Lisa Limone and Maroc Orange: A Rapid Love Story

Carlos Álvarez takes the title role in the first of Verdi's Shakespearean operas, with Maria Guleghina as the manipulative wife whose desire to gain the Scottish throne drives her husband to murder and leaves both with blood on their hands. Bruno Campanella conducts the Symphony Orchestra and Chorus of the Gran Teatre del Liceu in the 2004 recording of Phyllida Lloyd's powerful production, first staged at London's Royal Opera House.

Waitress Saara meets handsome journalist Joni, and soon moves in to live with him. Joni tries his best to satisfy Saara sexually but, disturbed by violent lesbian fantasies, she is unable to experience orgasm. Trying to cope with the situation, Saara has another brief affair back in her old home town.

I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. I used various methods to shoot photographs of a relative's wedding, the landscape I see from window of my house, commemorative travel photographs and the like frame-by-frame.

Six couples who do not know each other are brought together by destiny, fate and love

A rich American couple, a family of Dutch criminals, a French gay couple, a working class family from Germany and an illegal Moroccan youth and his kid brother, are all in Amsterdam, each with their own story. Different reasons make their paths intertwine, leading to a dramatic climax that changes their lives for ever.

A look at the entire process of creating and developing Patrice Chéreau’s third staging of "In the Solitude of Cotton Fields" by Bernard Marie Koltès with Pascal Greggory and Chéreau himself. From the first reading around the table through the first contact with the performance space, rehearsals and lighting to opening night, the entire creative process unfurls in front of our eyes. The film shows us the evolving and ongoing dialogue between Greggory and Chéreau, a dialogue full of crises and magical moments of harmony and insight via which the truth, intensity, complexity, mystery and depth of Koltès’ text gradually emerge to form an implicit bond between these two men. The film also shows Chéreau directing rehearsals for Mozart’s "Don Giovanni" in Salzburg, revealing both the unity of and profound differences between his opera and theater work.

Story of the relationship between the poets Ted Hughes and Sylvia Plath.

Filmed at the Vienna State Opera in 2005, Andrei Serban's production of Massenet's opera with a late 18th century setting pushes the action forwards to the 1950's,with the visuals exemplifying that decade with precision.With as much delicacy on display as naked passion,his(Alverez)morbid poet is outstandingly realised both vocally and dramatically. Together with Erod's dour Albert and Ileana Tonca's Sophie-clearly in love with Werther herself-the drama is set out with unusual clarity and realism.Philippe Jordan ensures that Massenet's pent-up emotion explodes exactly on cue,its expressive power providing impossible to resist.

L stopped enjoying life as a little girl. She flees abuse at the hands of her adoptive parents and heads for the big city. There, L's life is wrecked by a string of bad relationships, and she takes the fall for a friend who commits murder and ends up in jail.

Live 2001 production from the Zurich Opera House of the classic Mozart/Da Ponte opera, with Nikolaus Harnoncourt conducting and directed for television and video by Brian Large.

Frantisek Filip film version of the Smetana opera.

The propaganda film follows a romantic liaison between a young woman who is a supporter of the Euromaidan, and a man who joins the Russian invasion troops in the aftermath of Euromaidan‘s success.

An introspective dentist's suspicions about his wife's infidelity stresses his mental well being and family life to the breaking point.

“And, 'twixt the shadows and frights of nocturnal splendors, My beloved will secretly be hiding. Say what you will, say what you may.” The sound of a distant whistle and theorbo calls a sleeping singer through the empty streets of Stuttgart in a midnight journey to the opera house. ‘dei notturni splendori’ is an experimental opera film made for the Staatsoper Stuttgart in the early months of the Coronavirus pandemic lockdown. Anderson Matthew captures the singer Helene Schneiderman through a midnight dream with a hand-cranked kino camera in an ecstatic 35mm photo roman, in search for her own performance of the Tarquinio Merula madrigal Folle é ben chi se crede from 1638.

Visually this is a gripping production which captures the drama of this opera perfectly. It's downright exciting! and I found the singing, acting, and orchestral playing reasonably fine. I found only one major problem with it, a problem that kept Puccini for quite a few years. Turandot has been looking for an opportunity to kill Calif and Calif has singlemindedly tried to get Turandot to love and wed him focusing on her and ignoring a better looking girl who loves him truly. The problem is how to get the audience to applaud the match once Calif gets his wish. Puccini couldn't figure out how to do it. The traditional quick ending doesn't do it, and Berio's attempt is longer , tries its best, but ends up making it plain this is one wierd couple.

Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.

Lesson in History was produced when Peters was a student at the West Surrey School of Art and Design. Having read The People Could Fly by Virginia Hamilton, she was inspired to make what she describes as 'the stories of black achievement and how stories had not been told.' The animated film was subsequently screened on the BBC as part of the series 10X10. It was shot on 16mm using cutouts, photography and masks.

A historical drama set in 1950s Britain. Dora Szumski, 30, is an Englishwoman married to a Polish immigrant, Eryk, a former Polish Army officer, who is left with no choice by the post-war balance of power, condemned to die in his homeland or emigrate. After an unsuccessful suicide attempt, Eryk stays in Mabledon Park, a psychiatric hospital designed for former Polish soldiers suffering from war trauma. Erik's illness resulting from a past that has been haunted and concealed from his wife not only becomes a barrier to the couple's future, but also a threat to Erik's life. Dora decides to find out what the secret of her husband's illness is.

Wealthy but alone, a king spends his days obsessively polishing shiny objects throughout his opulent castle. After a visit from a puckish forest wizard, the king earns a blessing – or curse – that turns anything he touches to gold.

Two thieving gloves try to snatch an apple.