Aggression

In a small supermarket in a blue collar town, a black man smiles at a 10 year old white boy across the checkout aisle. This innocuous moment sends two gangs into a ruthless war that ends with a shocking backlash.

Two westerners, a priest and a teacher find themselves in the middle of the Rwandan genocide and face a moral dilemna. Do they place themselves in danger and protect the refugees, or escape the country with their lives? Based on a true story.

20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.

After her stepdaughter is sexually assaulted at a party, a furious mother sets out to destroy the lives of the four perpetrators who walked free.

An actress of political torture movies made by her husband has to finish his latest film and arrange a screening for distributors while the husband, who is also secretly an anarchist revolutionary, is away for some resistance operation.

Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."

Hawaiian Punch follows two young Mormons, Nick and Tor, during their time in Hawaii. The audience is privy to their lives sharing a house and their recreational activities around the island. Afternoons are spent cliff diving, cruising on their moped along palm tree-lined streets and talking about relationships and religion.

Filmed on Super-8, Footsy is César Velasco Broca's first short, in which he explores the fetishistic obsessions of a socially repressed man.

The story means to develop through an uncovering of layers - strata. As writer Krumbachova stated: "With nature as a prison, an impassable barrier ... where every action is physically and psychically limited by the environment ... people are reduced to fragments of basic instinct and intelligence." Promoted as a psychological thriller, Strata provides little tension nor any real climax. The characters are ideas - not believably real.

Among the millions of victims of the Nazi madness during the Second World War, Pierre Seel was charged with homosexuality and imprisoned in the Schirmeck concentration camp. He survived this terrifying experience of torture and humiliation, and after the war he married, had three children, and tried to live a normal life. In 1982, however, he came to terms with his past and his true nature and decided to publicly reveal what he and thousands of other homosexuals branded with the Pink Triangle had undergone during the Nazi regime. Il Rosa Nudo (Naked Rose), inspired by the true story of Pierre Seel, depicts in a theatrical and evocative way the Homocaust, focusing on the scientific theories of SS Physician Carl Peter Værnet for the treatment of homosexuality, which paved the way for the Nazi persecution of gay men.

IRA

"Using the same, three times repeating dialogue – dramatic conversation between man and woman – Jerzy Skolimowski from Poland, Slovak director Peter Solan and Czech director Zbynìk Brynych shot three different stories. The result was an extraordinary experiment in the world cinema, which we can call an insight in the relationships of men and women of different age groups, an analysis of love and marriage of those who are at the beginning, in the middle or going towards the end of their life."

The rebellious socialist Knut is subjected to a mental evaluation after he assaults a stranger on the street. Psychologist looking track Knuts aggression in childhood experiences while Knut himself sees them as a natural reaction to the class society's oppression.

As powerful and complex as is AKRAN, 37-73 is more taut, richer in associative meaning .... 37-73 is about dreams, about memory and its associations with nightmare and magic.

In 1979, a group of college students find a Sumerian Book of the Dead in an old wilderness cabin they've rented for a weekend getaway.

After a small misunderstanding aboard an airplane escalates out of control, timid businessman Dave Buznik is ordered by the court to undergo anger management therapy at the hands of specialist Dr. Buddy Rydell. But when Buddy steps up his aggressive treatment by moving in, Dave goes from mild to wild as the unorthodox treatment wreaks havoc with his life.

In the beginning the idea was to make something from nothing, in a neutral and unknown place. Collect images and sounds instead of producing them. The camera, the microphone and the mini-amplifier: tools that take away and then give back. We defined a rule: the sound shouldn't illustrate the image and the image shouldn't absorb the sound. Less than a hundred kilometres from Reykjavik we found Strokkur. For three days we saw and heard the internal dynamics of the crevice: the boiling water that spat out every seven minutes and the thermal shock, given the eighteen degrees below zero of the atmosphere.

Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.

This short film documents the daily life of the goings-on on Orchard Street, a commercial street in the Lower East Side New York City.

After a wave of reports of mysterious attacks involving people and pets being eaten by the traditionally docile fruit, a special government task force is set up to investigate the violent fruit and put a stop to their murderous spree.