T-Men

In 1949, composer Roman Strauss is executed for the murder of his wife. In 1990s Los Angeles, a detective comes across a mute amnesiac woman who is somehow linked to the Strauss murder.

LATE NIGHT (2018) is a contemporary neo-noir short film depicting a single night and morning in the life of a first-time contract killer. With virtually no dialogue, it aims to visually illustrate and probe themes of conscience, greed, guilt, and the interplay between fate and circumstance.

In this prequel to the original, a bloody power struggle among the Triads coincides with the 1997 handover of Hong Kong, setting up the events of the first film.

FBI agent Malcolm Turner goes back undercover as Big Momma, a slick-talking, slam-dunking Southern granny with attitude to spare! Now this granny must play nanny to three dysfunctional upper-class kids in order to spy on their computer hacker father.

Raoul Leduc is a police inspector trailing a spy who plots to kidnap an important American atomic scientist. Joe Victor a gangster who is hired to carry out the abduction, balks when he learns what is at stake and helps Leduc out instead.

A Texas oil driller schemes to steal millions of dollars in oil.

Steven Kenet, suffering from a recurring brain injury, appears to have strangled his wife. Having confessed, he's committed to an understaffed county asylum full of pathetic inmates. There, Dr. Ann Lorrison is initially skeptical about Kenet's story and reluctance to undergo treatment. But against her better judgement, she begins to doubt his guilt.

A newsman tracks down a phantom killer of murder-trial jurors.

An old-time crook plans a heist. When one of his two partners is found out to be a black man tensions flare.

Unsuccessful writer Aylmer Franklyn takes the chance to change identities after he discovers a corpse. However, he soon finds himself accused of the murder of a maid at a near-by boarding house.

Bank teller Mike Donovan (Barry Sullivan) takes the first step on the road to Perdition when he fails to report a $49,000 shortage. Accused of theft, Donovan is fired from his job. He is then prevented from finding other employment by Javert-like insurance investigator Gus Slavin (Charles McGraw). Despite many setbacks, Donovan attempts to clear his muddied name.

Three childhood friends, Martha, Walter and Sam, share a terrible secret. Over time, the ambitious Martha and the pusillanimous Walter have married. She is a cold businesswoman; he is the district attorney: a perfect combination to dominate the corrupt city of Iverstown at will. But the unexpected return of Sam, after years of absence, deeply disturbs the life of the odd couple.

The daughter of a Nevada casino owner gets involved with a racketeer, despite everyone's efforts to separate them.

Bootleggers on the lam Frankie and Noll split up to evade capture by the police. Frankie is caught and jailed, but Noll manages to escape and open a posh New York City nightclub. 14 years later, Frankie is released from the clink and visits Noll with the intention of collecting his half of the nightclub's profits. But Noll, who has no intention of being so equitable, uses his ex-girlfriend Kay to divert Frankie from his intended goal.

Through a fluke circumstance, a ruthless woman stumbles across a suitcase filled with $60,000, and is determined to hold onto it even if it means murder.

After committing a murder, a man locks himself in his apartment and recollects the events that led him to the killing.

Agnes "Astra" Huston, a fortune teller at a run-down fair, is found strangled in her bedroom. As the police question five suspects, their interactions with her are shown in flashbacks from their point of view.

It's a deadly play for power when a Mafia chieftain's top gun goes straight and threatens to testify against the big boss and his cruel, nationwide network of crime. The picture, which was shot in a semi-documentary style, was inspired by the Kefauver investigations of 1950-51.

This titillating bit of pulp sensationalism was the last in a string of "B" films that Cleo Moore starred in at Columbia. Moore plays Lila Crane, an ambitious clip-joint floozie turned photographer with flexible morals and a penchant for fast money.

A Brooklyn pier racketeer bullies boat-owners into paying protection money but two fed-up fishermen decide to eliminate the gangster themselves rather than complain to the police.