Girl Groups: The Story of a Sound

An eye-opening look at the 'costume play' subculture known as cosplay. "My Other Me" chronicles a year in the life of three different cosplayers, following the subjects as they travel the convention circuit, balancing their home lives with their cosplay alter egos, revealing the profound effects the subculture has played in their lives.

Johnny Hallyday - Un soir à l'Olympia

Korean 5-member girl group Red Velvet. Broadcast the first solo concert in Japan held in March 2018. Don't miss the splendid music and performance. Broadcasting the pattern of Japan's first solo concert "Red Velvet 1st Concert" Red Room "in JAPAN" held at the Musashino Forest Sport Plaza Main Arena in Tokyo. The live, which was announced at an event in Ebisu in November of the previous year, was flooded with fan applications at the same time as the announcement, and the 2-day performance at the venue with a capacity of 10,000 people was sold out in a blink of an eye. We will deliver a live pattern with a lot of cute and pop world view of them.

Korean girl group, Red Velvet. From the first arena tour, the final performance at Yokohama Arena in January 2019 will be broadcast. Red Velvet, a 5-member girl group that made its debut in South Korea in 2014. Its ability is also known overseas, and in December 2018, two albums and two mini-albums released from 2015 to 2017 won the first place on the US Billboard "World Album Chart". Has achieved the feat that the lead song with the same name as the album "RBB" is ranked No. 1 on the "Heat Seekers Album Chart" and "World Digital Song Sales Chart". Their first arena tour "Red Velvet ARENA TOUR in JAPAN" REDMARE "" was held. We will deliver the final performance on January 30, 2019 from Yokohama Arena 2days after the round in Fukuoka and Kobe. Stay tuned for the up-and-coming performance of the K-POP girls group that is sweeping the billboard.

BLACKPINK at A-NATION in Osaka Japan

In this highly anticipated sequel to his groundbreaking, ADVERTISING AND THE END OF THE WORLD, media scholar Sut Jhally explores the devastating personal and environmental fallout from advertising, commercial culture, and rampant American consumerism. Ranging from the emergence of the modern advertising industry in the early 20th century to the full-scale commercialization of the culture today, Jhally identifies one consistent message running throughout all of advertising: the idea that corporate brands and consumer goods are the keys to human happiness. He then shows how this powerful narrative, backed by billions of dollars a year and propagated by the best creative minds, has blinded us to the catastrophic costs of ever-accelerating rates of consumption.

Live at Maracanã is the third live album by the Brazilian duo Sandy & Junior, released on December 20, 2002. It is also the first double album of the brothers: one of the versions was sold along with CD Internacional Extras. The show was directed by Paulo Silvestrini and featured twelve dancers, twelve musicians and two backing vocals. For the show that gave rise to the CD and DVD, the stage counts with 19m of mouth, 15m of depth and 11m of height. On the sides, were placed two screens of 6m x 5m.

A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.

Portrait of the popular Dutch singer André Hazes.

The story of the American music dynasty, the Carters and Cashes, and their decades-long influence on popular music.

Plastic Galaxy explores the ground breaking and breathtaking world of 'Star Wars' toys. Through interviews with former Kenner employees, experts, authors, and collectors, the documentary looks at the toys' history, influence, and the passions they elicit today.

Bandleader Frances Carroll leads The Coquettes, an all-female band, in several swing tunes.

Following the artist from the bustling streets of New York to her rain-soaked hometown of Bergen, the film includes interviews with AURORA's closest friends, as well as uniquely stripped-back performances of tracks including “Warrior” and “Murder Song (5, 4, 3, 2, 1).” Whether she’s reminiscing on her childhood with her sisters, dancing through the city streets in her headphones, or discussing the secret life of apples, there’s a spellbinding quality to everything the artist does.

A Pennsylvania band scores a hit in 1964 and rides the star-making machinery as long as it can, with lots of help from its manager.

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.

Following a childhood tragedy, Dewey Cox follows a long and winding road to music stardom. Dewey perseveres through changing musical styles, an addiction to nearly every drug known and bouts of uncontrollable rage.

The story of Fantômas, the first villain of modernity, from his birth in 1911 as a novel character to his contemporary vicissitudes, passing through Louis Feuillade, André Hunebelle, surrealism and Moscow.

World famous pop group the Spice Girls zip around London in their luxurious double decker tour bus having various adventures and performing for their fans.

With a sense of humour, this documentary questions the condition of women from the angle of the image and perception of their body, and covers the new taboos and aesthetic diktats concerning their genitals in the era of the sexual revolution and contemporary feminism.

From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.