West End Jungle

Chronicles the musical career of British post-punk art rockers Wire.

Dance for All

Putta (Whore) follows the story of three prostitutes living in the town of Foz do Iguaçu, on the triple border between Brazil, Argentina and Paraguay. The film traverses the complexities of each of the three prostitutes personal lives’–from transexuality to family and motherhood–in the context of the brothels and streets in which they work.

A feature length documentary about the intense connections made between strangers over the telephone, and explores these anonymous conversations people are often too hesitant to have with the people closest to them. From crisis centers to psychics and sex workers, this documentary eavesdrops on the inner-workings of hotlines and puts faces to the voice on the other end of the line.

A tropical fish shop in the East End of London, the last of what used to be many. Tiny, watery dramas inside fish tanks accompany the thoughts of local fish-keepers, while father and son Big Tel and Little Tel work to keep the shop alive.

Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.

Megacities is a documentary about the slums of five different metropolitan cities.

Buy Bye Beauty is a 2001 documentary film by Swedish director and performance artist Pål Hollender. The film is about the way Latvian sex industry and its being fueled by businessmen and sex tourists from Sweden visiting Riga. The film was shot in Riga in July 2000. The narration of the film is in English, with interviews conducted in Russian and Latvian.

The summer of the Jubilee in 1977 was mentally dominated by another national anthem - "God Save the Queen" by The Sex Pistols. That same summer was also the summer of punk. Janet Street Porter Reviews The Year Of Punk, Featuring Early Classic Footage Of The Sex Pistols, The Clash, Siouxsie And Others.

Comprising new and archival footage, this film observes rituals performed by the South Asian, African, and Caribbean diaspora in Britain, demonstrating an appreciation of land, community values, and the universe we share with other species and planets.

Striving to build a successful life in London, Reza places an ad in a peculiar newspaper and discovers the Iranian community hidden in plain sight. Winner of the Netflix Documentary Talent Fund.

All My Homies Hate Skrillex

London 1976: Between economic crises and the Silver Jubilee, something is brewing in the squats and basement clubs of West London: Punk. A promise, a new beginning. Punk meant self-empowerment, especially for the women in the scene. For the first time, women picked up guitar, bass and drums, formed bands and wrote their own songs.

Aspects of a London day, including prostitutes on street corners, a striptease show and the 2i's Coffee Bar.

In the summer of 1920, Shanghai was scandalized by a sensational murder, a high-profile case and subsequent trial that was the ongoing topic of conversation in the city's numerous cafes, clubs and teahouses. Among the various reasons for its notoriety, two stand out: first, the victim was a high-class prostitute, well known in Shanghai; second, the murderer had been a mid-level manager in a respected foreign firm, a playboy who in Manhattan might have been termed a "prominent young man about town." There were detailed press reports daily as the case wound its way through the judicial system.

British filmmaker Beeban Kidron ventures onto the mean streets of the South Bronx and other New York locales to examine the lives of those involved in the city's thriving sex industry.

Blistering live performance by British black metal pioneers Venom captured at the Hammersmith Odeon in London in June of 1984. One of the most legendary shows in the history of metal featuring the classic line-up of Cronos (vocals/bass), Mantas (guitar) and Abaddon (drums). TRACKLIST: 01. Leave Me In Hell 02. Countess Bathory 03. Die Hard 04. 7 Gates Of Hell 05. Buried Alive 06. Don't Burn The Witch 07. In Nomine Satanus 08. Welcome To Hell 09. Warhead 10. Stand Up And Be Counted 11. Blood Lust

Lisa is a middle-class white woman from Toronto, Canada. She's also addicted to crack cocaine. To maintain her habit, she works as a prostitute while living in a hotel room. She's tried to get clean, but knows too well how easy it is to relapse. Meanwhile, she participates in Toronto's needle exchange program to reduce her risk.

This follow-up to the 1989 documentary ONE YEAR IN A LIFE OF CRIME revisits three of the original subjects in New Jersey during a five-year period in the 1990s. We share in their triumphs and setbacks as they navigate lives of poverty, drug abuse, AIDS, and petty crime.

During an unusually harsh winter, a frozen trawler arrives on the river Thames.