Don Quixote

County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.

This interpretation of Coppélia is set in a cybernetic laboratory specialised in artificial intelligence, where Doctor Coppélius is attempting to create a female android that moves and acts like a human. Against a backdrop of futuristic sets the Víctor Ullate Ballet clothes this classic in a new, bouncy and colourful fairytale wardrobe. Recorded live at the Opera Royal du Chateau de Versailles, 2013.

Adaptation of The Nutcracker by the Mark Morris Dance Group.

A dance film-fantasy, a tour of old and new Tallinn from its own unique angle - from the rooftops. First colour film of Eesti Telefilm.

The Red Shoes is a tale of obsession, possession and one girl's dream to be the greatest dancer in the world. Victoria Page lives to dance but her ambitions become a battleground between the two men who inspire her passion. Matthew Bourne’s magical adaptation of the classic Powell and Pressburger film is set to the achingly romantic music of golden-age Hollywood composer Bernard Herrmann, the production is orchestrated by Terry Davies, with stunning designs by Lez Brotherston, lighting by Paule Constable, sound by Paul Groothuis and projection design by Duncan McLean. Filmed live at Sadler’s Wells in London especially for cinemas.

After the death of her mother, Sara moves to the South Side of Chicago to live with her father and gets transferred to a majority-black school. Her life takes a turn for the better when befriends Chenille and her brother Derek, who helps her with her dancing skills.

Tamara Rojo, dancer and artistic director of English National Ballet, explores Giselle - the first great Romantic ballet, and a defining role for any ballerina. Through two radically contrasting 2016 productions - a traditional 19th-century recreation, and a gritty reimagining of the work by celebrated Anglo-Bangladeshi choreographer Akram Khan - Rojo examines the cultural and social background to the ballet’s genesis in 1840s Paris, and the spiritual themes that have fuelled its success over the last 175 years. Giselle is the story of a young peasant girl who personifies all that is good in life, and ultimately forgives the aristocrat who has seduced and betrayed her. With Giselle, the look and emotional heart of ballet was transformed forever, from mime-based storytelling to a fusion of emotion, music and movement, formulating a tradition that has inspired audiences, dancers and choreographers ever since.

A psychedelic combination of Shakespeare, rock & roll and Catholic symbolism in the shape of a Cuban ballet.

A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.

A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.

The Nutcracker is Mikhail Baryshnikov's breathtaking and critcally acclaimed Emmy nominated production. The thisspectacular performance is danced by the magnificent team of Baryshnikov, one of the greatest classical dancers of the century, and Gelsey Kirkland, both chowcased at the peak of the their careers, with members of the American Ballet Theatre.

The one act performance by choreographer Yuri Possokhov pays homage to the celebrated founder of the fashion house that bears her name and features a stunning display of Chanel costumes specially created for the ballet. Created specifically for Zakharova, the ballet "Gabrielle Chanel" recounts the most memorable moments of the work and life of the French fashion designer, who died in 1971 aged 87.

When rebellious street dancer Andie lands at the elite Maryland School of the Arts, she finds herself fighting to fit in while also trying to hold onto her old life. When she joins forces with the schools hottest dancer, Chase, to form a crew of classmate outcasts to compete in Baltimore s underground dance battle The Streets.

Christopher Wheeldon's Within the Golden Hour is based around seven couples separating and intermingling, to music by Vivaldi and Ezio Bosso and lit with the rich colours suggested by sunset. In Flight Pattern, Crystal Pite combines Górecki's haunting “Symphony of Sorrowful Songs” with a large dance ensemble to create a poignant and passionate reflection on migration. Between them, Medusa is new work inspired by the Greek myth, created for The Royal Ballet by the acclaimed choreographer Sidi Larbi Cherkaoui, which juxtaposes Purcell arias with an electronic score by Olga Wojciechowska.

The ballet tells the story of a peasant girl named Giselle whose ghost, after her premature death, protects her lover from the vengeance of a group of evil female spirits called Wilis

The Bolshoi’s grandiose epic Spartacus recounts the story of a Roman slave’s fight for freedom. With its famous Khachaturian score, since the 1960s it has been considered one of the greatest ballets in the Bolshoi repertoire. The choreography by Yuri Grigorovich fills the Bolshoi stage with dynamic scenes of tension and conflict, and gives full expression to the virility and strength for which Russia’s male dancers are renowned.

Italian singer Mario Vanni visits the Royal Opera in Stockholm and fall in love with ballet dancer Linda Corina.

Darcey Bussell and Roberto Bolle star in Frederick Ashton's Sylvia, restored to the splendour of its elegant and opulent three-act form for the 75th anniversary celebrations of The Royal Ballet. With origins in Greek mythology, Sylvia was loved by Aminta, abducted by Orion and eventually rescued by Eros. Recorded live at the Royal Opera House, Covent Garden on 1st and 5th December 2005.

Armand Duval finds himself at the auction of the famous courtesan Marguerite Gautier’s possessions after she passed away. She was Armand’s true love, and the vision of her belongings awakens vivid memories of their turbulent love story. Choreographer John Neumeier adapts Alexandre Dumas fils’s timeless novel The Lady of the Camellias for the stage with great sensitivity and emotional depth in his work of rare beauty. As the troubled courtesan Marguerite, superstar prima Svetlana Zakharova and Hamburg Ballet’s guest star Edvin Revazov as Armand bring the passionate drama to new emotional heights accompanied by Chopin’s fantastic score. Captured live in Moscow on December 6, 2015, for the Bolshoi Ballet's 2015/2016 cinema season. Encore screenings of this recording were released during the 2017/2018 and 2020/2021 cinema seasons.

Ballerina Polina Semionova performs the mythic parts of Odette and Odile (white swan and black swan) with her great partner Stanislav Jermakov. The Zurich Opera House Orchestra is conducted by Russian musical director Vladimir Fedoseyev acclaimed in this repertoire.