Still Walking

A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.

Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.

Masaya is a university student, but he attends a school that's not his ideal school. His days are generally gloomy. One day, he receives a letter from serial killer Haimura. He was convicted for nine murders and received the death penalty. Back when Haimura was committing his murders, he ran a bakery store. At that time, Masaya was a middle-school student and a customer at his bakery store. According to the letter, Haimura confesses to having committed eight murders, but he insists that he did not commit the last murder. Masaya begins to investigate the last murder case involving Haimura.

A fading southern belle moves in with her sister in New Orleans where her ferocious brother-in-law takes stabs at her sanity.

Charlie Beary is trying to depart for a fishing trip with pal Pete. Unfortunately, just then wife Bessie's mother comes to his home to help with spring cleaning, and won't stop barking orders at him.

Yuma Nakahara is the CEO of an IT company and he is a workaholic. He is focused only on expanding his company. He receives a phone call from his former co-worker and friend Kouhei, but Kouhei doesn't say anything. Yuma gets the sense that something is wrong and heads to Kouhei's hometown of Shinminato, Toyama Prefecture, Japan. In Shinminato, Yuma meets other people and becomes involved in the Shinminato Hikiyama Festival. His outlook on life begins to change.

Foghorn Leghorn is sound asleep when the barnyard dog places an ostrich egg beside him for a gag. When Foghorn awakes and sees the egg...

Eight-year-old Kevin McCallister makes the most of the situation after his family unwittingly leaves him behind when they go on Christmas vacation. But when a pair of bungling burglars set their sights on Kevin's house, the plucky kid stands ready to defend his territory. By planting booby traps galore, adorably mischievous Kevin stands his ground as his frantic mother attempts to race home before Christmas Day.

Instead of flying to Florida with his folks, Kevin ends up alone in New York, where he gets a hotel room with his dad's credit card—despite problems from a clerk and meddling bellboy. But when Kevin runs into his old nemeses, the Wet Bandits, he's determined to foil their plans to rob a toy store on Christmas Eve.

A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.

In 1961, father and son travel to Porto Alegre. Their severance leads both to unknown realities.

Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.

Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in 1996.

Young love and childish fears highlight a year in the life of a turn-of-the-century family up to the 1904 St. Louis World's Fair.

Starting in 1970s Hokkaido, the film charts the moral descent of Detective Moroboshi over three decades, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza.

Sylvester Cat goes bird-stalking in the mountains with his son, Junior.

Emine

Sylvester Cat scoffs at his son's idea that a pipe like that of The Pied Piper of Hamelin could lure mice into their home to catch. But when Junior tries it and Hippety Hopper, the baby kangaroo, comes along, Sylvester believes in the power of the pipe and that Hippety is a giant mouse.

After the passing of his wife, a lonely newspaper editor discovers Berenalin: a medication that promises to put an end to his grief. Its effects begin to drive a wedge between him and his daughter, who needs him more than ever.

Mary Poppins returns to the Banks family and helps them evade grave dangers by taking them on magical, musical adventures.