Wonderful and Loved by All

Le plateau télé de Catherine et Liliane

The Empty King created a mythical figure and a whole world from grotesque, archetypal images. The drama was originally conceived as a student tirade against a teacher at Jarry's school, the Lyceum of Rennes. This teacher, Hébert, was the target of public ridicule. In 1888, at the age of 15, Jarry wrote a puppet play about the exploits of the Woolly Tartar and staged it to the amusement of his friends. The figure of Übü is a crude, cruel caricature of the foolish, selfish bourgeoisie as seen through the unrelenting gaze of a schoolboy; but this Rabelaisian figure, in all his falstaffian greed and cowardice, is more than a mere social satire. It is a terrifying picture of man's animal nature, his evil and cruelty. The Katona József Theatre in Budapest premiered Jarry's play in 1984, and it ran continuously for more than 10 years.

Treppauf Treppab

Mr. Bennett is a model citizen, a tender father and an irreproachable husband, he yearns for a quiet life. On a weekend he receives a visit from a strange man called Pédro Juarez. Mr. Bennett’s past suddenly resurfaces and his peaceful existence is turned upside down ...

La Raison d'Aymé

À droite, à gauche

Le ruban

Fleur de cactus

A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opera House.

Un fil à la patte

Fric-Frac

A lesbian couple experiences microaggressions at a workshop upstate. Claire and her fiancée Monica embark from the boisterous streets of New York City to the Berkshires, where Claire has been invited to stage her latest work at a rural theater company. While Claire's actors question her ability to write heterosexual dialogue, Monica encounters her own source of micro-aggression in the form of Mutty, the groundskeeper.

Le Tombeur

An accountant, presumed honest, inadvertently finds 7 million francs in his bag and decides to change his life.

From Paris to Venice to Broadway to Hollywood, the lives of Cole Porter and his wife, Linda Lee Thomas were never less than glamorous and wildly unconventional. And though Cole's thirst for life strained their marriage, Linda never stopped being his muse, inspiring some of the greatest songs of the twentieth century.

A young woman becomes infatuated with the leading man of a traveling theatrical troupe. She sneaks away to join him in the next town, but her father forces her to return home...

Young writer Richard Collier is met on the opening night of his first play by an old lady who begs him to "Come back to me". Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early twentieth century. Becoming more and more obsessed with her, by self-hypnosis he manages to travel back in time—where he meets her.

C'est pas du tout ce que tu crois

A bold anthology feature film made by an all-female creative team and cast. Based on the popular play of the same name the 80-minute movie follows 10 women scorned as they directly address their exes' new wives and lovers at an open mic night in Los Angeles. Created by a dynamic group of emerging filmmakers at a time when audiences are demanding films made both by and for women, the project taps into a social and political climate that's left women poised to take back their voices and be heard.

Fanny Hobichler, a young promising actress, moves to Vienna in the 1920s in order to pursue her big break. She draws inspiration and seeks help from the popular stage actor Albert Kortz who once started out from the same provincial town as she did and was a close friend of her late father. Kortz, however, dreams of retiring as he is tired of his fame and having to deal with the short-tempered theatre director Jason. Together, they try to outwit Jason.