Blurred Night

This film is the pearl of his pioneer work in Madeira Island and captures the most of his methodology: good stories taking the most of Madeira's natural scenery, and provoking the audience with some ironic and "double-sense" scenes. The film tells the story of an English girl travelling with her father, a botanic, and a guide from madeira in the deep mountains of the island. The girl has some mental disturbs and is always scaring about an attack from the native man, appearing as a half-man/half-monster.

Peixe-de-Espada (literally, sword-fish), a retired Army colonel, his wife and nubile daughter are spending their holidays at the Palace Hotel, in the company of a lady doctor, Doctor Pilulas (literally, pills). He tells tall-tales of his African adventures, and she finds ways to promote the excellency of the pills of her own fabrication. To spend some time with Gabriela, his girlfriend, Rito appears disguised as a woman, pretending to be the new post-office operator. Desguises will come and go, and all ends well after a turmoil of twisted plots.

Sleepwalking and supernatural adventures, inspired by American farces.

Diogo Alves is a Spanish fugitive that comes to the Portuguese capital terrorizing the inhabitants by his cut-throat methods against rich and poor people alike. He attacks the women launderers on the Lisbon Aqueduct and throws the bodies over the high wall, and assaults homes with his large band of criminals. Eventually arrested, he, his female companion and his henchmen are condemned to death by the court.

In the year 2150, Johnny, a lazy Space Delivery Man, must deliver a package on a planet he does not fully understand.

Presented as if it were an archive from the beginning of the 20th century, like a Pathé newsreel, this film tells the story of the life of Etienne-Jules Marey, the 19th century pioneer of photography and cinema, famous for studying animal and human locomotion.

La Guerre des Romands

A tall, shy and reserved young actor accidentally signs himself up for a wrestling match.

This is a film about a man without a face. His arms and legs, bound with ropes, the disabled man is still without even a shudder in a white room. A series of unusual scenes in this room expresses what lies between memories, nightmares, and violent images.

Through a series of auditions, a young actor in New York City struggles with his identity.

Enter Hamlet is a collage of images in cartoon form of a word put in balloon in each jump-cut scene as that word is said by the narrator Maurice Evans during his “To be or not to be…” soliloquy recording.

Rami Haruvi, a daring Mossad Agent, is sent to rescue the abducted US ambassador held at the state of Sugyra. If Rami fails his mission, the annual mossad vacation at "Olga Resort" will be canceled. Due to the importance of the mission, Hayim, the Head of the Mossad decides to assign Rami a new agent to his mission - the daughter of a mythological Mossad agent named Shuki, a ladies' man and Rami's role model. The two are getting into trouble both in their mission and relationship. Are the Americans good? Are the terrorist bad? Yet none of it compares to the real important question: will Hayim get his longed annual vacation at the Olga Resort?

The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.

A green-skinned demon places a woman and two courtiers into a flaming cauldron.

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

Short film of 300 individually painted images. A lost film.

One of the first animated short films. A wanderer enters a cabaret in the countryside and asks a waitress for a beer. She comes back with a pint, as the wanderer begins to court her. However, the kitchen boy comes, drinks the beer and vanishes. The wanderer, misunderstanding, asks for another beer. Then a traveler enters and has an argument with the wandered. During the argument, the kitchen boy appears, sips the second beer and runs away. As the traveler quits, the customer finds his glass empty again. He calls the waitress, expresses his disappointment and leaves. The kitchen boy comes in and explains to the waitress what he did with the two beers. They make fun together of the wanderer and leave. A lost film.

Three men hammer on an anvil and pass a bottle of beer around. Notable for being the first film in which a scene is being acted out.

A doctor must remove a parasite infestation from within a patient's breast.

Thelma and Patsy find themselves in a spooky house inhabited by a nut who is a mechanical genius and has made a robot who does everything. The inventor manipulates the robot's control board from a hidden room. The girls are soon in a panic. Patsy gets into an argument with the robot and loses the match of wits. Blackie Burke, an escaped convict, is using the house as a hideout, and this adds to the problems the girls already have.