When Roxanna discovers her fascination with lesbian sexuality, she finds herself dragged deeper and deeper into it. This leaves her at odds with her boyfriend, with tragic results.
After his mom's funeral, a boy encounters the odd girl next door, who insists they journey through space to find a planet for departed souls.
When you've given everything, what do you have left? After achieving his dream summit, an elite climber finds himself empty. Broken and untethered, he searches for a fulfillment more lasting than a faraway peak.
Before Words
This film is the pearl of his pioneer work in Madeira Island and captures the most of his methodology: good stories taking the most of Madeira's natural scenery, and provoking the audience with some ironic and "double-sense" scenes. The film tells the story of an English girl travelling with her father, a botanic, and a guide from madeira in the deep mountains of the island. The girl has some mental disturbs and is always scaring about an attack from the native man, appearing as a half-man/half-monster.
Giano and Luc are traveling through the woods when a storm breaks, forcing them to take shelter in Luc's villa. Gradually and insidiously, a competition emerges between them, with terrible consequences.
Mairy, a thirty-year-old woman from Philippines, works in a village in Cyprus. She takes care of Mr. Michalis, an eigthy-five-year-old man with arteriosclerosis. Mr. Michalis spends his days in front of the television, watching time and again a soap opera with a heroine named Anna. He soon becomes obsessed with this heroine, to the point of calling Mairy 'Anna', despite the remarks of his daughter Melpo. When Mairy finds some old photographs she makes an important discovery...
Overwhelmed by grief following the death of his wife, Donnelly shares a train carriage home with a troubled young man identified only as the 'Kid'. As the Kid becomes more agitated and foul-mouthed, the journey takes on a violent and dangerous hue – for the bereaved Donnelly and for other hapless passengers on the train. Academy Award Winner: Best Live Action Short Film – 2005
It's Christmas time, and a grandmother spends a quiet afternoon tending to the family chores. But the arrival of an unexpected visitor brings with her some deadly consequences.
It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.
The National Youth Theatre of Great Britain present an abridged version of Shakespeare's play, with explanatory links and introductions by Martin Jarvis. Following the presentation of the play, members of the company are shown in a workshop with actor-director Ron Daniels.
In this fragile yet frightening poetic fantasy set against a dark industrial landscape, a woman sits knitting on the porch of her home when a man appears and takes the knitting from her.
It's Christmas night when Victor gets stranded in a deserted hotel in Baltimore. To pass the lonely hours, he decides that for first time in his life he's going to order the services of a call girl. When Victor mistakenly recognizes a beautiful young woman at the bar for the call girl, he is taken aback by her warm response to his shy approach. From this moment on, the line between real love and paid love quickly dissolves.
Chronique de l'ennui
Saori, a school girl, is molested on the notorious "molester train" of the Hanagawa line and rescued by another school girl who witnesses the act. The girl who rescues her turned out to be a new student of the same high school Saori attends. The mysterious new student Yuriko is rumoured to be a "parent killer". Yuriko then leads Saori and her friends to hunt molesters.
Atasco
Directed by J. Stuart Blackton.
A Rajah dies saving a captain's wife when the plan to poison her husband goes wrong.
Three sailors are talked into trying LSD and marijuana--which, this film implies, are basically the same thing--and the effects of the drugs endanger the lives of their fellow sailors aboard ship.
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