Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.
Hanzi is a documentary exploring international design, visual culture, and identity through the lens of modern Chinese typography. The film covers a variety of topics such as how languages shape identity, and what role handwriting plays in the digital age.
A portrait of the inventor of the letterpress, who was a key figure in the history of mankind, but also an enthusiastic inventor, a daring businessman, a tenacious troublemaker: the life of Johannes Gutenberg (circa 1400-68).
Dedicated Dutch graphic designer Piet Schreuders visits Los Angeles to investigate all kinds of typeface as used in title-credits for movies and TV-series, letters on billboards, shop-windows or street-signs, the banner-headlines of The Los Angeles Times, and climbs finally to the giant letters of the HOLLYWOOD-sign. In the meantime he discovers, to his great satisfaction, the location and stairs where Stan Laurel and Oliver Hardy shot their movie 'The Musicbox', by combining street-signs, partially shown on still-pictures of this movie: "…MONTE" and "…ENDOME", which turn out to be found on the street corner of Del Monte and Vendome in Culver City. This documentary is bluntly intercut with commercials, a phenomenon not yet known in the Netherlands in 1979. (Theo Uittenbogaard)
Documentary on the French graphic and visual artist and designer, editor, artistic director, and teacher who is known for his widely-used fonts.
Alberto Casiraghy and Josef Weiss are true bibliophile artists. One in Osnago, the other in Mendrisio, they have been dedicating themselves for years to valuable editorial and typographical activities, still printing with mobile characters, preserving the memory of a perfect ingenuity made of manual skills and technique, but also of inventiveness and poetry. Silvio Soldini gives us a realistic and poetical portrait of these two artists-artisans, who chose one of the oldest professions in a modern world, finding great success and approval.
Portrait of a Mexico City neighborhood where pages and pages are printed, and little by little, words appear. Máquinas de Palabras is a performance created in March 2023 in Mexico City, and is the result of a collaboration between Labo K (Rennes-based film laboratory) and LEC (Laboratorio de Cine Experimental) in Mexico City. A portrait of a Mexico City neighborhood where pages and pages are printed. And little by little, words appear... "From the deliberate use of found images to films that make uncompromising use of raw material, the camera and the plants will take our eyes... Pupils will certainly be illuminated by the projector... How can moving images stay in our heads?"
Why has letterpress printing survived? Irreplaceable knowledge of the historic craft is in danger of being lost as its caretakers age. Fascinating personalities intermix with wood, metal, and type as young printers save a traditional process in Pressing On, a 4K feature-length documentary exploring the remarkable community keeping letterpress alive.
A fascinating documentary about Piet Zwart (1885–1977), an idiosyncratic and stubborn designer, who lived for innovation and prepared the way for the international success that is now known as Dutch Design. Piet Zwart worked as an interior and industrial designer, commercial typographer, photographer, critic and lecturer, playing a key role in defining the design climate in the Netherlands in the Twentieth Century. He is especially known for designing the famous ‘Piet Zwart’ kitchen for the Dutch company Bruynzeel: a kitchen that could be easily produced and consisted of standardized elements. His versatility and influence on present-day designers led the Association of Dutch Designers to award him the title of “Designer of the Century” in 2000.
A short, educational animation about the history of fonts and typography. In a paper cutout stop-motion style, it begins with Gutenberg's creation of the first typeface, travels through the innovations of Jenson, Caslon, and Bodoni, to the modern creation of Futura and the democratization of fonts in the digital age. A charming, engaging film about a technology that is all around us, but few people know much about.
Words that end in -ake and start with ch-. A typographic animation.
Words that start with the letter O, P, and R. A typographic animation.
Georgie discusses a bubble font he designed and released himself -- to no acclaim.
A portrait of five St. Petersburgians and their connection to The Hermitage.
A rare behind the scenes look at the tragedies and bitter disappointments that plagued one of MGM's most popular leading ladies
The story of the creation of The Spirit of the Beehive, a film directed by Víctor Erice in 1973.
What makes a voice “gay”? A breakup with his boyfriend sets journalist David Thorpe on a quest to unravel a linguistic mystery.
La zuppa del demonio
It all began with "Black Friday" - a massacre on Sept 8, 1978, by the Shah's police. Official pronouncements put the death toll at 200, but the next day the people of Teheran witnessed how thousands of bodies were brought to Behast Zahra cemetery. Yet even this wasn't the whole extent of the tragedy. As the families continued looking for their relatives they began to realize just how many had disappeared. Over the next few months the massacres continued, with many thousands more disappearing, until February 11th, 1979, victory day for the Revolution. Naderi's film follows this search for the missing, through which the terrible truth is gradually revealed. The film is not only a documentary but also a document of a horrible crime.
Confessions of Undecided Women is an animated short documentary consisting of confessions from women in their thirties about childbearing in a society where women’s bodies have been instrumentalised for reproduction. The documentary gives space to the voices of those who are undecided, fearful, or do not want children. It creates room for reflection and discussion on women’s personal choices and societal expectations.