Chamber Music

You Take Care Now, an early student film, is a perfect exemplar of Ann Marie Fleming's idiosyncratic vision and stands as one of her signature works. Made on 16mm, and incorporating found footage, original material, animation, and processed images (Vancouver's groundbreaking avant-garde cinema of the 1970s is a decided influence here), Fleming's film offers a visually dazzling, emotionally wrenching, oddly humorous account of two profound personal traumas.

A mother and her two daughters cross the banks of the North in search of a beach where the elder daughter left her best memories.

Within the concrete confines of a life sentence, one man rediscovers his capacity for love.

Bettie Page grew up in a conservative religious family in Tennessee and became a photo model sensation in 1950s New York. Bettie's legendary pin-up photos made her the target of a Senate investigation into pornography, and transformed her into an erotic icon who continues to enthrall fans to this day.

Marco leads a double life. As Marco, he is a construction worker but rich ladies craving sexual excitation know him as Patrick. As Marco he is married to Fanny, an ambitious young woman who has opened her own hairdressing salon in partnership with her friend Rosalie. Marco/Patrick is not a male prostitute at heart: in fact he does the job in order to support his wife's business. Which doesn't prevent Judith, an elegant tele-shopping presenter who buys his services, from falling in love with him. But when Fanny learns what Marco does and with whom, she first gets mad but soon starts interfering in their affair.

La Lingerie concerns four women Miu, Donut, Celine and CC who’s lives and loves are linked through a sexy lingerie shop where Donut works.

Set in Dublin in 1967, the story of feisty woman, who along with her seven children, learns to cope with adversity after the unexpected death of her husband.

Jim Jansson is a woodcarver who gets retired.

A young man visits his parents in Norway with his pregnant Spanish wife. Expectations run high, but in the short ride from the airport, it becomes clear that this won't be the harmonious family occasion everyone hopes for.

An ad agency copywriter, ordered to push a new brand of beer to black ghetto kids, resigns from her job and goes searching for her racial identity.

In the town of Utskor in the region of Bø, northern Norway, we find memories of a political past intertwining with domestic, familial moments during the midnight sun.

The sudden death of her mother brings Myung-eun back home to Jeju island. There she meets her estranged sister Myung-ju and Myung-ju's daughter Seung-ah, still living at their old home, and Hyun-ah who has lived with them for over 20 years like a relative. A career woman whose hard exterior masks her illegitimacy and abandonment issues, Myung-eun tells Hyun-ah she wants to start looking for her father after the funeral. Single-minded in her desire to dig up memories of her father and discover why he left, Myung-eun resents that Myung-ju, who like their mother is a carefree fish trader and an unmarried mother of a young daughter, seemingly doesn't care. At first Myung-ju is reluctant to accompany Myung-eun, but after Hyun-ah persuades her, guilt and her sense of duty as an older sibling prevails. And so the two sisters who are dissimilar in character...

Judges Giovanni Falcone and Paolo Borsellino would eventually fall at the hands of Italy’s Cosa Nostra in 1992. However, before that, in 1985, they were preparing for the ‘Mafia Maxi Trial’ when a tip-off of a planned attack against their families sees them taken to an island in Sardinia to wait out the threat. This situation, somewhere between a forced vacation and witness protection, sees the men delve further into their work, the retreat allowing them to hone their case. Fate, however, is not to be escaped, and all too soon danger returns.

They used to spend every summer here, but now the daughters have grown up, the parents are divorced and the wooden cabin at the lake has to be cleared out. Those four, once a family, come together again for a whole weekend - and the feelings and memories of the past are closer than they thought.

A young woman wakes in the night to find something unexpected in her back yard.

Camille wanders through the countryside talking with frogs and chickens: she sails through life as a carefree soul. But for her older sister, the introverted Mylia, things are more complicated. Mylia is lost between the uncertainty in her family life, the superficial atmosphere at her new school and her first experiences at house parties. It is Camille who eventually introduces Mylia to Jimmy. The boy from the nearby Abenaki reserve is different and he encourages her to break free.

Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.

In the slums of Rio, two kids' paths diverge as one struggles to become a photographer and the other a kingpin.

A chaotic Bridget Jones meets a snobbish lawyer, and he soon enters her world of imperfections.

Former policeman Lenny Nero has moved into a more lucrative trade: the illegal sale of virtual reality-like recordings that allow users to experience the emotions and past experiences of others. While they typically contain tawdry incidents, Nero is shocked when he receives one showing a murder.