A Night In Havana: Dizzy Gillespie In Cuba

Claudia Winkleman meets Michael Buble in this entertainment spectacular. Michael performs classic tracks including Cry Me a River and Feeling Good alongside songs from his brand new album, including Nobody but Me. Michael also goes undercover as a sales assistant at a London department store to surprise a few unsuspecting fans.

Moor Mother: Jazz Codes

This episode focuses on Zappa's early 70s albums, Overnight Sensation (1973) and Apostrophy (') (1974). Together they encapsulate Zappa's extraordinary musical diversity and were also the 2 most commercially successful albums that he released in his prolific career. Included are interviews, musical demonstrations, rare archive & home movie footage, plus live performances to tell the story behind the conception and recording of these groundbreaking albums. Extras include additional interviews and demonstrations not included in the broadcast version, 2 full performances from the Roxy in 1973 and Saturday Night Live in 1976, and new full live performance done specially for these Classic Albums.

After charging through "One More Time," "Wild West," and "You Can't Get What You Want (Until You Know What You Want)" at a punishing clip, one might expect the soft-spoken Joe Jackson to shift to a lower gear. Instead, the one-time musical prodigy, pub band pioneer, and now eclectic composer revisits one of his even faster, earlier hits, "On Your Radio." If most performers risk monotony with such a move, Jackson's quiet charisma in this 1986 performance encourages pleasurable surrender and, in his more mature material, careful attention to his uniquely marbled tones, rhythms, and colors. Steeped in the influences of swing, Latin music, classical composition, and melodic balladry, Jackson is full of mix-and-match surprises, such as a delicate re-imagining of "Steppin' Out" and a growling, funky "Soul Kiss." This is a pure delight, from start to finish. Special features could be more special, however: a Jackson discography would have made sense with such a far-reaching playlist

Paris Jazz Joie de Vivre

A documentary on the late French jazz pianist.

Jamie Cullum's live concert from Blenheim Palace in Oxfordshire, England, along with tour footage and interviews taken from his travels in the U.S., and footage from his performance at the Glastonbury Festival in the U.K.

A young trumpeter rises through the jazz world and finds love.

This concert from the Jazz legend was recorded in 1973 with a very similar line-up to the later releases Dark Magus, Agharta, and Pangaea, featuring Al Foster on drums, Michael Henderson on bass, Mtume on percussion, Dave Liebman on sax, and, most importantly, Reggie Lucas and Pete Cosey on guitar. It contains some material from the previously listed albums, and plenty that is not, at least in any recognizable form. Jazz VIP. 2009.

Shirley Clarke's frenetic documentary about multi-talented musician Ornette Coleman.

Jazz legend Chet Baker finds love and redemption when he stars in a movie about his own troubled life to mount a comeback.

Jeff grows up near Basin Street in New Orleans, playing his clarinet with the dock workers. He puts together a band, the Basin Street Hot-Shots, which includes a cornet player, Memphis. They struggle to get their jazz music accepted by the cafe society of the city. Betty Lou joins their band as a singer and gets Louie to show her how to do scat singing. Memphis and Jeff both fall in love with Betty Lou.

The story of Frankie and Johnny: Frankie walks into a bar, where she catches her boyfriend Johnny with the sensuous Nellie Bly and kills him in a fit of jealousy.

A documentary on the life of Amy Winehouse, the immensely talented yet doomed songstress. We see her from her teen years, where she already showed her singing abilities, to her finding success and then her downward spiral into alcoholism and drugs.

Ozzy, beset on all sides by the eccentricities of the artists around her, meets Jack, a city-dwelling forest sprite jazz singer. Together, they escape Dante's, the jazz club Ozzy manages, and losing herself, Ozzy finds something else.

The film is made up of one single take. The camera pans to the left, focusing on a dilapidated fence in a rural field, as Ella Fitzgerald's "All My Life" plays on the soundtrack. At the end of the 3 minute film, the camera tilts up to the blue sky just as the song ends.

Martin, a nu-jazz trumpet player with a unique style, is fighting against convention and mediocrity. He will not accept any compromise, neither in his music, nor in love. When he gets the feeling that Kristina, the love of his life, only loves him for his musical talents, he is deeply hurt.Disappointed, he bids farewell to both her and his previous life. On the edge of society, he meets an old woman, Hanna, who bequeaths him her pain in the form of poems. Martin is immediately fascinated. Can they guide him back to himself, to Kristina, or to his music?

Tenor saxophonist, composer and producer Kamasi Washington and his band perform a special show at Harlem's legendary Apollo Theater for the theatre's 85th year anniversary. Washington explores Harlem's rich musical and cultural history and the city's influence on his generation of artists.

This film by director Ramon Tort documents a unique moment in the life and career of Andrea Motis: the months preceding the recording of her first album in New York as well as what followed. A time filled with changes and emotions; from leaving her parents’ home for the first time and start living by herself to embarking in a world tour that would take her to places like Japan, United States, Asia and Europe. A crucial time in a young woman's life, who is about to make the big leap…, but is she interested in success or fame? Andrea is not a conventional artist. She lives in the moment, enjoying the small things in life, every day in the most simplest way possible… An entire magical process that can only be understood through her music.

Three hip, Little Pigs are travelling entertainers, moving from straw to wood, to brick nightclubs, playing swinging tunes for high-class, "with it" crowds, but an uncool Big Bad Wolf keeps intruding on their act with with his "corny horn" and uses it to blow their nightclubs down when they throw him out- until they are playing in their brick club and the Wolf tries a more drastic, explosive method for destroying the "House of Bricks".