring caricatures of, among others, Walter Winchell, Hugh Herbert, W.C. Fields, Katharine Hepburn, Ned Sparks, Johnny Weissmuller, Lupe Velez, John Barrymore, Harpo Marx, George Arliss, Mae West, Stan Laurel, Oliver Hardy, Clark Gable, Edna May Oliver, Gary Cooper, The Dionne Quintuplets, Groucho Marx, Helen Morgan, Wallace Beery, Edward G. Robinson and George Raft.

Bugs buys the homes of the three little pigs and the wolf starts blowing them down. Of course you know "this means war."

Columbus, Tallahassee, Wichita, and Little Rock move to the American heartland as they face off against evolved zombies, fellow survivors, and the growing pains of the snarky makeshift family.

Two private detectives called Salomon (Fernando Fernan-Gomez) and Torcuato (Jose Luis Lopez Vazquez), are engaged in questionable conduct research and work reports

A fashion model in the 1930s, who owns an Art Deco Miami hotel, kills herself when her fiancé is unfaithful to her. 60 years later she returns to life as a vampire, when the hotel is scheduled for demolition. Using her sexuality as bait, she looks for victims.

An all-dog cast (with human voiceovers) recreates famous scenes from early musical films, particularly The Broadway Melody. The finale is a chorus line of dogs performing "Singing in the Rain" spoofing Cliff Edwards' original version of the song in The Hollywood Revue of 1929. Also spoofed is Al Jolson's performance of "Mammy" in The Jazz Singer.

A mid-level automotive company employee is summoned to the mountain villa of owner Giovanni Nosferatu, only to discover a glossy netherworld where capitalism is the new vampirism, and escape may be impossible.

At Satan & Co., Inc., the devil is upset because too many people are going up to Heaven rather than down to Hades. He gives his assistant, Mr. Burns, the task of getting more people to his domain. In front of a nightclub, Mr. Burns invites a crowd of people to come inside to The Devil's Cabaret to be entertained. After they enjoy songs and dancing, the people go willingly to Hades.

Carmila is introduced by 'M' to a sinister role-playing game called "Eternal Blood". Once settled in an abandoned house, the group meets Dahmer, a young man who practices vampirism rites and who begins to influence young people, or perhaps... turn them into vampires.

By 1933, Prohibition has proven a booming enterprise, where average citizens break the law, hide in the shadows and operate at night. The new world order has even lined the pockets of corrupt cops like Jack Malone. He collects a 'luxury tax' from every bootlegger and scofflaw in the small town he has sworn to protect. While shaking down the newest speakeasy in the local underground, Jack and his men uncover a clan of vampires hell bent on taking over the town. Now Chesterfield, an ancient vampire, and his horde must hide their secret at any cost. The bloody result leaves several bodies and innocent townsfolk taken as lambs to await the slaughter. With nowhere else to turn, Jack joins forces with a busboy and a crazy preacher to save the town and make a final stand against Chesterfield and his vampires.

A secret vampire cult, which has its headquarters beneath the town cemetery, searches for victims for its human sacrifice rituals.

National Vampire is a feature-length documentary that explores vampire culture in the United States. To achieve this, the filmmakers spent more than two years traveling around the country, attending vampire-related events, and interviewing dozens of people involved in the vampire community. Shooting locations include a Vampire’s Ball held in New Orleans each Halloween, a vampire tour of San Francisco, and a New York City shop that “transforms” people into vampires. Also featured are a vampire “dentist” who makes fangs for a living, vampire role playing gamers in Dayton, Ohio, a vampire-themed magician, and a bloodthirsty Texas couple that claims to be the real thing. Going beyond the surface, National Vampire also explores a number of subcultures that overlap the vampire community, including the goth music scene, bondage and S&M, and blood fetishists who take part in piercing and full-body suspension rituals.

After being stabbed with an ancient, germ-infested knife, a doctor finds himself with an insatiable desire for blood.

When Ali and Mona's car breaks down en route to a party, the couple seek the nearest house to make an emergency call, only to find that they've arrived at the home of the revered Count Dracula. An unfaithful remake of the musical cult classic The Rocky Horror Picture Show. Although the story is apparently the same, Shebl’s film is almost too homoerotic to handle. Weaved into its camp aesthetics, horror genre tropes and 80s disco numbers, Anyab provides a running commentary on the social situation in Egypt, from youth unemployment to class struggle, while intersecting sexual politics into the mix.