Andy Warhol: A Documentary Film

A much loved Parisian-style bistro located in Los Angeles between a thriving McDonalds and KFC, Belle Vie is owned and operated by the charming and hopeful Vincent Samarco, who struggles to adapt, survive and keep the bistro alive in the midst of a pandemic that has ravaged small businesses everywhere.

Filmed in Susan Mogul’s Los Angeles multi-ethnic working class neighborhood, Highland Park, Everyday Echo Street: A Summer Diary, is an insider’s view of how home and neighborhood are constructed in everyday relations. Composed of conversational and anecdotal portraits of neighbors and merchants, Susan ruminates about the past and the present, as she looks out her apartment window. Struggling to arrive at a new definition of “home,” she ponders loss, middle age, and living alone.

A film by Lee Rhoads uses unique archival photographs and footage of Los Angeles's love affair with automobiles. In the opening scene, a classic glimpse of Los Angeles and its car owners circa the 1970s is offered, and it deftly relates the transit history of the Los Angeles basin, beginning in the late 1800s.

A documentary film about the Afro-American Woodstock concert held in Los Angeles seven years after the Watts riots. Director Mel Stuart mixes footage from the concert with footage of the living conditions in the current-day Watts neighborhood.

A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.

White Flag : Flipside, Not Alright, Communication Breakdown G.B.H. : Gimme Fire, Wild Thing, I Am The Hunted 7 Seconds : This Is My Life, out of Touch, Skins brains guts Tesco Vee : worshiping /s - 7 seconds with a cat and a guessing game with: SSD doing Shangri-las, White Flag doing Pink Floyd & GBH doing the Buzzcocks. Battalion of Saints : I Wanna Make You Scream Minor Threat : Stand Up And Be Counted, Stepping Stone Rodney Mullen skating Minor Threat: betray & Jeff Nelson Brian baker (skating) it Follows Big Boys : Brickwall Stretch Marks : Professional Punks Urinals/100 Flowers : California Falling, Surfing With The Shaw, With: Keith Morris and D Boon Black Flag : Scream in Mike Muir's garage Kraut : Kill For Cash Minutemen : Split Red, Life As A Rehearsal, Ack Ack Ack Ack Angst : This Guns For You, Neil Armstrong Dickies : If Stuart Could Talk, Manny, Moe, and Jack, You Drive Me Ape, Gigantor ENDCLIPS: The Avengers, The Eyes, 45 Grave, SIN 34

1 Social Distortion– Under My Thumb 2 Social Distortion– 1945 3 Social Distortion– Playpen 4 The Vandals– Anarchy Burger 5 The Vandals– Hocus Pocus 6 Sin 34– Trip To San Francisco 7 Black Flag – Rise Above 8 Black Flag – Louie Louie 9 RF7– Vampire Lady 10 MDC – Police Riot At Mendiolas 11 Descendents – Hey Hey 12 Descendents – Bikeage 13 Descendents – Jean Is Dead 14 D.I.– Ballroom Blitz 15 D.I.– Richard Hung Himself 16 True Sounds Of Liberty*– Code Blue 17 Circle Jerks– Just Like You 18 Circle Jerks– Put A Little Love In Your Heart 19 Hüsker Dü– Everything Falls Apart 20 Youth Brigade– Sink With California 21 Blak Flaag– Ride The Bus

The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.

Back To Africa

The Fall tells the remarkable story of a South African barefoot runner, an American track-and-field prodigy, and the events behind one of the most memorable moments in sporting history – the 1984 LA Olympics. The film charts two journeys, from rural South Africa under apartheid and the rolling hills of Southern California, to the starting line of the women’s 3,000 metres. It uncovers a tale of betrayal and exploitation, of the blurred lines between politics, media and sport, and of the dedication and sacrifice required to compete at the highest level. It’s a story that split governments and divided nations, but at its heart is a tale of two young women who, despite the turmoil in their lives, just wanted to run.

On August 1, 1942, a 22-year-old Mexican American man was stabbed to death at a party. To white Los Angelenos, the murder was just more proof that Mexican American crime was spiraling out of control. The police fanned out across LA, netting 600 young Mexican American suspects. Almost all those taken into custody were wearing the distinctive uniform of their generation: Zoot Suits. The tragic murder and the injustice of the trial that followed, coupled with sensational news coverage of both, fanned the flames of the racial hostility that was already running rife in the city. Within months of the verdict, Los Angeles was in the grip of some of the worst violence in its history.

French documentarian Stéphanie Lamorré examines girl gangs in South Central L.A.

This Traveltalk series short visits Los Angeles, California. In one of the highlights of the film, narrator James FitzPatrick visits the Disney cartoon studio and shakes hands with Walt Disney.

"The 1984 Los Angeles Comedy Competition with Host Jay Leno," the first stand up comedy special featuring Jay Leno with 25 minutes of never-before-seen footage of Leno's classic comedy club. act that made him a star. The show took an "American Idol" approach to stand-up comedy with Jay Leno hosting a competition that features competing stand up comics Ray Combs, Howie Gold, Jeff Gerbino and Steve Oedekerk performing in front of a live crowd and a panel of celebrity judges that includes funnyman Fred Willard.

Six lives intersect in a city symphony of chance encounters.

A love song to the artists, dance, music, slang, clothes and, most importantly of all, the people who came of age during the Hyphy Movement. We were there, we were hyphy.

In 2021, a Pentagon report revealed what the US government had denied for decades -- UFOs are real and may even pose a threat to our planet. Now, ex-military members break their silence about the massive cover-up. Are we prepared for an alien invasion?

During the era of hyper-formulated pop music in the early 1980s, The Dream Syndicate emerged from Los Angeles as a sensation with their gritty, guitar-driven sound that relied heavily on feedback. How Did We Find Ourselves Here? chronicles the band's journey from their early beginnings, through conflicts with former friends, battles with major record labels, and disbandment, to their eventual reunion in 2012. Despite never achieving widespread commercial success, the band maintains a devoted fanbase and commands great respect from musicians around the globe for their significant influence.

Habana Shakes takes us on a rhythm-filled odyssey spanning ten vibrant days in Havana, a pulsating island city teetering on the edge of transformation. Infused with a lyrical heart, this is not just an homage to Cuba's spirited culture but also provides an intimate window into the dynamic worlds of Cuban youth. Through the eyes of a skater, a tattoo artist, an actor, a ballerina and an electronica DJ, we find ourselves asking: What aspirations do these young Cubans hold for their nation and future, and how might these differ from or echo the dreams and hopes of their parent’s generation?

Spontaneous Combustion embraces the holistic vision of one of Aotearoa New Zealand’s most provocative artists and thinkers: the unity of the natural environment and the human imagination, the energy, rhythm and textures of the physical world expressed in clay, words, and music. The film celebrates the legacy of Barry Brickell (1935-2016) and the realisation of his extraordinary dream, Driving Creek Railway: a productive pottery with numerous kilns, a bush railway, a native bird and bush sanctuary and a lively creative hub drawing artists from around the globe.