Nils and his two best friends are invited to a 25 year reunion for their student years. Nils is given the task of holding the main speech. This comes at a bad time. He is troubled with his self consciousness, eyesight, hemorrhoids and age bothering him.
We have sex in Latvia! A light comedy about building relationships - with passion and funny misunderstandings. All characters of this movie are in desire for flirt - be it at a swingers' party or during a sudden encounter with a beautiful stranger on the balcony.
Latvia in the 1920s. The enterprising Edgars Ceplis establishes a company to produce bricks from Latvian clay for export. Many are involved in his project, hoping for the huge profits the venture promises. Ceplis soon becomes infatuated with his office typist Austra Zīle and starts neglecting the business...
Tās dullās Paulīnes dēļ
One of the iconic Latvian movies. Based on Astrid Lindgren's book 'Emil of Lönneberga'. A story of a little boy, Emil, who, according to others is incredibly naughty, but actually Emil is a lot more kind hearted than all the rest. And everything he does is to help someone. But somehow it all the time turns out like a prank. His family won't agree with any pranks on themselves, so there goes Emil in his father's tool shed, where he's locked up for every prank. Includes the phrase - 'the main idea is to keep your feet warm', which has been adapted in Latvian culture, so it's already a saying.
The dawn of the XX century promised Latvians a prosperous and happy future. The nation’s self-esteem had awakened, and farmers were increasingly able to rise above even the estate stewards. Rudups, old soldier of the Kaiser and, with his wealth and pride, a thorn in the Baron’s side, becomes truly uncontrollable when he’s hit by Cupid’s arrow. The old boy is willing to do anything for simple maid Emily. But the girl loves his godson Karlis. It’s all a mix of riches, of cheating, and the Baron’s lawlessness. The fight of two relatives for Emily’s heart changes the fate of both men and the maid, so she can see sunshine through the tears.
Imants Veide is writing a script about con artists and their schemes. Together with his friend Harijs Kuharjonoks he's trying them out for real for greater authenticity, but gets too entangled in real criminal schemes. More and more colorful characters appear on the horizon, but Imant's main adversary on the road to criminal excellency is his Neighbour, a true iron lady with balls bigger than all those involved combined.
After another successful con, two reasonably experienced con-men - Richard and Harry, - come to a conclusion that this has become too easy and even boring and they decide to expand their horizons.
Geneva, Switzerland 1935. The first European Basketball Championship is about to take place. Basketball is still an unknown sport in Europe, and the national teams are meeting for the first time. Each wants the honour of being the first champion. Meanwhile in Latvia, coach Baumanis is convinced that he can assemble a team and take it to Geneva. He quickly learns however, that triumph and defeat are also part of the game. Coach Baumanis faces many difficulties, as well as unexpected help from those closest to him.
A love circle between a dishonest government employee, a freelance actress, a passionate dancer, and godmother of a local mafia cartel. It could be serious if it wouldn’t be so funny.
Peter is just another "peter", so very ordinary. He works in an office where colleagues make fun of him and the boss makes sexual advances. His sick mother harasses him at home. Bit by bit his life becomes completely unbearable. Once, by chance, Peter happens to try magic mushrooms and this adventure turns into a move towards a different life.
The 30-year war still goes on. Riga headmasters have decided to submit themselves to mercy of Polish-Lithuanian Duke. Rigas' defenders disagree strongly and steal the ceremonial Key of Riga. Will they succeed in their fight against all odds? Will three Latvian musketeers have their happily ever after?
Short Tutorial on Loving
This film is a story about that time in the Baltics, Latvia, and Riga. Young rebels of 1960s – nonconformists, hippies and beatniks – have turned into a generation of well-known writers, poets, musicians, directors, as well as politicians of the new independent Latvia. The ones who were 18, 20, or 25 in 1960s are half a century older today. The protagonists of the film are united by the bohemian gathering place of their youth, a small nameless cafe in the Old Town of Riga, commonly referred to as “Kaza” (The Goat). This place is surrounded by legends, myths and humorous stories.
On his deathbed, the reigning king bestows power to an unexpected heir who must find strength within himself to unite his people against the violent crusades which threaten their freedom.
Land surveyors arrive in two parishes to measure and redistribute manor land. The rivalry between both feoffees for land and woman begins.
The love story of sixteen-year-old Arturs is interrupted by the First World War. After losing his mother and his home, he finds some consolation in joining the army, because this is the first time national battalions are allowed in the Russian Empire. But war is nothing like Arturs imagined – no glory, no fairness. It is brutal and painful. Arturs is now completely alone as war takes the lives of his father and brother. Also, no progress is made in the promised quick resolution of the war and timely return home. Within the notion that only he alone cares about returning home and that his homeland is just a playground for other nations, Arturs finds strength for the final battle and eventually returns home to start everything from scratch, just like his newly born country.
A feature shot as a documentary, with minimal interference in the surrounding action. The resulting film is a truthful and innocent portrayal of the era with no imitations or conscious borrowings but with its own avant-garde experiments.
During World War II three best friends are mobilized into the Waffen-SS Latvian Legion. Years later their fates continue to intertwine, as memories of war loom in back of their minds.
Cezars Kalnins installs telephones by day and composes pop songs by night. His band has a hard time receiving the permit from Soviet censorship authorities for a public debut. A member of the Culture Committee superficially listens to Cēzars' songs and deems the lyrics "unsuitable and frivolous” and "unfit for the Soviet youth”, and is later powerless to stop the grindstone of public debate, which she has herself initiated.