The Secret Night Caller

The lives of several individuals intertwine as they go about their lives in their own unique ways, engaging in acts which society as a whole might find disturbing in a desperate search for human connection.

A low rent detective, his stripper girlfriend, a runaway wife (who's joined a whorehouse) and a rapist / obscene phone caller / serial killer all factor into this piece of Los Angeles sleaze.

A convicted rapist continually violates his parole but slips through the cracks of the justice system until his crimes escalate into a frenzy of terror against five helpless women.

A wealthy lady can't find a satisfying physical relationship with her husband and she starts acting in porn films using a different identity supplied by a close friend. Soon things goes out of control as it turns out that she is driven by the uninhibited sex and can't control her compulsion.

Tomas and Martin are a gay couple living in Paris whose marriage is thrown into crisis when Tomas impulsively begins a passionate affair with young schoolteacher Agathe. But when Martin begins an affair of his own, Tomas must confront life decisions he may be unprepared—or unwilling—to deal with.

Hunter, a newly pregnant housewife, finds herself increasingly compelled to consume dangerous objects. As her husband and his family tighten their control over her life, she must confront the dark secret behind her new obsession.

A young model is terrorized by a peeping tom and obscene phone calls.

Beverly is the perfect happy homemaker, along with her doting husband and two children, but this nuclear family just might explode when her fascination with serial killers collides with her ever-so-proper code of ethics.

As the residents of the Pi Kappa Sigma sorority house prepare for the festive season, a stranger begins to harass them with a series of obscene phone calls.

A skeptical college professor discovers that his wife has been practicing magic for years. Like the learned, rational fellow he is, he forces her to destroy all her magical charms and protective devices, and stop that foolishness. He isn't put off by her insistence that his professional rivals are working magic against him, and her protections are necessary to his career and life.

How I Learned to Love the Numbers is a New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep The Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.

A young nihilistic New Yorker copes with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia, and ethnic-racial conflict during a typical summer of the 1970s.

A TV newswoman catches a pervert watching her sister who cannot see, hear or speak.

The film revolves around three struggling actors Michio, Gunji, and Enoken, who share a house together. One day, they find a baby girl left with a letter from Michio's ex-girlfriend. They name the child "Don-chan" and embark on the journey of raising her, despite their initial confusion.

In-depth look at the twilight years, spent training apprentices, of temple builder Nishioka Tsunekazu, who was called the "devil" as he devoted his life to temple architecture. His insistence on the gargantuan timescale of linking life to the next millennium emerges from people who knew him. Remarkable as well for showing the unknown backstage of temple architecture. Nishioka, known as "the last temple carpenter," handled the major Showa-era repairs of Horyuji temple, and in 1990 was at the scene of the reconstruction work for Yakushi temple.

Based on real events that took place in the "Mazakh" bastion, the Yom Kippur war, the Sinai front. After a surprise Egyptian attack, 42 soldiers under the command of a young lieutenant from the Seder yeshiva, struggle to repel the enemy attacks during which many of the fighters are injured or killed. At the same time in the TAGD bunker, the Tel Avivian reserve doctor is fighting for the lives of the wounded fighters and calls for urgent evacuations that do not come. After a week of siege and fighting, the soldiers will have to choose whether to continue fighting under the orders of their commander, or to follow the plan of the reserve doctor - a plan that may save their lives. Will they decide to give up the values they were raised on and surrender, or will they fight to the last bullet?

Two sisters set out from Warsaw to Kharkov to pick up their seriously injured father.

Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.

Peter Gibney is a long time agent who is known in the modeling industry for being kind, generous and supportive of the people he represents. Model Hope Harmon has been with Peter the longest of all his clients, close to 15 years. They have a very close, familial relationship and as a result,have made each other very successful. There is a major clothing client, Braden-Willoughby, that Peter has been trying to book Hope with, but the client has confided to Peter that they are not remotely interested in Hope, unless she were willing to undergo, in their words "dramatic changes". While visiting Hope on the set of her latest photo shoot, Peter tries to carefully discuss some hard truths about her future as a model.