Renowned Photographer Chris Floyd captured the tumultuous life of the iconic band The Verve from the inside, as they toured as relative unknowns on their first American tour, all the way through to their farewell tour in 1997 at the very top of their game. Using previously unseen photographs, self shot video from the band and interviews, this is an intimate look at an important moment in popular culture. Chris candidly talks about the relationship he had with the band and reveals incredible insight into his process, as well as explaining his views on the meaning of the relationship between photographer and subject and what can happen when that professional line becomes blurred.
'The Final RIOT!' is a live CD and DVD that documents the band in their most intimate moments on tour. On top of the all access documentary footage, an entire 15 song live set was filmed at the Chicago stop of The Final RIOT! Tour, for what the band has called their 'best show ever.' Join millions of Paramore fans around the world as they experience 'The Final RIOT!'
The sculptor Sergio Camargo died 20 years ago. If the bones left in the grave are in fact his remains, would his sculptures be living remains? What's ephemeral and what's lasting? Is there a possible eternity? We see the movie through the eyes of the daughter confronting both the artist and the man.
Portrait of Billy Childish.
The film accompanies musicians who have devoted themselves to new, uncharted sounds with a great deal of passion. They build new instruments and work with quotidian noises. In the process, the ostensible noise often becomes sound. An adventurous journey of discovery into the realm of noises and sounds, rhythms and stillness. Together with people who listen closely and without reservation. A film that aims to engage viewers to listen with their eyes and see with their ears. Astonishingly sublime.
An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.
One of the most controversial conflicts in U.S. history, the Mexican-American War erupted as President James K. Polk sought to extend the borders of the nation to the Pacific, taking by force whatever territory stood in the way. This special, produced by The History Channel and hosted by Oscar de la Hoya, looks at the war from the perspective of both countries, and chronicles the fighting from its inception to its conclusion with the Treaty of Guadalupe Hidalgo.
This documentary provides an immersive look behind the scenes of the rock group DeWolff, which is formed by Pablo and Luka van de Poel and their friend Robin Piso. The documentary can be experienced as a coming of age of musicians, a wild ride full of music, drinks and calamities.
Debate Team is a documentary exploring the weird subculture of competitive college debate. Competitors battle at 360 words per minute, hauling around mountains of evidence called "cards" and nearly every debate ends in global nuclear annihilation. In 2005, some 200 teams converged on San Francisco State to compete in the National Championship. The documentary follows four teams, from Michigan State, Harvard, West Georgia, and Berkeley in their quest for the national title. What emerges is not simply the chronicle of the thrill of victory and the agony of defeat, but a more disturbing examination into the nature of competition itself and the American fetish with championships and champions.
Examine the American whaling industry from its 17th-century origins in drift and shore whaling off the coast of New England and Cape Cod, through the golden age of deep ocean whaling, the tragedy of the Essex, and the career of Moby Dick's Herman Melville, and on to its demise in the decades following the American Civil War.
A documentary that takes a look at the film and media industry of New Mexico and its impact today.
Amber Lawrence is a country music singer who spent her childhood not on the stage but at the running track. And one thing running taught her, is practice makes perfect.
Come What May documents the extraordinary life of Mary, a parent carer, and the challenges she has overcome to support herself and her family.
Between 1950 and 1958, John Marshall made four expeditions to film the Ju/'hoansi (a group of !Kung Bushmen) of the Nyae Nyae region of Namibia (then South West Africa). During this time, Marshall shot over 300,000 feet of 16mm film (157 hours). He later produced a total of 23 films exclusively from this footage. In this short film, children tempt fate by playing with scorpions.
A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.
The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.
Strawinsky in Hollywood
Pickup trucks are essential to the American way of life; manufacturers compete to outsmart, outmaneuver and outlast each other; experts, designers and historians weigh in on the most influential innovations in the truck world over the past 120 years.
About the political controversy surrounding the Argentine World Cup football (1978).
One of the most popular rockers of the 1950s and early 60s, Fats Domino and his record sales were rivaled then only by Elvis Presley. With his boogie-woogie piano playing rooted in blues, rhythm & blues, and jazz, he became one of the inventors, along with Presley, Chuck Berry, Jerry Lee Lewis and Little Richard, of rock ānā roll, a revolutionary genre that united young black and white audiences.