Don't Get Angry

A serial of short instructional films using footage of Babe Ruth to explain the fundamentals of playing baseball.

An alien is left behind on Earth and saved by the 10-year-old Elliott who decides to keep him hidden in his home. While a task force hunts for the extra-terrestrial, Elliott, his brother, and his little sister Gertie form an emotional bond with their new friend, and try to help him find his way home.

Filmed live during Rod, Jane and Freddy's UK tour.

Two fathers and a bachelor decide to share a big house to lower expenses and help relieve loneliness, but the children involved are less than happy about the arrangement as friction and humorous problems develop rapidly.

Rod, Jane & Freddy's life lessons about strangers and what to say to them (mostly the word NO!).

Lahore, Pakistan. During a whole day, we follow Agha, a little boy who, to survive, collects waste in the street without caring about the world which surrounds him. He makes us share his moods and his vision of the life.

Susan, a pretty high school student, has everything going for her—except popularity. She can't figure out why she is so "out of step" with the rest of the crowd. She finally comes to realize that her habit of "hanging back" and "not trying to fit in" is making her unpopular. She vows to change her ways and go along with the crowd, which means that people will like her.

For two decades, Éva Janikovszky wrote her famous children's monologues, which have remained popular ever since. In some of her books, she always writes about the problems of her boy protagonist, which are related to a particular age. This is how the authors tried to fit the children's monologues "If I were an adult", "Something always happens to me" and the twin books "Be glad you're a boy" and "Be glad you're a girl" around the title work. The protagonist escapes from his life, full of commands and rules, first into the fantasy world of adulthood, then, trying to meet the challenges of going to school. Finally, he experiences the treacle of adolescence, when he is transformed from a clingy toddler into a novice, awkward adult by the conflicts of change. In Róbert Alföldi's film, children and adults play each other. The child in the adult role is very comic, and the adult relegated to the role of child is very awkward.

A short film following Anthony, a young child from the small, rural town of San Antonio de los Baños, Cuba. We see him in different moments of his daily life as he interacts with different forms of environmental, familial, and social influences. While Anthony displays contradictory traits of creativity, destruction, rigidity, and tenderness as he interacts with his external and internal worlds, we see a story built from the the multidimensionality of Anthony's layered personality as a young man.

The plot chronicles the exploits of Michael, a teenager who is using marijuana and stealing his father's beer. His younger sister, Corey, is worried about him because he started acting differently. When her piggy bank goes missing, her cartoon tie-in toys come to life to help her find it. After discovering it in Michael's room along with his stash of drugs, the various cartoon characters proceed to work together and take him on a fantasy journey to teach him the risks and consequences a life of drug-use can bring and save the world.

When inventor/efficiency expert Alexander Graham Wolf plots to take over Santa's workshop, Comet asks for help from Raggedy Ann, Andy and their dog, Raggedy Arthur.

Every year the Chincoteague fire department rounds up the wild ponies of Assateague Island and holds an auction to thin out the herd. The young children set out to raise enough money in hopes that the Phantom will be caught in this years round up. They soon realize they will get more than they bargained for when the Phantom has a surprise for everyone: a foal named Misty.

On holiday with their mother in the Lake District in 1929 four children are allowed to sail over to the nearby island in their boat Swallow and set up camp for a few days. They soon realise this has been the territory of two other girls who sail the Amazon, and the scene is set for serious rivalry.

Barbie as Odette, the young daughter of a baker, follows a unicorn into the Enchanted Forest and is transformed into a swan by an evil wizard intent on defeating the Fairy Queen.

A young boy discovers a stray balloon, which seems to have a mind of its own, on the streets of Paris. The two become inseparable, yet the world’s harsh realities finally interfere.

A look at the rampant HIV epidemic rate in Swaziland.

Siddharta and Fabrizio, one of them nine years old, the other one 65, are the core of a community that renounces every civilising comfort. We are their guests – for one summer.

This poetic core in youngsters is also touched in Stanukina's less known Your very personal poetry (Свои, совсем особые стихи, 1982), a wonderful film about a poetry class. It is here that one recalls Kogan's admiration of Lyalya's emotional documentary skills. And it is here that one recalls Kosakovsky's depiction of Lyalya as a person of extraordinarily prosperous feelings, sensitive and energetic, childish and female, shrill and quiet. The young poets are marvellously sneaky, respectfully adoring and creatively playing with - maybe even deconstructing - "Aleksandr Sergeevich", Mr. Pushkin, Russia's exclusive trade mark of high culture and literature.

Toni and his sister Rita travel alone by train to visit their grandma in Bamsdorf, eight stations down the line...

A daily life in Korogocho, Kenya, one of the world’s poorest slums.