Shabbat Dinner is boring as usual for William Shore. His mother has invited two crazy hippies and their son and is doing her best to show off, his father is drunk and berating their oddball guests, and he doesn't have much in common with their son Virgo. That is, until Virgo tells him that he has just come out as gay.
In the prosperous and chic apartment of the Christiansson family there are odd things going on. While Niclas is in the kitchen preparing dinner, in the bathroom an adultery is being committed through new technologies. Maja is exchanging kinky messages on her mobile phone from the bathtub while her husband and daughter are impatiently waiting for her to have a family dinner. Even when her phone is out of battery, she cannot bring herself to stop.
A lonely aged woman feels an irresistible attraction to a young man who works at the construction site opposite her house. , Her only concern ,to the end, the jewels and money that keeps in a drawer.
After Singapore must demilitarize its bases in Taiwan, a young Singaporean man and his lover must part ways. They spend an entire night together wandering aimlessly hoping to come closer to understanding their future. With only hours left, the bond that renders their connection to each other palpable is severed.
A boy puppet falls in love with a girl puppet. In a cruel twist of fate,they are separated when they are purchased by different people. When they chance upon each other again, the boy puppet does everything in his power to return to her side.
“When he shot Une seconde (4 min., 20 sec.), a video animation without computer graphics, Richard Angers tried to adapt Norman McLaren’s animation techniques to video shooting and editing. A long-term solitary task, in which images are moved by hand, centimetre by centimetre, in which one plays with the number of images per second, and in which the ± pure quest for effects is more important than the message”. BLANCHARD, Louise. “Les vidéastes sont au ‘rendez-vous’”, Le Journal de Montréal, Montreal (9 February 1992), p. 38.
First film produced by Laugh-O-Gram Studio, as part of demo reel. This film is not really animated, it just consists of Walt drawing a single frame. Part of the Newman Laugh-O-Grams Series.
This film is not really animated, it just consists of Walt drawing a single frame. Part of the Newman Laugh-O-Grams Series.
First properly animated film produced by Laugh-O-Gram Studio, as part of demo reel. Part of the Newman Laugh-O-Grams Series.
Ghiblies, a totally different look on the staff of Studio Ghibli as they go through life, work on new animation projects, office jokes, off the wall events, and deciding what to have for lunch.
Kuso no Sora Tobu Kikaitachi (Imaginary Flying Machines) is a 2002 Japanese animated short film produced by Studio Ghibli for their near exclusive use in the Ghibli Museum. It features director Hayao Miyazaki as the narrator, in the form of a humanoid pig, reminiscent of Porco from Porco Rosso, telling the story of flight and the many machines imagined to achieve it.
A single woman, Laura, meets a nice guy, John, on an online dating site. After a few dates he invites her to his vacation cabin in the mountains. Laura ignores the warnings from her friend, Ashley, about it being too soon to go away with a guy she just met. Once at the secluded cabin, Laura begins to notice strange behavior changes in John. She also begins to be drawn to the crawlspace under the cabin. Is this all in her head, or is there a deeper, darker secret to be uncovered?
A parody of sci-fi films, written and acted entirely drunk.
With harpsichord music in the background, a dandy, seated at a table, plucks a quill pen from a ceiling full of them above him, dips it in ink, thinks, then draws a straight line down the page in front of him, out of which sprout six more quill pens, each held by a hand. The calligrapher moves all the hands and pens in unison, drawing an elaborate feathered wing, which comes to live, peeling off the page, and, now a quill pen, slips in to his hand. He tucks it behind his left ear.
A display at the strange and wonderful artifacts in a collection of medical curiosities.
Two men seek to negotiate an agreement of international significance.
'Amy, is narrated by a model (Liisa Repo-Martell) who’s painfully uncomfortable with her own body and “old woman’s” face. Astonishing closing image is a tightly composed telephoto shot on the start of a marathon race among young schoolgirls, dashing toward and then across the screen in ultra-slo-mo, and accompanied by a girls’ chorus hauntingly singing Brian Wilson’s God Only Knows. Widely eclectic lensing and looks in various media and in color and black-and-white flow nicely from one section to the next, aided by gifted editor Mark Karbusicky.' ~ Robert Koehler, Variety - Part 7 of 7-part bio-feature Public Lighting (2004).
The questionably unstable Darryl Donaldson goes on a quest to prove why he's Donnie Darko's #1 fan. While creating the production diaries for the film Donnie Darko, the crew also secretly produced this short satirical film that poked fun at the film, its fans, and the people behind it.
A story about a boy whose recurring nightmare leads him to a spooky forest of magic and intrigue.