The Tale of How

Lewis Carroll's 'Alice' stories are used to explain certain sections of the Labelling of Food Regulations 1970.

This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.

Life’s Musical Minute, recently re-discovered, is a short promotional film of this kind, based on Gene Krupa’s drum solo from “Golden Wedding” by the Woody Herman jazz band. It was Lye’s attempt to gain support from Life Magazine.

An adventure about two minions which try to escape from jail.

This entertaining animated film surveys the history of machines, showing how the discovery of primitive tools led to the development of today’s space-age technology. A tribute to human ingenuity and creative genius.

Letal Morbier

A Place Where There Are Moths depicts the conflict between drab concrete block apartment living and the natural environment in Japanese cities. The forces of nature are represented by the motif of a tree whose leaves metamorphose into orange moths and take over a middle-aged woman's apartment, pushing her room higher and higher within the building.

Gestalt was shot over the course of a year in a Tokyo dormitory. Each day, Ishida would paint on the wall and photograph it using the available light from the window. The 7-minute long film, which is accompanied by haunting organ music composed by J.S. Bach, consists of those several seconds of film Ishida shot daily.

Iki mixes old and new technologies to create a film that evokes both the sights and sounds (hum of cicadas) of a hot Japanese summer. Black and white photographs of a Shinto shrine, summer landscape and an old Japanese-style house provide the backdrop and CGI technology adds the visual interest in the form of an unusual little girl and her ghostly frog companion. The ghost in this story is more a curiosity than something scary, and the use of a fish-eye lens and other distortions suggest both the sweltering humidity of summer and also imply that the frog is an imaginary creation of the young protagonist

The description of Suwami Nogami's minimalistic line drawing piece, Imagination Practice, calls it an unending "thought loop". It depicts an artist sitting in front of a window with a self-portrait, like a miniature mirror image, on the desk in front of him. The window frame and the blue sky filled with moving clouds are in colour, but the figure of the artist is not coloured in. The soundtrack sounds like a skipping record that is punctuated by humourous springing noises (a la Bugs Bunny) as the image 'bounces' in an unending loop from the establishing shot into the "drawing." A philosophical piece, Imagination Practice considers the circular dialogue between an artist and his work.

The dialogue in question takes place between a woman, who appears to be submerged in water, and a man who sits by a tree on sandy soil. The messages the couple sends back and forth to one another take the form of metaphor: a seed, a fish, a thorn, and so on.

In Kei Oyama's grim Consultation Room, a medical diagnosis triggers a wave of traumatic fantasies, portrayed in greyish pencil drawings that waver as if left out for too long in the rain.

A story set in a world before ours. A world in chaos where forces of good and evil fight and mingle. By doing so, it creates the chance to give birth to the new world. A couple of winged beings make love and fly away. They bear a child in an egg, and when the child opens its eyes they are immediately destroyed, one consumed by fire and the other by water. Mythical, elemental and mysterious, the world created by Tsuji is dangerous, menacing and suffuse with signs of apocalypse, but somehow simultaneously tender and compassionate. A Feather Stare at the Dark captures simple gestures and primal feelings and amplifies them, realising the non-verbal and non-literal with remarkable grace.

A young boy becomes interested in the bodies of living things and starts to develop phobias after seeing a dog's corpse. Before long all manner of things begin to appear grotesque to him.

Drift by Max Hattler sees the body as a metaphorical landscape. Eerie and sometimes too close for comfort the film manages to transform the familiar and mundane into something poetic and mysterious. A narrative grows out of what at first seems like nothing, but by the time the journey is over the viewer is left wanting more. What has happened is uncertain and maybe unimportant. The mood is at the heart of this piece. One part horror film and one part nature study certainly makes for a compelling mix.

Two characters finding hope and coming together in the bleakest of moments. One marooned on a desolate planet and the other crash landing on the same planet. Both have benefits to helping each other find solace in this barren world.

The plot of this Action/Romance short-film starts with the duel of Carl (Robot-Gladiator-Champion) and Space Jesus. Before the finishing blow could land, rescue comes in the form of a Techno-Angel, who turns out to be Carl’s long lost love. So he changes sides and goes head to head against Drill-Raptors, EggBeater-Scorpions and a mighty BBQ-Octopus.

The fourth instalment of the Deadly Scent adventure series of short films, in which Zea and Lucius this time resist the snares of the criminal Dr. Goad under the surface of the sea.

Prelude 14 begins in deep brilliant red which darkens into deeper reds and lavender shapes, disrupted by a variety of colors settling into browns and grays and shapes most rock-like, all of which is then shot-thru with sufficient yellow to break up all hard-edge form and give a molten aspect to the mixtures of shapes.

The ponies are about to perform a magical musical on stage and everyone is practicing but no one is playing together.