"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.
Travel to the ice mountains of Chile to discover the secrets of the puma (aka panther, mountain lion and cougar) the area's largest predator. Discover how this elusive cat survives and follow the dramatic fate of a puma and her cubs.
The horrifying story of what went on inside General Pinochet's secret prisons.
A film about the fearless photographers and photojournalists who documented strikes, demonstrations, protests etc during the Chilean military regime of Augusto Pinochet, sometimes risking their very lives.
The film’s events take place on a single day: August 24, 2022, the day Ukraine celebrates the 31st anniversary of the renewal of independent statehood. The film combines places and people that best capture the country’s wartime spirit. The locations are: the relatively safe cities of Kyiv and Lviv; the cities under daily missile fire of Kharkiv and Mykolaiv; a trench at the frontlines near Donetsk; and the beaches of Odesa. The film presents a day in the life of a beach police patrol, a woman anti-tank missile operator, a water delivery driver, a mortar unit soldier, a rapid assault unit soldier, a 14-year-old pub janitor, an artist and a former member of parliament. Together, these people and places create an engaging mosaic of a day in the life of Ukraine.
Documentary showing how the growing number of U.S. Citizens living in San Miguel de Allende has caused problems for the local population and their traditions.
Documentary on the events provoked by the systematic attack of imperialism on the Popular Unity government in Chile, presided by Salvador Allende.
Life in the isolated town of Charrúa is dominated by the presence of a large power plant that distributes energy to most of Chile. A little boy hunts rabbits, residents demand better electrical coverage at a town meeting, a woman waters the plants outside her house and a local radio station relays the day's happenings. At night, wildlife is captured on camera, along with strange bursts of light that momentarily illuminate a countryside criss-crossed with pylons and cables. And ever present is the insidious hum of electricity.
In 1973 Roberto Saldivar was arrested and imprisoned in an old Salpetermine in northern Chile. The mine was used as concentrationcamp for political prisoners. 20 years later he returned to confront his memories. He has lived there since. Alone.
Rüdiger was a child, Aki two months old and Kurt, the deputy of the pedophile leader of the sect. In 1961 they came to Chile together with 500 other German sect members and for over 40 years they lived secluded from the rest of the world. The film tells about the attempt to survive as a collective after decades of crimes such as torture and murder and shows different ways in which the individual copes with the history of the community.
A documentary about Croatian politician Franjo Tudjman.
Guided by compassionate experts and a devoted team of volunteers, Ramba, an Asian elephant who endured 50 years of isolation in a Chilean circus, embarks on an extraordinary 2,550-mile journey to her new home at Elephant Sanctuary Brazil.
Agüero is able to look at the scene in all it's complexity around architectonical brutality that Santiago de Chile underwent around the year 2000.
A moving portrait of Chilean singer-songwriter and political activist Victor Jara (1932-73) that chronicles the life of the talented artist who was imprisoned, tortured and machine-gunned by the country's dictatorship.
February 2010. On a remote island in the Pacific Ocean called Juan Fernández, everyone slept in town. But a 12-year-old girl felt a tremor and warned of imminent danger.
The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
The third installment in Dan Přibáň's series of travel documentaries describes the author's journey with his friends across South America in vehicles that are often notorious but cult in their own way. The charming dynamics of the group on screen are further enhanced by the high-quality craftsmanship.
The meaty saga of Burger Baron, a rogue fast-food chain with mysterious origins and a cult following, run by a loose network of fiercely independent Arab Canadian immigrants.
A documentary on the rise and fall of Project Cybersyn, an attempt at a computer-managed centralized economy undertaken in Chile during the presidency of Salvador Allende.
Examines the career and literary output of Pablo Neruda, who makes his home at Isla Negra on the coast of Chile. Includes views of Mr. Neruda reading many of his poems in the locales which inspired them.