A monarch ordained by God to lead his people. But he is also a man of very human weakness. A man whose vanity threatens to divide the great houses of England and drag his people into a dynastic civil war that will last 100 years.
A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer's hard-ball tactics.
New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves.
In 1846, Anthony Hope sails into London with the mysterious Sweeney Todd, a once-naive barber whose life and marriage was uprooted by a corrupt justice system. Todd confides in Nellie Lovett, the owner of a local meat pie shop, and the two become partners, as Todd swears revenge on those that have wronged him and decides to take up his old profession.
In County Durham, England, 1984, a talented young dancer, Billy Elliot, stumbles out of the boxing ring and onto the ballet floor. He faces many trials and triumphs as he strives to conquer his family’s set ways, inner conflict, and standing on his toes in a musical that questions masculinity, gender norms and conformity.
Storyteller and Conceptual Magician Derek DelGaudio attempts to understand the illusory nature of identity and answer the deceptively simple question 'Who am I?'
A powerful portrait of the American spirit and a heartbreaking testament to the bonds of friendship.
Based on Shakespeare’s play, Timon of Athens tells the tale of conspicuous consumption, debt and ruin. Timon of Athens is a wealthy friend to the rich and powerful. With his riches, he showers hospitality on the city’s elite. Unfortunately, his associates don’t lend him a helping hand when he accidentally spends more than he has on resources. After a final banquet, Timon is forced to withdraw himself to a wasteland, living off nothing but roots and cursing bankrupt Athens.
Caesar returns in triumph to Rome and the people pour out of their homes to celebrate. Alarmed by the autocrat’s popularity, the educated élite conspire to bring him down. After his assassination, civil war erupts on the streets of the capital. Nicholas Hytner’s production will thrust the audience into the street party that greets Caesar’s return, the congress that witnesses his murder, the rally that assembles for his funeral and the chaos that explodes in its wake.
Jess has a great life: a job she loves, a sharp sense of humour and a close group of friends. When austerity threatens the world she has worked hard to build, Jess makes a stand to protect those she holds most dear. Inspired by real life experiences of disabled people in the UK, All of Us captures the humour, sadness and joy of everyday life, and is a passionate and timely look at the human cost of abandoning those who struggle to fit in.
As the world faces its Second World War, John Halder, a good, intelligent German professor, finds himself pulled into a movement with unthinkable consequences.
Fifty years after Richard Wesley's original production of Black Terror, Richard Lawson directs a bi-coastal cast of revolutionaries on a daunting mission to free their people. As the Black Comrades Keusi, M'Balia, Geronimo, and Ahmed fight on the edge of life and death, the divide between them intensifies and widens.
The Bergers, a blue-collar Jewish family living in an overstuffed tenement and undone by the Depression, struggle through hard times and dream of a better future in this 1972 production of Clifford Odets' pungent play. Personalities and politics clash as Odets' mélange of characters try to survive on pennies a day. Walter Matthau plays cynical World War I amputee Moe Axelrod, and Leo Fuchs portrays the family's iron-willed leftist grandfather.
Fierce with a pen and notorious in combat, Cyrano almost has it all - if only he could win the heart of his true love Roxane. There’s just one big problem: he has a nose as huge as his heart. Will a society engulfed by narcissism get the better of Cyrano - or can his mastery of language set Roxane’s world alight?
Trigger
In 1909, the Korean Empire is on the verge of losing its sovereignty to Japan. Patriot Ahn Jung-geun and his comrades pledge their lives to the movement for Korea's liberation. Seol-hee, a court lady of the late Empress, also expresses her intent to join the independence movement. Ito Hirobumi, the first Japanese resident-general on the Korean Peninsula, heads to Harbin to pursue his dream of advancing into Asia. On Oct. 26, 1909, a shot rang out at Harbin Station. Beloved son, father of two children, and husband, Ahn Jung-geun, assassinated Ito Hirobumi. In court, Ahn claims not to be a terrorist, but a prisoner of war desperate to protect his beloved homeland, Korea. Who is the one guilty of a crime?
A stage play by John Murrell, adapted by Eric-Emmanuel Schmitt, performed to perfection by Fanny Ardant and Robert Hirsch about the last days of Sarah Bernhardt. The play concentrates on an uneasy relationship between Sarah and her servant to whom she dictates her memoir, as well as a fragile relationship between her memories, actual history and reality.
On a bitterly cold London evening, schoolteacher Kyra Hollis receives an unexpected visit from her former lover, Tom Sergeant, a successful and charismatic restaurateur whose wife has recently died. As the evening progresses, the two attempt to rekindle their once passionate relationship only to find themselves locked in a dangerous battle of opposing ideologies and mutual desires.
For the first time in company history, the Met presents the original five-act French version of Verdi’s epic opera of doomed love among royalty, set against the backdrop of the Spanish Inquisition. Patrick Furrer leads a world-beating cast of opera’s leading lights in this March 26 performance, including tenor Matthew Polenzani in the title role, soprano Sonya Yoncheva as Élisabeth de Valois, and mezzo-soprano Elīna Garanča as Eboli. Bass Günther Groissböck and bass-baritone John Relyea are Philippe II and the Grand Inquisitor, and baritone Étienne Dupuis rounds out the all-star principal cast as Rodrigue. Verdi’s masterpiece receives a monumental new staging by David McVicar that marks his 11th Met production, placing him among the most prolific and popular directors in recent Met memory. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.
As beautifully touching as it is funny and bold, Things I Know To Be True tells the story of a family and marriage through the eyes of four grown siblings struggling to define themselves beyond their parents’ love and expectations. Parents Bob and Fran have worked their fingers to the bone and with their four children grown and ready to fly the nest it might be time to relax and enjoy the roses. But the changing seasons bring home some shattering truths. Featuring Frantic Assembly’s celebrated physicality, and co-directed by Frantic Assembly’s Tony and Olivier Award nominated Artistic Director Scott Graham and State Theatre Company’s Artistic Director Geordie Brookman, Things I Know To Be True is a complex and intense study of the mechanics of a family that is both poetic and brutally frank.