Song 2

She and Her Cat details the life of a cat, entirely from the cat's perspective, as it passes time with its owner, a young woman.

Some 220 miles above Earth lies the International Space Station, a one-of-a-kind outer space laboratory that 16 nations came together to build. Get a behind-the-scenes look at the making of this extraordinary structure in this spectacular IMAX film. Viewers will blast off from Florida's Kennedy Space Center and the Baikonur Cosmodrome in Russia for this incredible journey -- IMAX's first-ever space film. Tom Cruise narrates.

In the adaptation of a poem by Taras Shevchenko in the last third of XVIII a small fraction of 300 Cossacks who were enslaving their own people for Turkey and were executed by other Zaporizhian Sich Cossacks are reanimated as living dead at one cold night.

A journey into the mind of French actor and director Jean-Pierre Mocky (1929-2019), author of films both playful and profound, of an impressive richness.

Set among the dunes and clubs of Fire Island, which have witnessed decades of cruising and dancing, the film blends a performance of Morgan Bassichis's song "We Have Always Been on Fire" with 1976 footage by queer nightlife documentarian Nelson Sullivan. We Have Always Been on Fire traces a queer lineage and engages with loss.

Andy, socially awkward and single, is sent into an emotional spiral after mistakenly offending a woman at a party.

Two straight (but not really) guys invite two naive (but not really) prostitutes for a night of sex. In the preliminary conversations, a little poetry, a lot of philosophy and heavy doses of vulgarity, all with Beethoven in the background. But when it comes to sex, the truth comes out.

A Father's cautionary tale about internet safety turns sinister when the lines between truth and fiction are blurred.

Angelica and Rob are tied up in a cellar not knowing how they got there but soon they realize they are being a part of an elaborate, diabolic game of life and death. (Screamfest)

Dancing is so much fun! But if you have to dance all by yourself it's only half the fun. So the little rhino needs to come up with an idea to make everyone dance with it.

An inventor creates an electrical torch that reveals a hidden world layered upon our own - filled with beautiful spirits, strange creatures, and dangerous phantoms.

Set in a satirical vision of modern Britain, Hadrian is a young and ambitious civil servant who arranges to receive Greek lessons in preparation for a government promotion which will see him steer British economic policy throughout Greece. But when he meets his teacher Maria, she asks that instead of payment, Hadrian exchanges an hour of his time each week to help her prepare for a citizenship exam that offers potential promotion from Class B to Class A immigrant.

A recollection of almost 40 years of career. A giant image-jukebox, from early 70s autoportrait to films for Alain Bashung / Elli Medeiros, private karaokes to “video sculptures” applied to John Travolta or Maria Callas, and much much more…

Some months after the fall of the Berlin wall, during the time of federal elections in Germany in 1990, Chris Marker shot this passionate documentary, reflecting the state of the place and its spirit with remarkable acuity.

While in solitary confinement, a female prisoner is taunted with photos of her crime. She reminisces about her violent gruesome acts... (Screamfest)

A group of friends on their way to a remote lake house come across a stranger with some important information. (Screamfest)

A man must complete a task in exchange for his life.

MS-DOS demoscene short film that showcases computer animation and music.

John Hurt narrates this highly charged and doom-laden public information film from the 1987 AIDS awareness campaign. A cliff-face explodes in slow motion; an industrial drill bores into a huge block of rock; the word 'AIDS' is chiselled into the polished surface of a granite headstone and a "Don't Die of Ignorance" leaflet drops onto the surface along with an elegiac bouquet of white lilies. The solemnity of the accompanying voice-over quells any vestiges of ambiguity.

With its simple and iconic imagery this was public information film at its most sensational: expensive special effects and high-concept production design brought public information filmmaking into the realm of state-of-the-art corporate advertising. The film was the result of a £5 million cinema and television campaign aimed at combating the growing spread of HIV and AIDS. With restrictions around the overt promotion of condom use on television and a growing chorus of moral campaigners promulgating their own agenda, the straightforward and doom-laded approach was probably the only viable option for campaign mastermind Sammy Harari. But the result was a hard-hitting and memorable campaign which undoubtedly fulfilled its brief of pervading public consciousness. There are two versions; the one shown in cinemas did not feature John Hurt's famous voiceover.