I Want to Believe

The gritty tale of an Imperial stormtrooper who is forced to confront his past in the heat of a battle.

A meteor shower threatens the destruction of all life on earth, one misunderstood man an outcast tries to save it from its impending doom.

Top agent Delilah dies in a risky mission against weapon dealer Kercharian. But she's revived with high-tech medicine and artificial body parts. As invincible superwoman she returns and continues her fight against Kercherian, who's newest deal includes Plutonium from Russia.

An entire city has lost its voice. Mr. TV, the owner of the city's only television channel, is carrying out a sinister plan to control all of the city's inhabitants.

In the future cloning machines known as “Multipliers” were forbidden and abandoned still operating. They still create clones inside them, in an infinite loop that is perpetuated by their security protocol.

In the 24th century, on the war-torn planet Maris the conniving Queen Adama abducts Apple, a member of an heroic trio known as the White Knights, and imprisons her in the infamous Zone. Even though no one has ever returned alive from the Zone — and despite the low ammo at their disposal — the other knights follow their companion. What they find there, however, is an enigmatic figure with a mind-bending revelation...

When brilliant video game maker Flynn hacks the mainframe of his ex-employer, he is beamed inside an astonishing digital world...and becomes part of the very game he is designing. In his mission through cyberspace, Flynn matches wits with a maniacal Master Control Program and teams up with Tron, a security measure created to bring balance to the digital environment.

Light Up the Night is an analog science-fiction short film set in an Orwellian, futuristic 1980s. The story tells the tensions flaring between rebellious citizens and robotic law enforcement. We are introduced to two dissidents as they take aim at the city's looming, panoptic control tower, while local band The Protomen take the stage amidst the action, inciting unrest as they narrate the struggle.

A shamed ex-freighter captain takes one last shot at redemption, only to find he is a puppet for a grander scheme.

Lost on Mars is a science fiction movie directed by Eric Shook. The first ship designed to go to Mars is scheduled for a routine planetary space exploration. The mission is drastically changed once Earth receives a strange signal transmitted by a probe on Mars. The Sequel to Lost on mars is" Empire of Danger"

A newly designed spacecraft capable of going through time is sent to Mars to rescue a crew previously lost on Mars. The ship is sent through the past but to the wrong time, years later than the first crew. Once they land on Mars, the crew finds that it is a place where Bararians rule. The leader of the Barbarians is a female battle warrior named Giza that wants their ship to use as her own chariot through time where she hopes to steal the ancient power of the Masha. With that power, she will gain complete control of the Siperion Empire. - Empire of Danger is the sequel to the movie "Lost on Mars"

Shots fired inside a club frequented by black Brazilians in the outskirts of Brasilia leave two men wounded. A third man arrives from the future in order to investigate the incident and prove that the fault lies in the repressive society.

In the distant future, Earth is occupied by ancient gods and genetically altered humans. When a god is sentenced to death he seeks a new human host and a woman to bear his child.

An alien slave crash-lands in New York City while being pursued by two Men in Black bounty hunters. His attempt to find a place for himself on Earth parallels that of the immigrant experience.

The story revolves around 3 soldiers who are on the outskirts of a war torn city. They are patrolling an area when a bomb is accidentally set off and they have to wait for help.

On a lush tropical island, working under a secret government charter, Martin Drake has not only grown sprawling acres of giant vegetables, but inadvertently spawned two mammoth reptiles as well. Now they've broken free of their enclosures, and Drake has only one option: kill the creatures before word gets back to Washington and they close him down. When Drake's first team of well-armed mercenaries gets wiped out within hours of setting down in the jungle, he turns to one lone hunter, The Cajun, to go in single-handedly. But will The Cajun be cunning enough to find the creatures and destroy them before they turn the blue waters red with the blood of tourists. The only hope is to bring the monsters together and make them fight. When one emerges victorious, that will be the time to strike and kill the other. It's a risky plan, but ultimately the only one that may work. One of David Carradine's last movies.

In the future, an Ex-Soldier is placed in virtual exercises to cure his Post Traumatic Stress Disorder. In the simulations, he sees glimpses of a mysterious girl, presumably someone from his past. When a Stranger appears in his facility offering answers, the Soldier finds himself once again asked to kill, this time for her...

Yellow or Adicolor Yellow is a 2006 futuristic short film by director Neill Blomkamp, written by Terri Tatchell and Blomkamp. It was produced at the request of sportswear maker Adidas as a part of its "Adicolor" viral ads campaign, in which advertising agency Idealogue gathered seven directors, assigning a different color to each of them, and asked them to produce a feature based on their emotional and creative response to the given color, later to be distributed in the form of podcasts. The four-minute film, shot by Trent Opaloch in Blomkamp's usual handheld camera mockumentary style, deals with an Israeli robotic globe-trotter gone rogue.

A trio of interweaved transgressive tales, telling a bizarre stories of suburban patricide and a miraculous flight from justice, a mad sex experiment which unleashes a disfiguring plague, and the obsessive sexual relationship between two prison inmates.

The film follows a 'tempbot', a robot assigned for a short period of time at an ordinary office, and his romantic endeavours with the Human Resources manager.