Lisa Limone and Maroc Orange: A Rapid Love Story

A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.

With the intention to break free from the strict familial restrictions, a suicidal young woman sets up a marriage of convenience with a forty-year-old addict, an act that will lead to an outburst of envious love.

Three storylines, spanning thousands of years, intersect and reflect on hope, connection, and the circle of life.

New York comedian Alvy Singer falls in love with the ditsy Annie Hall.

Middle-aged suburban husband Richard abruptly tells his wife, Maria, that he wants a divorce. As Richard takes up with a younger woman, Maria enjoys a night on the town with her friends and meets a younger man. As the couple and those around them confront a seemingly futile search for what they've lost -- love, excitement, passion -- this classic American independent film explores themes of aging and alienation.

The spoiled daughter of a Georgia plantation owner conducts a tumultuous romance with a cynical profiteer during the American Civil War and Reconstruction Era.

The Addams get tangled up in more wacky adventures and find themselves involved in hilarious run-ins with all sorts of unsuspecting characters.

It's hard to imagine confirmed Straussians not wanting this starry Metropolitan Opera performance of Elektra. Strauss and his librettist, Hugo von Hofmannstahl, transformed Sophocles' take on Homer's tale into a harrowing opera noir. Elektra lives for one reason, to kill her mother, Klytämnestra, and her stepfather, Aegisth, the murderers of her father, Agamemnon. In contrast to Elektra's vengeful obsession, her sister Chrysothemis desires to get on with life. When their long-missing brother, Orestes, returns to do the deed, Elektra celebrates with a dance of death and, her sole purpose in life fulfilled, dies. Strauss joined the hermetic plot to music of the utmost opulence, violent and yearning by turns, evoking the cardinal principles of Greek tragedy - pity and terror.

L'Incoronazione di Poppea by Monteverdi is the last Opera of the Monteverdi trilogy filmed by the Italian label and producer Dynamic at the Teatro Real, Madrid, May 2010.

Precocious teenager Juliet moves to New Zealand with her family and soon befriends the quiet, brooding Pauline through their shared love of fantasy and literature. This friendship gradually develops into an intense and obsessive bond.

Two young lovers wander off to a forest on their wedding night where their fate is overcome by the darkness of self- destruction. Finding a field of poisonous strawberries in the forest, she has harmed herself in the worst way possible: losing him.

A vicious beaver blankets the jungle with a dangerous pink substance that explodes when coming into contact with water. With the rainy season approaching, the miscellaneous team of animals must hurry to find the antidote.

An ex-mercenary turned smuggler. A Mende fisherman. Amid the explosive civil war overtaking 1999 Sierra Leone, these men join for two desperate missions: recovering a rare pink diamond of immense value and rescuing the fisherman's son, conscripted as a child soldier into the brutal rebel forces ripping a swath of torture and bloodshed countrywide.

Tragedy strikes a married couple vacationing in the Moroccan desert, which jumpstarts an interlocking story involving four different families.

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

With his eye on a lovely aristocrat, a gifted illusionist named Eisenheim uses his powers to win her away from her betrothed, a crown prince. But Eisenheim's scheme creates tumult within the monarchy and ignites the suspicion of a dogged inspector.

The life of a Romanian Orthodox Priest, who went from a hard childhood in godless, communist Romania, to the land of all freedoms, America.

Three years after his love story ended, Sadali chooses a quiet life as a painter in Magelang and prepares for the most important exhibition of his career. His tranquility is disturbed when he hears the news of Mera's marriage and reunites with Mera and Arnaza, two figures from his past who have left scars. Trapped between regret, suppressed love, and a search for identity, Sadali must choose between being tied to the past or moving towards new meanings in love and art.

When a three-legged lamb realizes he is not like other sheep, he leaves the safety of his home, but the good shepherd embarks on a journey to rescue the lost lamb.

Car Men is a collaboration between the renowned choreographer Jíri Kylían and filmmaker Boris Paval Conen. Based on the opera 'CARMEN' by Georges Bizet they shot a hilarious and poetic short film in the destroyed landscape of a Czech brown coal mine. The actors in this film are older dancers from Kylían's troupe (around 50 years old) and the main prop is a 'TATRA 87', a famous car from 1937.