Topos

A reworking of the myth of Hippolytus, in which a chaste youth rejects the incestuous advances of his mother and is saved from death by a caring physician.

A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.

A retail billionaire's 60th birthday party is celebrated in an exclusive hotel on the Greek island of Mykonos.

Covering the first half of Anger's career, from his landmark debut FIREWORKS in 1947 to his epic bacchanalia INAGURATION OF THE PLEASURE DOME, Fantoma is very proud to present the long-awaited first volume of films by this revolutionary and groundbreaking maverick, painstakingly restored and presented on DVD for the first time. Contains the films: Fireworks (1947) Puce Moment (1949) Rabbit's Moon (1950, the rarely seen original 16 minute version) Eaux d'Artifice (1953) Inauguration of the Pleasure Dome (1954)

Covering the second half of Anger's career, from his legendary SCORPIO RISING to his breathtaking phantasmagoria LUCIFER RISING, Fantoma is very proud to complete the cycle with this long-awaited final volume of films by this revolutionary and groundbreaking maverick, painstakingly restored and presented on DVD for the first time anywhere in the world. Contains the films: Scorpio Rising (1964) Kustom Kar Kommandos (1965) Invocation of My Demon Brother (1969) Rabbit's Moon (1979 version) Lucifer Rising (1981)

Based upon the life and writing of literary visionary Danil Harms, a Russian avant-garde poet of the 1920s who was persecuted and ultimately silenced by the Soviet authorities.

How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.

For this remarkable experimental film, the provocative avant-garde legend Stephen Dwoskin gathered together a group of strangers and filmed them as they explored their fantasies over a period of five days: a project that now sounds a little like TV's Big Brother. The ceremonial gowns and make-up here not only evoke the eroticism of European horror movies but also highlight the film's interplay between performance and intimacy. Jonas Mekas called it 'theatre of life'.

A lonesome man at the threshold of death finds himself trapped in a place called the Endless.

An artist strives to achieve a state of pure existence. Caught between inertia and movement, her body strains, adapts, and responds to what is happening around her.

It has been nine years since we last met Jesse and Celine, the French-American couple who once met on a train in Vienna. They now live in Paris with twin daughters but have spent a summer in Greece at the invitation of an author colleague of Jesse's. When the vacation is over and Jesse must send his teenage son off to the States, he begins to question his life decisions, and his relationship with Celine is at risk.

Experimental short uses Ray Charles' “What'd I Say” as accompaniment to constantly shifting collage of female nude, cartoons, and newsreels of atomic bomb explosions.

A married landlord has an affair with a young man renting out one of her apartments in Greece.

An abstract, minimalistic showpiece of late structuralist film made up of 360-degree pans across a children’s playground – and to one of the gods of his cinephilic pantheon, Anthony Mann. In concrete terms, he alludes here to a scene in Mann’s Glenn Miller Story in which black-and-white documentary material from the Second World War is in experimental film fashion nightmarishly intercut into a scene, breaking with Hollywood conventions.

This major Documentary reveals the true story of the first victory of the Allies over the Axis powers. It is the Victory at the Battle of Greece! The Documentary portrays the tenacity of the Greek soldiers during WW2, which forced Hitler to disperse his forces in a manner unfavorable to his strategic objectives. It catalyzed the alliance between Britain and the United States and resulted in aborting the Axis plans in the Mediterranean, the Middle East, and the Eastern Front. During the first thirteen months of the war, Hitler's unstoppable war machine had occupied seven European countries and had enslaved a population of 120 million by fighting for less than three months. The surprising seven-month-long Greek resistance to the invading armies of Italy and Germany that followed in 1940-194, gave the Greeks the first Allied victories on land and became a beacon of hope and an inspiration to freedom-loving countries everywhere.

A priest arrives in a village and give advice and comfort to different people. He meets a wheelchair-bound former representative of the Communist party, a woman who is dying of tuberculosis and an astronomer who sings in a punk band.

A woman arrives on a Greek island and makes profound connections with those she encounters.

Dementia draws a woman into a world of memory loops, losing her love her spirit, her present her past.

Experimental film, white specks and shapes gyrating over a black background, the light-striped torso of Kiki of Montparnasse (Alice Prin), a gyrating eggcrate. One of the first Dadaist films.

A very personal interpretation, to say the least, of the passion of the Christ According to St. John.