Face To Face

Wildly optimistic chatterbox Eva Lovelace is a would-be actress trying to crash the New York stage. She attracts the interest of a paternal actor, a philandering producer, and an earnest playwright. Is she destined for stardom, or will she fade like a morning glory after its brief blooming?

John Stonehouse (William Russell) checks into a hotel, intending to commit suicide. But instead he winds up helping a girl, Gilberte Bonheur (Fritzi Brunette), out of a jam. He finds her bending over a man who she has apparently killed, and since he's about to kill himself anyway, he offers to assume the blame. Throw a valuable emerald into the works, and the fact that the dead man suddenly comes back to life, and Stonehouse -- not to mention the audience -- becomes thoroughly befuddled by it all. Everything clears up, however, when Gilberte gives him a theater ticket -- it turns out that everything he went through was the plot to a stage play, enacted in real life by the actors. The critics roasted the play, saying it wasn't true to life, and this was their proof that the situations really could happen. Gilberte retires from acting when Stonehouse proposes.

Monica was born into the darkness of abuse and forged in trauma. Once triggered, Monica embarks on a journey using her manipulative personality - filled with mistrust, fear, and a desire to be loved, to seek a mother figure who will love her unconditionally or die trying. Who says love doesn’t cost a thing?

When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet. Eliza moves into Higgins's home and begins her rigorous training after the professor comes to a financial agreement with her dustman father, Alfred. But the plucky young woman is not the only one undergoing a transformation.

In early 20th century New York City, an impoverished socialite desperately seeks a suitable husband as she gradually finds herself betrayed by her friends and exiled from high society.

A film about family secrets...and deathbed confessions.

Johnny Case, a freethinking financier, has finally found the girl of his dreams — Julia Seton, the spoiled daughter of a socially prominent millionaire — and she's agreed to marry him. But when Johnny plans a holiday for the two to enjoy life while they are still young, his fiancée has other plans & that is for Johnny to work in her father's bank!

After another teenager disappears from the idyllic suburb of Sunshine Hills, Suzy, the girl-next-door of every boy's dreams, persuades Daniel, a fourteen-year-old with an obsessive crush, to help her uncover the truth.

A middle-aged man must maneuver between the deceptive allure of his social scene and the reality he has at home.

Cultural critic David Kepesh finds his life -- which he indicates is a state of "emancipated manhood" -- thrown into tragic disarray by Consuela Castillo, a well-mannered student who awakens a sense of sexual possessiveness in her teacher.

Víctor Tellez is an intellectual, world-weary film critic who prefers to think in French and eschew the clichés of romantic movies...until he finds himself living a sappy, feel-good love story of his own.

A headstrong young teacher in a private school in 1930s Edinburgh ignores the curriculum and influences her impressionable 12-year-old charges with her over-romanticized worldview.

The Dashwood sisters, sensible Elinor and passionate Marianne, whose chances at marriage seem doomed by their family's sudden loss of fortune. When Henry Dashwood dies unexpectedly, his estate must pass on by law to his son from his first marriage, John and wife Fanny. But these circumstances leave Mr. Dashwood's current wife, and daughters Elinor, Marianne and Margaret, without a home and with barely enough money to live on. As Elinor and Marianne struggle to find romantic fulfillment in a society obsessed with financial and social status, they must learn to mix sense with sensibility in their dealings with both money and men.

Set in 19th Century Japan a young samurai who finds himself in love with a farm girl leaves his home to begin a new life. He has to take stock of his new life when he is put to the test and ordered to kill a traitor who just happens to be his dearest friend.

When the wife of a 17th century Kyoto scroll-maker is falsely accused of having an affair with his best employee, the pair flee the city and find themselves falling for one another.

Pomme is a meek and mild French beautician whose life takes a fateful turn during a vacation to Normandy. She becomes the lover of middle-class literature-student François. The relationship sours when François takes her home to meet his parents, thanks in no small part to their differing social backgrounds.

Hopeless romantics and best friends Boyet and Martha cope with difficult relationships with their respective partners. As Boyet tries to tame his confusing boyfriend, Dom, who sometimes says he's straight, Martha deals with the frustrations of her long-standing relationship with Steve.

Peter-No-Tail is a cat who's born without a proper tail on a farm by the Swedish countryside. Due to economical difficulties, the farmer is forced to get rid of Peter. The farmer can't bring himself to drown the cat, so he sneaks Peter inside the car of a family who are renting a house close to the farm for their summer vacation. When the family finally reach their home in Uppsala, Sweden, they find Peter and decide to keep him. Without a tail, he becomes the talk of the town among the other cats and, especially Mike, who teases him cruelly. Mean Mike and his two companions, Bill and Bull, are notorious for the nasty tricks they like to play on other cats. Mike is currently trying to court Molly Silk-Nose, but his rough and silly approach does not impress her, since she becomes interested in the kind and gentle Peter. But Mike won't give up that easily and he has a plan for how he'll get his revenge.

A group of teenagers, three cleaning staff, and a young married couple confront a social contract when they meet in the elevator queue of a middle-class apartment building.

When Sangchan and Rawee meet and fall in love the day before he leaves to study abroad, he promises to return on October 8th of every year to see her. As the years pass and new relationships arise, Sangchan's faith in their love is tested.