The Palestinian Film Archive contained over 100 films showing the daily life and struggle of the Palestinian people. It was lost in the Israeli siege of Beirut in 1982. Here interviewees describe from memory key moments from the history of Palestinian cinema. These scenes are drawn and animated. Where film survives, the artist’s impressions are corroborated. This is a film about reconstruction and the idea that cinema is an expression of cultural identity – that cinema fuels memory.
Lies and guilt are at the core of Patrick’s relationship with his mother Randa. Over the years, he has collected their audio messages and video calls, transforming them into a portrait of her life in Lebanon and his own in Belgium. This very intimate yet social piece reveals a complex relationship marked by the distance between the two characters and shows what one may experience as a homosexual migrant. By turns moving, provocative, and hilarious, Mea Culpa questions the links between national and sexual identities for a young Palestinian migrant.
Beyond the Frontlines: Resistance and Resilience in Palestine
Mapping and spotting the complicit machinery of Germany. A graphical approach to make transparent the entangled networks between factories, supply chains, politicians, and military, in enabling the genocide of Palestinian people.
A documentary filmed in late 2005 that brings the viewer close to the living conditions and unresolved problems for Palestinian refugees in the Lebanese camps. Viewers see the camps with a focus on the issues of health, unemployment, education, and the cultural memory of this community of refugees expelled in 1948 and 1967 from their homes in historic Palestine.
A silent actuality documentary compiling footage captured by official war photographer Frank Hurley during the Sinai and Palestine Campaign of World War I. The film documents key military milestones from 1916 to 1918, including the capture of Beersheba, the Australian Light Horse maneuvers, and General Allenby's historic entry into Jerusalem. It serves as a historical archival record of tactical transport logistics and the Allied forces' push toward Damascus.
The film examines a personal attempt to address existential concepts related to Palestinians such as exile, return and the image of the homeland.
1907, cinematography by Frank Ormiston-Smith.
An Italian cruise ship carrying passengers from all over the world is hijacked off the coast of Egypt by a Palestinian commando unit. It is the beginning of a three-day ordeal in 1985 that culminates in the murder of an American hostage and an armed clash between two NATO allies to capture his killers.
The World Parade: Palestine
How mass protests on the Israel-Gaza border led to one of the deadliest days in a generation. One year later, a moment-by-moment investigation, drawing on exclusive interviews in Gaza and Israel and videos of the protests and bloodshed.
Bashla tells the story of Naeem, a Turkmen man who moves to Tehran but returns to his village. Struggling between tradition and modernity, he becomes an advocate for preserving his people’s heritage.
An exploration into the man behind the film-inspired myth, from both Western and Arab perspectives. Thomas Edward Lawrence, a 24-year-old British spy, was a figurehead in the Arab struggle for independence. In 1916, he united Arab tribes and led them in a war against the Turks who ruled over them for 400 years. The consequences of his successes and failures sowed the seeds of conflict that continue to plague the troubled region even today.
In July 2002, the illustrator Daniel Maja is invited to Ramallah and Gaza to develop a project for art schools in Palestine, despite the fact that most West Bank cities are under curfew at the time. Dominique Dubosc, the filmmaker, decides to accompany him. The film develops according to their two gazes, which play one against the other, or with the other, in two mediums, throughout the journey.
Olive trees have been a key element of life for populations in Palestinian land for generations. Since the creation of the state of Israel, historical inhabitants and trees face the uproot of their lives and culture. This documentary shows popular struggles in occupied Cisjordan through the testimonies of Palestinian families and the activists that protect them during olive harvest.
Cinepoem about the current Palestinian tragedy, with Brazilian films from 1922 and 1932 (the indigenous catastrophe), documentaries from 2023/2024, essays by Jean-Luc Godard, Hani Jawharieh and Mustafa Abu Ali, statements by Edgar Morin and Noam Chomsky, and a poem by Mahmud Darwich.
The inside story of Mohammed Emwazi's journey from being an ordinary London boy to becoming terrorist 'Jihadi John', and the intelligence operatives' attempts to catch him.
After Hamas kidnapped 251 people from Israel on October 7, and as Israel’s war in Gaza unfolded, a conflict thousands of miles away erupted on New York’s walls. TORN captures the emotional fallout of the now-iconic “KIDNAPPED” poster campaign - a grassroots act of solidarity that quickly became a flashpoint, igniting fierce confrontations between pro-Israel and pro-Palestinian New Yorkers. Through the voices of artists, activists, and hostage families, the film unpacks the motivations behind those putting up and tearing down the posters, exposing a complex proxy war fought in stickers, slogans, and torn paper. By revealing how a distant war fractured daily life in one of the world’s most diverse cities, the film forces a reckoning with identity, free speech, and empathy in an age of polarization.