Wonderful and Loved by All

From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.

In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.

The story of a middle aged woman caught in her destiny and circumstances who tries to find fulfilment in relationships outside her marriage.

Le Pirate

Les Voisins du dessus

A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opera House.

A Yugoslav stage actor marries an American girl in Belgrade and has a child with her, when his career downhill out of political reasons he develops a drinking habit, his wife leaves him and takes their daughter to U.S.A.

After accidentally killing her lecherous producer, a famous actress tries to hide her guilt.

Guten Abend, Mrs. Sunshine

New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves.

Panique au ministère

Jedermann

Auguste

Azaïs

Bisous Bisous

Josh and Dinah Barkley are a successful musical-comedy team, known for their stormy but passionate relationship. Dinah feels overshadowed by Josh and limited by the lighthearted musical roles he directs her in. So she decides to stretch her skills by taking a role in a serious drama, directed by another man.

Le Prête-nom

The Odyssey of director Radomir Belacevic who leaves his native village on his faithful horse named Knight and sets out to the capital trying to put his drama on the National Theatre's program, allegedly backed by foreign investors, too. Seduced by flashy lights of the city and beauty of metropolitan women, his Don Quixotean mission takes a different route and he becomes a modern Ulysses who forgets his roots and assimilates with the urban jungle.

The Empty King created a mythical figure and a whole world from grotesque, archetypal images. The drama was originally conceived as a student tirade against a teacher at Jarry's school, the Lyceum of Rennes. This teacher, Hébert, was the target of public ridicule. In 1888, at the age of 15, Jarry wrote a puppet play about the exploits of the Woolly Tartar and staged it to the amusement of his friends. The figure of Übü is a crude, cruel caricature of the foolish, selfish bourgeoisie as seen through the unrelenting gaze of a schoolboy; but this Rabelaisian figure, in all his falstaffian greed and cowardice, is more than a mere social satire. It is a terrifying picture of man's animal nature, his evil and cruelty. The Katona József Theatre in Budapest premiered Jarry's play in 1984, and it ran continuously for more than 10 years.

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