Hors d'oeuvres

A professional woman, traveling alone, recalls and reenacts an incident from her adolescence after injuring herself off-camera. This is a fractured little story about a business trip, a bloodstain and being okay.

A Peacemaker, who rejects his final mission to save an endangered planet, is believed to be cursed when a solar storm hits his spaceship.

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Beyond her historic role in the Montgomery Bus Boycott, this comprehensive dive into Civil Rights icon Rosa Parks sheds light on her extensive organizing, radical politics, and lifelong dedication to activism.

Martha Stephens and Aaron Katz's buddy comedy Land Ho! follows former brothers-in-law Mitch (Earl Lynn Nelson) and Colin (Paul Eenhoorn) as they travel through Iceland. The pair of 70-year-olds find themselves in need of an adventure to break out of their rut, and soon the extroverted Mitch has talked Colin into the trip. Along the way they have various amorous encounters, and attempt to recapture the spirit of their youth.

It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.

This short deadpan narrative is a glimpse into the lives of two children and three adults maximizing dysfunction. Regular people keep secrets and act out intimate wants. Ultimately, this piece examines the awkwardness and specificity of human desire.

“Sardar Gurcharan Singh was the father of studio pottery in India. "Daddyji" as most called him lovingly was very close to my father. I often tagged along to visit his home studio where pottery wheels were lined up under the big neem trees in his old brick house. My father wanted me to make a film on Daddyji, who was then 95. He was afraid that Daddyji's wonderful story would be left untold. He not only introduced studio pottery in India but due to his longevity, mentored many potters. So despite not knowing anything about films, I made the documentary, Imprint in Clay with a classmate of mine, which was mostly funded by my father.”

After being infected in the wake of a violent pandemic and with only 48 hours to live, a father struggles to find a new home for his baby daughter.

Mary Faith Rapple, a bright high school senior, has never been part of the "in crowd." She teaches a night class, cares for her widowed father and pretty much keeps to herself. When a fellow loner moves to Due East, she finds herself in a relationship for the first time, leading to a small town scandal that changes her life forever.

After ten years abroad, Catherine returns to Luxembourg, to catch up with her daughter Alba, brought up by Catherine’s mother Elisabeth. Alba is cold and distant with this stranger showing up unexpectedly in her life, so is Elisabeth, keen to keep her protégée to herself. One day, Catherine cannot take it anymore. She kidnaps Alba and takes her on a trip to a lake up North. Begins an unsettling journey into the puzzling world of motherly love, only to find out that sometimes the true opponent is yourself.

After the death of his mother, a young boy calls a radio station in an attempt to set his father up on a date. Across the country, an engaged woman becomes convinced that they belong together, despite their never having met. Will their paths collide despite the odds?

Inês Etienne Romeu was an opponent to the Brazilian's dictatorship. She was kidnapped, tortured and raped in jail, where she stayed for almost 100 days. She was later sentenced to life imprisonment. She stayed ten years in prison, from 1971 to 1979. Delphine Seyrig directed this film in 1974, when Inês was still in prison, protesting against this imprisonment and in support to Inês.

Meis is fifteen, lives in the back of beyond and aspires to a grand and stirring life, but all that happens is the passing of the time, waiting for the next car to run into the front of the house.

A photographer and a filmmaker challenge each other to shoot—one to photograph the other to film—two young actresses, one from Tokyo, the other from the countryside. The photographer seeks naturalism in his compositions, and Kawase observes and comments on his work. The competition between the photographer, the filmmaker, and the actresses creates a charged atmosphere.

The Dutch football team has just released the heroic World Cup final lost to archrival West Germany. The whole country is in mourning and Jaap Kooijman throws out of sheer frustration the brand new TV out the window. This event is the prelude to an equally comical , exciting and touching family film.

Over the course of one day, a model falls in love with a photographer as they venture around New York City together.

Elvira goes to summer camp and is scared to death of not making any friends. Mysterious things also start to happen, things that can't be explained… unless you believe in ghosts.

After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.

A sweeping multigenerational story set against the backdrop of the raw, roaring New York City of the late 1980s; adoption, teen pregnancy, drugs, hardcore punk rock, the unbridled optimism and reckless stupidity of the young—and old—are all major elements in this heart-aching tale of the son of diehard hippies and his strange odyssey through the extremes of late 20th century youth culture.