Memoirs of a Strangler of Blondes

Things become shrouded when The Loner discovers a dead body outside his home. His mind becomes a prison of contradiction, falsification and fear when a series of dreams push him to realize the truth.

Several friends travel to Sweden to study as anthropologists a summer festival that is held every ninety years in the remote hometown of one of them. What begins as a dream vacation in a place where the sun never sets, gradually turns into a dark nightmare as the mysterious inhabitants invite them to participate in their disturbing festive activities.

Image analysis in slow motion. Distortion and reversed reality perspective.

Executed and printed with two hands, that is to say, made using all possible means of imprinting the right and arm freshly applied ink, sand paper, stamps, etc. Everything was done on non-emulsion clear leader.

A portrait of new found sobriety and love unravels as a young woman moves through the motions of melancholic life in seclusion.

Women enter and exit a science fiction author's life over the course of a few years after the author loses the woman he considers his one true love.

The man needs the trip. The job impedes him to do so. Then the man stuck to his chair! Loosely based on a short short story named "A Man Called Desk" from the book "Password Incorrect" written by Nick Name

A student movie loosely based on the short story by Sadegh Chubak

Elizabeth has just been through a particularly nasty breakup, and now she's ready to leave her friends and memories behind as she chases her dreams across the country. In order to support herself on her journey, Elizabeth picks up a series of waitress jobs along the way. As Elizabeth crosses paths with a series of lost souls whose yearnings are even greater than her own, their emotional turmoil ultimately helps her gain a greater understanding of her own problems...

“I don’t believe in love because I’ve never seen it,” responds a young woman to an unseen interviewer in the first few minutes of the movie. This bleak portrait of loneliness and social exclusion is set on the edge of a desolate swamp where an aging clown and his daughter are struggling to survive. The location could be the end of the world, a place where hope has vanished along with a belief in the afterlife and the existence of God. The two unfortunates live together without the likelihood of change, as fear, aggression, and anger take hold of them – but they also experience sudden moments of tenderness.

A young man becomes inundated by strange visions and a local homeless man while he and his acquaintances deal with the aftermath of a major disappearance in their city.

A girl reminiscences the conversations and past memories by listening to a vinyl left behind by her dead lover.

Petek is very versatile and is experimenting with all possible formats, the Zagreb film school of animation-influenced parts, the quasi SF childish games, the color splashes, the psychedelic timbres, the pop art/ collage experiments and a swirl of other 60s gestures.

Experimental film by Ivan Martinac.

Old cinema creates new cinema in a new context. Stolen old images, someone’s audio track, someone else’s soundscapes – they re-create, reinventing interactions, relations and dialogue in familiar footage. Telling new stories. Transforming it back into cinema.

An abstract, minimalistic showpiece of late structuralist film made up of 360-degree pans across a children’s playground – and to one of the gods of his cinephilic pantheon, Anthony Mann. In concrete terms, he alludes here to a scene in Mann’s Glenn Miller Story in which black-and-white documentary material from the Second World War is in experimental film fashion nightmarishly intercut into a scene, breaking with Hollywood conventions.

Erin. He thinks he's in 4th period math. Oh he's wrong

A funeral car cruises the streets of Medellín, while a young director tells the story of his past in this violent and conservative city. He remembers the pre-production of his first film, a Class-B movie with ghosts. The young queer scene of Medellín is casted for the film, but the main protagonist dies of a heroin overdose at the age of 21, just like many friends of the director. Anhell69 explores the dreams, doubts and fears of an annihilated generation, and the struggle to carry on making cinema.

A man attempts to operate a mysterious device, but with each attempt comes a new set of problems.

Three best friends ditch their high school prom dance. The night that follows unravels their hidden and suppressed desires which cast a glimpse of the emotional bewilderment of a whole generation.