Strand spent over twenty years documenting her friend Anselmo Aguascalientes’ life, eventually creating a stunning trilogy of films—Anselmo, Cosas de mi vida, and Anselmo and the Women—tender portraits that are also glimpses into poverty, resourcefulness, perseverance and patriarchy. Preserved by the Academy Film Archive in 2016.
Impressionistic picture of the Third Avenue Elevated Railway in Manhattan, New York City, before it was demolished. Preserved by the Academy Film Archive in 2010.
Early 'visual music' film by John Whitney. Preserved by the Academy Film Archive in 1999.
This is one of those abstract animated films in which colored, richly textured light moves in a black, three-dimensional space. The pictures and the electronic score are unified in a strict structure made of three main sections which progressively develop three subsections. This film may look like it was made using computers or video to the uninitiated, but only animation and much optical printing are to be seen herein. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.
An award winning 45-minute film portrait of Al Neil’s life, music and art. Preserved by the Academy Film Archive in 2013.
Henry Browne, an African American farmer, and his family are profiled in this film. The important job of a farmer during times of war is highlighted, specifically his efforts growing peanuts and cotton. This role is made even more poingnant when they visit the eldest son who is a cadet in the 99th Pursuit Squadron.
Busy Little Bears is a 1939 American short family film directed by John A. Haeseler. The film follows three bear cubs are observed exploring the forests of the Sierra Nevadas, encountering other wildlife, and invading the kitchen of a local ranch house. It won an Oscar at the 12th Academy Awards in 1940 for Best Short Subject (One-Reel). Preserved by the Academy Film Archive in partnership with UCLA Film & Television Archive in 2013.
An experimental film poem in celebration of life and visions. Techniques include live action, animation, montage and found images. Preserved by the Academy Film Archive in 2011.
In March and April of 1966, Markopoulos created this filmic portrait of writers and artists from his New York circle, including Parker Tyler, W. H. Auden, Jasper Johns, Susan Sontag, Storm De Hirsch, Jonas Mekas, Allen Ginsberg, and George and Mike Kuchar, most observed in their homes or studios. Filmed in vibrant color, Galaxie pulses with life. It is a masterpiece of in-camera composition and editing, and stands as a vibrant response to Andy Warhol's contemporary Screen Tests. Preserved by the Academy Film Archive in 2001.
Aztec romance and the dream of love. The anthropologist’s most human desire, the ultimate contact with the informant. The denial of intellectualism and the acceptance of the romantic heart, and a soul without innocence. Preserved by the Academy Film Archive in 2011.
City of Wax is a 1934 American short documentary film produced by Horace and Stacy Woodard about the life of a bee. It won the Oscar at the 7th Academy Awards in 1935 for Best Short Subject (Novelty). Preserved by the Academy Film Archive in partnership with the UCLA Film and Television Archive in 2007.
Academy Award nominated short film. Preserved by the Academy Film Archive in partnership with Library of Congress Motion Picture, Broadcasting, and Recorded Sound Division in 2012.
Double or Nothing is a 1936 American short musical comedy film directed by Joseph Henabery. It was nominated for an Academy Award at the 9th Academy Awards in 1936 for Best Short Subject (Two-Reel). Preserved by the Academy Film Archive in partnership with Library of Congress. Motion Picture, Broadcasting, and Recorded Sound Division in 2013.
A look at the daily business of U.S. President John F. Kennedy, with a focus on some of the political issues he faces six weeks into his term. Preserved by the Academy Film Archive in 2007.
This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.
Goodnight Miss Ann is a 1978 American short documentary film directed by August Cinquegrana. It was nominated for an Academy Award for Best Documentary Short. Preserved by the Academy Film Archive in 2012.
Background is a 1973 American short documentary film directed by Carmen D'Avino. It was nominated for an Academy Award for Best Documentary Short. The original version was preserved by the Academy Film Archive in 2012.
An Oscar-nominated film with no narration showing the Exploratorium (The Palace of Arts and Science) in San Francisco. It shows many of the exhibits and the reaction of visitors to many of these. Preserved by the Academy Film Archive.
Conquest of Light is a 1975 short documentary directed and produced by Louis Marcus. It is an examination of the processes used to make Waterford crystal in Ireland. The clear crystal shapes of glass created by the craftsmen of Waterford are designed to capture the iridescence of light. From the intense heat of the furnace at the glass works in the Irish city of Waterford comes the crystal, blown by mouth and cut by hand, that is treasured over most of the world. The camera follows the liquid glass as it is blown into the shape of bowls, goblets, vases and many other forms, then cut and etched with great deftness and precision, producing the splendid examples of glass art for which the craftsmen at Waterford are famous. The film was nominated for an Oscar for Best Live Action Short Film. Preserved by the Academy Film Archive in 2011.
An atmospheric tribute to the genius of Welsh poet and dramatist Dylan Thomas, using many of the windswept locations where Thomas himself grew up and found his inspiration. The film is hosted/presented by Richard Burton, Thomas's friend, who narrates the story and appears from time to time amidst the Welsh landscape. Burton had already appeared in Douglas Cleverdon's acclaimed BBC radio dramatization of Thomas's 'play for voices' Under Milk Wood in the 1950s and, in the early Seventies, would appear in director Andrew Sinclair's film version as First Voice. Preserved by the Academy Film Archive in partnership with The Film Foundation and National Screen and Sound Archive of Wales in 2000.