Tired of being a banal architectural ornamental, a sculpture runs from the Louvre to confront real life on the streets of Paris.
It is the road trip of a mother and her daughter through strange worlds. The daughter wants to kill herself and the mother will try to talk her out of it.
In the space of 10 minutes, the African baobab tree grows 0.008 mm, the fastest dog in the world, the Greyhound, can run 12 km, and the Earth travels 18,000 km around the Sun. "Movements" is a 10-minute film which I drew at a rate of 2 seconds of animation per day. We are all walking, seeing, working, running, and stopping together.
After answering an ad on a dating website for Eastern European women, Olla leaves Ukraine and heads to French suburbia to move in with Pierre, who lives with his elderly mother. However, the suburbia cannot temper her desires, and nothing goes as expected.
Enslaved in a surreal world of living objects, a lamb cutlet does whatever it takes to make ends meet.
Jeanne raises her 9-year-old daughter, Mylène, on her own and dreams about their next trip to the sea.
On a street corner a mysterious conversation among three young men at street stalls. Meanwhile a traffic accident on a motorbike. The night brings together a sketch, a multicolor frame of reality.
From one gompa to another
La rage du désert
Oshun
Real time development of a video feedback, processed and controlled through a video keyer. Sound results from video signals, interfaced with audio synthesizer.
Always Faster
In 1979, film scholar Noël Burch strongly criticized the films from the 1950s by Japanese filmmaker Mikio Naruse. He would be stuck in a "western mode of representation", and his work would be "academic" and "over-edited". Maybe even almost like the soap operas on TV! What Burch failed to see is how Naruse transforms a seemingly simple decoupage into his secret form of mise-en-scene, with endless variations and modulations. Let's look at eighteen consecutive shots from Sound of the Mountain (1954)…
The world is in danger, a huge unexpected bug hits the web and endangers the security of Internet users. It is in this context that Martin, a young intern at the ISA (Internet Security Agency) mistakenly crossed the portal which allows him to penetrate... inside the Internet!
A meditation on My Lai.
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
The two lesbian sisters once again feel the irrepressible desire to properly tie up and beat young girls. The victims must be young and have a tight plump chest. The two are by no means lacking in new ideas. This time they place an ad in a daily newspaper.
It's been 548 days that A hasn't felt anything, that she's been absent from her life. One night, J appears and takes her with her, trying by all means to revive her heart. Stranger is a musical fable, the story of a return to life.
A man brings his dog to an underground fight.
A desktop documentary that focuses on the Golden Record that NASA sent into space in the late 1970s. The piece reflects on issues such as the power of scientific discourse to produce revisions of the world, the evolution of the concept of the archive and the resignification of borders in the rhetoric of space colonialism.