White Hole

Aa single father living in the slums of a futuristic dystopia who attempts to illegally escape to an off world colony to prevent his son's illness from becoming fatal.

A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.

A pair of lesbian lovers who have broken up looking for lost memories and awakening the power of true love. Xia Xue and Wei An meet again through time and space. Facing the pain of the past, they can only rewrite the ending if they love each other and face each other again.

Following the events of “Guardians of the Galaxy Vol. 1,” Baby Groot is finally ready to try taking his first steps out of his pot—only to learn you have to walk before you can run.

Groot discovers a miniature civilization that believes the seemingly enormous tree toddler is the hero they’ve been waiting for.

Groot investigates a spooky noise that’s been haunting the Quadrant, which leads to an intense dance off.

Everybody needs some alone time to relax and wash up, but things go quite differently when you’re a Flora Colossi toddler.

Groot sets out to paint a family portrait of himself and the Guardians, only to discover just how messy the artistic process can be.

A love story between a robot and a scarecrow who meet and fall for each other at a summer music festival.

When a strange mushroom sprouts up in her balcony planter, Chloé is compelled to eat it, resulting in consciousness altering hi-jinx.

Under the impetus of the 75th anniversary of the bamboo top-handle bags, the House presents a contemporary retelling of an ancient Japanese story entitled ‘Taketori Monogatari (The Tale of the Bamboo Cutter).’ Makoto Nagahisa stages the plot of finding oneself, along with true love, in a Tokyo betwixt and between reality and a dream. Dressed in looks from the Gucci Love Parade collection, Hikari Mitsushima, Aoi Yamada, and Eita Nagayama star in the story shedding a new light on the Gucci Bamboo 1947 and Gucci Diana Beloved lines.

In a post-apocalyptic near future devastated by global nuclear war, Dastagir, one of the few survivors, fights to regain his lost love and rediscover his humanity. While he fights his way through the ruins of the old world, we start to understand the complicated nature of this simple love story.

A boy who is kicked out of his post-apocalyptic camp is forced to try and find a new home, as well as, civilisation without being caught by the unknown beings that lie ahead.

Arthur Fol attempts to get Peg's second hair back from the planet Ashlar by using his new invention, the Interstellar Portateller ray, but brings back characters from the film as well.

In a city of a parallel world. A boy finds a pair of broken scissors from his father's belongings after he passed away. And a boy's mother tells him that his father had been a gardener in the past. Then he figures out the scissors were made by Sasuke, who is an artisan living in a foreign country. The boy travels all the way to a place where Sasuke lives in order to get his scissors fixed.

An empty, undefined world. Gabriela (70) is seriously ill. By all means she tries to keep alive, to escape from her own death. In her suppressed and rising fear of death she refuses any moral argument. Gabriela becomes an animal.

Physics lecturer Steven Chesterman finally realizes his long cherished dream of perfecting a teleportation device and rushes home to tell his wife, Alice. But she has news of her own - she's a male alien disguised as a human female. Then Elizabeth arrives, another alien who is to escort Alice back to the planet Nulark.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

Arthur Rocha is an astronaut called to command the Singilia mission in order to find life on the planet Cau Teti B, but things do not go as planned and he faces a series of bizarre events that begin to affect his psyche.

This is one of the four "animated comics" taking place in the same universe as the film "I Am Legend". In the early stages of the KV Pandemic, a refugee camp has been opened somewhere in central America, and is taking in patients infected with Krippin Virus for treatment. As a young boy and girl watch from the outskirts of the camp, a military convoy arrives.